Contact

This remains true for this very good adaptation of the classic book by Carl Sagan. Sagans' idea was to make science and the elite commandeering of information available to the majority, he wrote his books for a wide audience and I think the film shows this as was intended by its author.

The Film is roughly about Dr Arroway, Ellie, and how she handles being alone in a world without family or close friends. It is metaphorically able to make us all think about how isolated we as a race, and as people can feel.

Ellie, a brilliant young scientist working on the mistrusted SETI program discovers a message sent to earth from distant star system Vega. On its discovery Ellie must battle with the Military, Pentagon, and Male Dominated scientific world to keep her cards on the table and her discovery that of her team. Ellie is constantly kept in the game by he benefactor, a rich technological industrialist mogul who has a vested interest in her participation of the programme to reach this alien culture.

I don't wish to go on any further and spoil this movie as I rate it as a fantastic exploration of Science Vs Religion and the entire subsequent human spectrum in between. As a film there were several alterations from the book that I felt could have been included, for example not just one traveler but a range of them, philosophers, theologists, scientists, poets and Dr Arroway.

I have watched this film a number of times and still find it a joy to watch the fifth, eighth and tenth time. Jody foster playing a not so dissimilar to her role in Silence of the lambs (attractive, clever, young, successful woman battling in a male world) is exceptional and delivers feeling and intellect alongside an impressive script.

I would give this film an 8.5 and recommend it to anybody, but if you are a sci-fi fan and haven't seen this film then you're in for a treat.

In my 61 years, I have seen many science fiction films. Few have exceeded my expectations as this film did. I remember seeing it in a theater (something I rarely trouble myself with these days), and finding myself at times gripping the armrests in excitement. This film builds like great stories should. However, even the best stories can collapse under the weight of a bad script, poor acting, or shoddy editing. I'm happy to say that none of these issues plagued this film. Ms. Foster delivers an extremely powerful performance and is a wonderful role model for women in science. All of the other actors also deliver memorable performances, but make no mistake, it is Ms. Foster's polished performance you will be thinking about when this film ends.

Much has been made of the last 1/4 of this film, with many viewers feeling a let down. I get that. The amazing build up and tension in the third quarter of the film is quite unexpected, but if you approach the final quarter thoughtfully, you'll see that it makes perfect scientific sense. That's rare in any science fiction film pitched to mass audiences. As such, this film makes an amazing contribution to the entire genera.

Although Jodie Foster has won two Oscars in her career I think her best work was done in Contact, a film where the only recognition it received was a nomination for Best Sound. She also never did a more serious film about a more serious topic. Are we in fact the only life there is in this vast universe and how do we find out.

As a scientist, something she wanted to be all her life, Foster is determined to get answers in the best way she knows, build the biggest radio telescope there is and throw out a few signals. Someone out in the great beyond will answer. Foster gets an answer.

What I love about Contact is that the gamut of human reactions to the possibility of life is dealt with in this film. It ranges from the multi-billionaire who wants his own life extended John Hurt, the geopolitician who is interested in power James Woods, the sincerely religious men of faith who want to see how God fits into the scheme of things Matthew McConaughey, and even the religious terrorist who fears that a mountain of man made dogma that he's based his life on will be washed away Jake Busey. Busey's part is extremely relevant, we have way too many of those in the world and strategically placed they can cause catastrophe.

Foster gets a blueprint for a space time travel machine, warp drive the likes of which James T. Kirk only wished he had. It goes horribly wrong the first time, Foster takes it herself for a second try.

Mention should also go to David Morse who plays Foster's father, first in scenes with young Jena Malone who was a science prodigy as a kid and later Foster during her 'journey' gets to talk to Morse again. Was it real or a hallucination. His scenes are the highlight of the film for me.

Contact takes no sides in the end, it simply takes the position that in terms of the universe humankind is taking baby steps. If we are really the only life in the universe it seems like an awful waste of space.

The special effects are fine, the sound was considered Academy worthy. So much more of Contact is, most especially the performances of Jodie Foster and her supporting cast.

This, for me, is a masterpiece. I have enjoyed it more with each viewing.

Carl Sagan was a great man. He promoted science in the way it should be, portraying the profound mysteriousness of our universe with humility, and without dogma. In his book, the Demon-Haunted World, he quoted Einstein:

"All our science, measured against reality, is primitive and childlike -- and yet it is the most precious thing we have".

Contact conveys this simple message in a subtle yet immensely powerful way. The performances are some of the most compelling I have seen, particularly by Jodie Foster and David Morse.

Just magnificent.

Reading other peoples' reviews, I see a split 50/50 argument where one side loves the movie and the other hates it. I am not one bit surprised, due to the importance of the film, and I feel this is proof that Contact is one of the most powerful movies of the decade. Like the reaction from the civilians to the machine, a movie with this much heavy firepower is likely to get both loathing and praise from its viewers. I for one praise the film, for its toughness and sensitivity, symbolism and passion, and the fact that it is a rare science fiction film, a gem which was released in a time where scientific intelligence in film has become a nothing short of a joke as the wonder of the universe has been ignored and the mystery of alien life have become a neverending trail of movie villains.

The film of course centers around the science vs. religion theme, the oldest and most frightening of all school debates. Instead of taking the more independent path the book takes, the film takes the more sensitive on the science vs. religion argument throughout the film by telling us that science and religion points to the same direction (the "pursuit of truth") but are misunderstood when studying the nature of their WAY of finding the truth (science uses evidence and answers, religion uses love faith). At the end of it all, the film lets us know that if science and religion stops colliding with each other and starts to combine and compliment each other (listen to Ellie's final words in her testament) the human race might achieve things we can only dream about now.

A perfectly refreshing film, with lots to say, great acting and directing, sound and special effects. Robbed by the Academy.