Directed by
Richard Wherrett |
Writing Credits
Denis Whitburn | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
Tristram Miall | ... | producer |
Denis Whitburn | ... | producer |
Music by
Peter Cobbin |
Cinematography by
Roger Lanser |
Editing by
Sue Blainey |
Art Direction by
Martin Brown |
Set Decoration by
Kerrie Brown |
Costume Design by
Terry Ryan |
Makeup Department
Tina Gordon | ... | additional makeup artist |
Lesley Rouvray | ... | makeup supervisor |
Nicole Spiro | ... | assistant hair stylist / assistant makeup artist |
Production Management
Sally Ayre-Smith | ... | production supervisor |
Laurence Pettinari | ... | unit manager (as Laurie Pettinari) |
Second Unit Director or Assistant Director
Tanya Jackson | ... | third assistant director |
John Martin | ... | second assistant director |
Adrian Pickersgill | ... | first assistant director |
Art Department
Guy Chapman | ... | assistant construction manager |
James Cox | ... | stand-by props |
John King | ... | graphic artist |
Greg McLean | ... | storyboard artist |
Bob Paton | ... | construction manager |
Charlie Revai | ... | props buyer |
Amanda Sallybanks | ... | art department co-ordinator (as Amanda Selling) |
Jonathon Tidball | ... | art department assistant |
Sound Department
Steve Burgess | ... | foley recording |
Gerry Long | ... | foley artist (as Gerard Long) |
Fiona McBain | ... | boom operator |
Ian McLoughlin | ... | sound mixer |
Jane Paterson | ... | assistant sound editor |
Paul Pirola | ... | foley recording |
Andrew Plain | ... | dialogue editor |
Angus Robertson | ... | fx editor |
Roger Savage | ... | sound mixer |
Guntis Sics | ... | sound recordist |
Brett Stanton | ... | sound assistant |
Michael Thompson | ... | adr engineer |
Visual Effects by
Roger Cowland | ... | visual effects |
James Whitlam | ... | visual effects artist |
Stunts
Spike Cherrie | ... | stunt coordinator |
Camera and Electrical Department
Ian Barwick | ... | electrician |
Paul Booth | ... | best boy |
Guy Bowden | ... | assistant grip |
Colin Deane | ... | focus puller |
Russell Fewtrell | ... | electrician |
Stephen Gray | ... | electrician |
Benn Hyde | ... | assistant grip |
Philip Le Masurier | ... | still photographer |
Harry Panagiotidis | ... | steadicam operator |
Dominique Panichi | ... | camera department attachment (as Dominique Panici) |
Ken Pettigrew | ... | gaffer |
Paul Thompson | ... | grip |
Martin Turner | ... | camera operator |
Jules Wurm | ... | clapper loader |
Casting Department
Gabrielle Healy | ... | extras casting |
Costume and Wardrobe Department
Jane Johnston | ... | costume supervisor |
Editorial Department
Arthur Cambridge | ... | color grading |
Ian Russell | ... | laboratory liaison |
Andrew Yuncken | ... | assistant editor |
Location Management
Simon Bennetts | ... | location manager |
Music Department
Coralie Hartl | ... | music contractor |
Phillip Hartl | ... | orchestra leader |
Script and Continuity Department
Jo Weeks | ... | continuity |
Additional Crew
Libby Blainey | ... | title design |
James Bramley | ... | assistant accountant |
Tom Burstall | ... | risk manager |
Trish Cameron | ... | producer's assistant |
Denise Farrell | ... | production accountant |
Trish Foreman | ... | production secretary |
Fiona King | ... | production coordinator |
Bryan Rees | ... | runner |
Kim Walker | ... | choreographer |
Thanks
Harry M. Miller | ... | special thanks |