Macbeth

Every review I have read so far seems to have missed a crucial point. Shakespeare wrote for the accent and the pronunciation just as he did for northerners in other plays. The Scottish accent changes the emphasis and rhythm of the language and affects profoundly what is said and the way it is taken. So, listen again and note the difference. The play is well done and the rhythm of the words are so much better than that provided by people using received, polite, well- enunciated English. I am reminded of the time a teacher in a school in Leicester, unknowingly, asked me, age 14, to read a piece of Walter Scott which was written in the tone of the Border. I come from the Border and when I read it as it should be read it made all the difference.

I have said elsewhere that only people who really know what they are doing should attempt to do Shakespeare. This also goes for the reviewers: only those who really know Shakespeare should attempt to review a Shakespeare production. Otherwise ignorance will make you say things that reflect as poorly on you as a poor Shakespeare production reflects on its creators.

Why are many people saying bad things about the Jason Connery Macbeth? Well, one reason is that the technical side of things is not in order. The available versions do not have a crisp picture or sound quality, and the movie is kept in a torch-light mood which under these conditions tend to smudge the colors and the light somewhat. Which is a shame, because if the technical things were in order, this would be a very good movie. The direction is good, the acting is impressive, and the overall style is effectively atmospheric. It is not as good as it might have been, but it is almost as good as the Polanski version, and has its own characteristic style. It is colorful rather than dark, but an effect similar to darkness is achieved by the production being dominated by reds, oranges and earth-tone colors, enhancing the torch-light mood. The milieu and costumes are realistic and convincing, and the Scottish accents are great. Macbeth with the proper accents is the only appropriate way to experience this play!

As I am a bit of an idealist, who tends to see a film in its (imagined) ideal version, I choose to look beyond the technical deficiencies of this movie, and judge it as if I had access to a crisp and perfect version. It is a worthy Macbeth in any case, all the more admirable for being a well-produced movie rather than a filmed stage play. It's really too bad about the technical defects; hopefully a more polished version will be available one day. But an enjoyable Macbeth in any case, and one that merits a good rating.

8 out of 10.

Excellent performance. There still are good actors around! Also great directing and photography. Very true to Shakespear, and a 'must' for all Shakespear fans. Macbeth (Jason Connery) moved me to tears with his final monolog (out brief candle, out)He gave the sphere of moral decay and dark forces a human face, which makes it the more interesting. Helen Baxendale is a very credible lady Macbeth who can be very cheerfull at times and sometimes she just looks like a naughty girl, but deadly in her taste for blood and evil. If you love death and decay, and Shakespears lyrics... this is the one.

This low budget production of Macbeth brought the play back to life again and is by far the best version I have watched. Jason Connery and Helen Baxendale are superb in their roles and bring a humanity to their characters that makes you feel with them. There is solid support, in particular from Graham McTavish, Iain Stuart Robertson, Kenneth Bryans and Jock Ferguson is brilliant as the porter. Jeremy Freeman makes a good job of his directorial debut, and should go far. This film is well worth watching.

In terms of look and feel this is faithful to the period and Jason Connery and Helen Baxendale are excellent as the Macbeths, with the supporting cast in fine form. The film suffers from poor production values, cheesy music and some dialogue editing that is strange. However, and on balance, this is a good version of the Scottish play, and well worth a viewing. It compares favourably with most other versions and I await he new Fassbender version with trepidation, as the trailer shows totally inappropriate backgrounds. This Jason Connery version is a film interpretation of the play rather than a a film of the play as performed on the stage so allowances have to be made. The use of the Scottish accent is authentic and the costumes seem as accurate as they can be. Baxendales interpretation of Lady Macbeth is excellent, and Jason Connery makes a good fist of a difficult role.