Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.
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- 2 wins & 8 nominations total
James Le Gros
- Deems Taylor
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The movie is episodic and depends too much on the viewer's having prior knowledge of the life of Dorothy Parker and her literary friends. Its saving grace is Jennifer Jason Leigh as Mrs. Parker. Her only flaw is that, in trying to look and sound like Parker, her dialog is often hard to understand. Still, one of the greatest and most under-rated performances by an actress in an American film in the 1990s.
Towards the end of her career, Dorothy Parker remembers the past days when she was part of the Algoquin Round Table, a group of friends who shared interests in the arts, drink and witty barbs at each others' expense. However behind the wit she has a lot of hurt and the story follows her through broken relationships and lost happiness.
I have seen this film several times but am only writing a review of it now. It always strikes me as being a very worthy film that is `good' and should be appreciated. But, this doesn't make it an easy film to access or watch. On the surface the overlapping dialogue and quick wit makes for a film hat could be accepted several ways. I was stuck in the middle. At once I felt that these people were pompous and condescending but then also felt that they were witty people and clever! The same with Parker herself at times she was a good character but then at others she was mysterious and very hard to understand.
I suppose this is to the film's credit that it never paints it's subjects in one colour there is room for interpretation. The one thing that struck me (me who uses a lot of sarcasm) is how much hurt was often put behind the barbs. As one character says, she never talks deeply with any of her friends and never gets beyond the next barbed remark. The fact that her life slides the way it does shows the danger in this. However the film does still allow the brighter side of her life to come out as well so that it isn't al gloom. This still doesn't make it easy watching there is no one central narrative other than Parker herself. This made it feel a little free floating and aimless and it occasionally felt as hollow and pointless as the quick wit shared by unhappy people around the table.
The cast is pretty good. Leigh does occasionally come over as a woman giving an impression rather than a performance but she does manage to seem more natural when talking rather than quoting. The support cast is made up of quite a few B-grade stars (of quality and some not) and they all give good account of themselves. Broderick, Gallagher, McCarthy, Taylor and Tucci are among the cast but really it is Leigh's film to win or lose.
Overall this is a classy film. The direction and sets really get the period right and film feels good. However at times it seems aimless and much of the film is actually pretty depressing stuff. I took the warning from it of opening up rather than trying to be a smarta*se all the time, but I'm not sure if that was what it was saying. The cast do well and Leigh makes a good Mrs Parker despite just stopping short of out and out impersonation.
I have seen this film several times but am only writing a review of it now. It always strikes me as being a very worthy film that is `good' and should be appreciated. But, this doesn't make it an easy film to access or watch. On the surface the overlapping dialogue and quick wit makes for a film hat could be accepted several ways. I was stuck in the middle. At once I felt that these people were pompous and condescending but then also felt that they were witty people and clever! The same with Parker herself at times she was a good character but then at others she was mysterious and very hard to understand.
I suppose this is to the film's credit that it never paints it's subjects in one colour there is room for interpretation. The one thing that struck me (me who uses a lot of sarcasm) is how much hurt was often put behind the barbs. As one character says, she never talks deeply with any of her friends and never gets beyond the next barbed remark. The fact that her life slides the way it does shows the danger in this. However the film does still allow the brighter side of her life to come out as well so that it isn't al gloom. This still doesn't make it easy watching there is no one central narrative other than Parker herself. This made it feel a little free floating and aimless and it occasionally felt as hollow and pointless as the quick wit shared by unhappy people around the table.
The cast is pretty good. Leigh does occasionally come over as a woman giving an impression rather than a performance but she does manage to seem more natural when talking rather than quoting. The support cast is made up of quite a few B-grade stars (of quality and some not) and they all give good account of themselves. Broderick, Gallagher, McCarthy, Taylor and Tucci are among the cast but really it is Leigh's film to win or lose.
Overall this is a classy film. The direction and sets really get the period right and film feels good. However at times it seems aimless and much of the film is actually pretty depressing stuff. I took the warning from it of opening up rather than trying to be a smarta*se all the time, but I'm not sure if that was what it was saying. The cast do well and Leigh makes a good Mrs Parker despite just stopping short of out and out impersonation.
I think that this film was meant to be realist and naturalistic. However,there is the reality that this is an entertainment, and the audience has to hear and understand the lines. Supervigilance is required to do this in this movie. Not only does JJL's imitation of Dorothy Parker's speech affectations make the speech and musing of the main character difficult to understand, but the inclusion of background noise, overlapping dialog, and frequent muttering and mumbling of the performers make every character difficult to even hear, much less understand.
Since so much of this movie is about legendary people mouthing famous aphorisms, it is frustrating to only hear snippets of their lines. I suppose the idea was to toss these famous lines away to add naturalism. However, without spotlighting the conversations of the legendary characters, however contrived this might be performed, this is just a very sad movie about a bitter, unhappy, self-destructive, unproductive writer. Not very easy to watch nor very interesting.
Since so much of this movie is about legendary people mouthing famous aphorisms, it is frustrating to only hear snippets of their lines. I suppose the idea was to toss these famous lines away to add naturalism. However, without spotlighting the conversations of the legendary characters, however contrived this might be performed, this is just a very sad movie about a bitter, unhappy, self-destructive, unproductive writer. Not very easy to watch nor very interesting.
Since watching this film I have picked up a biography of Dorothy Parker as well as a book of her verse, that is how fascinating I find her to be. Not only her, but the performance of Jennifer Jason Leigh as well, though many have criticized her voice, I didn't find it out of place at all. The film involves us in her life in the 20's, when she was a theater critic for Vanity Fair. Throughout the film are celebrities of the time, Robert Benchley, Alexander Woolcott, Howard Ross, Charles McArthur. The cast is first-rate, particularly Campbell Scott. It is a very quotable movie, full of venomous one-liners, most courtesy of Mrs. Parker. One can certainly admire her spirit to persevere and excel in a world dominated by men. It is helpful to know the members of the Round Table, but isn't necessary in order to enjoy the movie.
Jennifer Jason Leigh is Dorothy Parker in "Mrs. Parker and the Vicious Circle," a 1994 film also starring Campbell Scott, Peter Gallagher, Stanley Tucci, Matthew Broderick, Gwenyth Paltrow, Jennifer Beals, Lili Taylor, Martha Plimpton, Wallace Shawn - a large, excellent cast which would be needed to tell the story of the glittering literary geniuses who were part of the Algonquin Roundtable. Oh, to have been an adult in those days ('20s-'40s) when wit and education and intelligence were so prized! Parker, a unique talent who could write with pathos and humor, was surrounded by the likes of Robert Benchley, Edna Ferber, Charles Macarthur, Alexander Woolcott, Deems Taylor and Robert Sherwood. The sad thing is that if you're a young person and you happen to catch this film on the IFC channel, you won't have heard of any of these people. Nor will you be interested enough to look them up. People don't seem to have the intellectual curiosity they once did. I realize these are generalizations - just how general remains to be seen.
The atmosphere is set wonderfully in this film, which tells something of Dorothy Parker's sad life as she finds and loses love. Unfortunately, with possibly the exception of Campbell Scott as Benchley and at times Ms. Leigh, everyone is PLAYING Woolcott, MacArthur, etc. It's all a kind of let's pretend instead us showing us real people -- as famous as they all were, they were human beings. The script is uneven; the crazy, frenzied scenes at the Algonquin are the best ones, but we don't know these people well enough to be interested in smaller scenes.
I had the great pleasure of seeing Jason Leigh on Broadway in "Proof" and she was excellent - she is a very fine actress with a broad range. But in her attempt to successfully have all of Dorothy Parker's externals, she's tripped herself up. I unfortunately only understood maybe 40% of what she was saying. Not only do I doubt that was true of the real Dorothy, I also doubt going that far with the voice was necessary - very, very few people who would see this film ever heard Dorothy Parker speak. It's a little like doing Eliza Doolittle - if you actually spoke pure Cockney, the audience wouldn't understand a word. Parker's droll tones channeled through Leigh's mouth don't work. She does, however, create a very real and very sad person who lived in an interesting time, wrote about it and who loved and drank her way through it.
The atmosphere is set wonderfully in this film, which tells something of Dorothy Parker's sad life as she finds and loses love. Unfortunately, with possibly the exception of Campbell Scott as Benchley and at times Ms. Leigh, everyone is PLAYING Woolcott, MacArthur, etc. It's all a kind of let's pretend instead us showing us real people -- as famous as they all were, they were human beings. The script is uneven; the crazy, frenzied scenes at the Algonquin are the best ones, but we don't know these people well enough to be interested in smaller scenes.
I had the great pleasure of seeing Jason Leigh on Broadway in "Proof" and she was excellent - she is a very fine actress with a broad range. But in her attempt to successfully have all of Dorothy Parker's externals, she's tripped herself up. I unfortunately only understood maybe 40% of what she was saying. Not only do I doubt that was true of the real Dorothy, I also doubt going that far with the voice was necessary - very, very few people who would see this film ever heard Dorothy Parker speak. It's a little like doing Eliza Doolittle - if you actually spoke pure Cockney, the audience wouldn't understand a word. Parker's droll tones channeled through Leigh's mouth don't work. She does, however, create a very real and very sad person who lived in an interesting time, wrote about it and who loved and drank her way through it.
Did you know
- TriviaThe founding of the "New Yorker" magazine is a subplot in this movie; Wallace Shawn's father, William, was, for many years, editor-in-chief of "The New Yorker".
- Quotes
Dorothy Parker: Razors pain you, rivers are damp, acids stain you, drugs cause cramp. Guns aren't lawful, nooses give, gas smells awful; you might as well live.
- ConnectionsFeatured in Would You Kindly Direct Me to Hell?: The Infamous Dorothy Parker (1994)
- How long is Mrs. Parker and the Vicious Circle?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Mrs. Parker and Mr. Benchley
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $2,144,667
- Opening weekend US & Canada
- $74,512
- Nov 27, 1994
- Gross worldwide
- $2,144,667
- Runtime2 hours 5 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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