24 hours in the lives of three young men in the French suburbs the day after a violent riot.24 hours in the lives of three young men in the French suburbs the day after a violent riot.24 hours in the lives of three young men in the French suburbs the day after a violent riot.
- Awards
- 8 wins & 15 nominations total
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- Writer
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Summary
Reviewers say 'La Haine' is celebrated for its raw depiction of social issues in Parisian suburbs, tackling themes like racism and police brutality. Its black-and-white cinematography and intense performances, especially by Vincent Cassel, are highly praised. The film's bold narrative and social relevance resonate strongly, though some critics find the plot lacking direction or the characters unconvincing. Despite mixed opinions, 'La Haine' is acknowledged for its powerful commentary and influence on French cinema.
Featured reviews
how can you sum up a film this beautiful & slick
I first saw this film in 1997, after seeing and reading reviews about it on tv and the net for a couple of years. I never thought a film could actually make you truly think about things around our world, not just how bad it can be in places like the projects set in the film. I could truly see this happening where I am from(Rochdale,Manchester,UK).
The situation set in the film is a dark and nasty one. you watch 3 friends fall apart from the aftermath of a riot in a parisian project.a friend is near-fatally injured in police custody, which sparks a chain of events, part forced onto the 3 friends, part of self-inflicted.
the acting is amazing. Vincent Cassel's performance is electrifying. his mentality is distorted with hate(hence the film name), but you truly feel he is not a bad seed. His problem is he can't see the wood for the trees, which Hubert tries to point out to him.
Hubert is a character who has the potential to better his life, but he is trapped in his parisian project cell. he tries to guide vinz to a healthier and more productive way of thinking about life.
said seems to be the one who doesn't want trouble, but it is thrust upon him. he sees the relationship between hubert and vinz, his 2 best friend, deteriorate, but doesn't know who to side with, or what to do about it.
Mathieu Kassovitz made this film in a way that you feel for both the police and the the 3 friends. It is amazing to watch, as mathieu takes the simplest things, and makes them look classy(check out the DJ scene for a true example of what I mean). he uses black and white as to colour, and it doesn't look fake, or cheesy. in fact it enhances the film more than you could imagine. you won't sit there and wish he filmed it in colour by the end. the action, although relatively mild compared to todays film, is believable.
speaking about the end, it is one of the most simplest and powerful endings I have seen in a film yet. the soundtrack is awesome too. who would have thought french hip-hop would sound so sweet.
The situation set in the film is a dark and nasty one. you watch 3 friends fall apart from the aftermath of a riot in a parisian project.a friend is near-fatally injured in police custody, which sparks a chain of events, part forced onto the 3 friends, part of self-inflicted.
the acting is amazing. Vincent Cassel's performance is electrifying. his mentality is distorted with hate(hence the film name), but you truly feel he is not a bad seed. His problem is he can't see the wood for the trees, which Hubert tries to point out to him.
Hubert is a character who has the potential to better his life, but he is trapped in his parisian project cell. he tries to guide vinz to a healthier and more productive way of thinking about life.
said seems to be the one who doesn't want trouble, but it is thrust upon him. he sees the relationship between hubert and vinz, his 2 best friend, deteriorate, but doesn't know who to side with, or what to do about it.
Mathieu Kassovitz made this film in a way that you feel for both the police and the the 3 friends. It is amazing to watch, as mathieu takes the simplest things, and makes them look classy(check out the DJ scene for a true example of what I mean). he uses black and white as to colour, and it doesn't look fake, or cheesy. in fact it enhances the film more than you could imagine. you won't sit there and wish he filmed it in colour by the end. the action, although relatively mild compared to todays film, is believable.
speaking about the end, it is one of the most simplest and powerful endings I have seen in a film yet. the soundtrack is awesome too. who would have thought french hip-hop would sound so sweet.
It is what it is...
This is a film that aims to present the yearnings of the poor and brown/black in the simplest and truest form possible. Everything for Vinz is black and white, while Hubert's world is shaded in grays. Saïd is just doing his best to keep up. Through the three main characters, our own thoughts on the state of society (police brutality, poverty, etc) are revealed. That's the beauty of the film. It asks you the questions instead of serving you the answers in a way that's not preachy but encouraging. And that ending...
A brilliant view on the decadence of this context.
A very suggestive view of an environment abandoned to itself. I loved the fact that all the events happens in a single and normal day, as to highlight the fact that anything insane could happen in any moment. Brilliant execution, stable cinematography and good acting.
Better and Better
I have seen La Haine a handful of times now and with each viewing it just gets better.
The first thing that stands out about the film is the cinematography. It's rare that a film like this is considered both genuine and a good example of it's art but La Haine is both.
The plotline is compelling and realistic and neatly shows the way that inner city life has gone in the big cities in France as well as proving that despite the romance of Paris, it suffers from the same problems as any other major city.
The characters are above all believable and the cast did a great job. The quality of acting is simply stunning from several actors and it would be a shame if it was simply dismissed as "just another foreign art-house movie" by audiences outside France.
Above all the film whilst showing the influences of American films and society has a very clear sense of it's own identity and at no time does it feel like another US Ghetto film transposed to France. This is a major boon to the film and it stands out of the crowd for this, even though many people will dislike it because of this. It is, however, their loss.
It's hard to recommend this film highly enough, but I should add that more than one viewing is required to get the best from La Haine.
The first thing that stands out about the film is the cinematography. It's rare that a film like this is considered both genuine and a good example of it's art but La Haine is both.
The plotline is compelling and realistic and neatly shows the way that inner city life has gone in the big cities in France as well as proving that despite the romance of Paris, it suffers from the same problems as any other major city.
The characters are above all believable and the cast did a great job. The quality of acting is simply stunning from several actors and it would be a shame if it was simply dismissed as "just another foreign art-house movie" by audiences outside France.
Above all the film whilst showing the influences of American films and society has a very clear sense of it's own identity and at no time does it feel like another US Ghetto film transposed to France. This is a major boon to the film and it stands out of the crowd for this, even though many people will dislike it because of this. It is, however, their loss.
It's hard to recommend this film highly enough, but I should add that more than one viewing is required to get the best from La Haine.
The most relevant French film of the last 20 years
'Mean Streets' in french - and so much more. While there are so many references to Scorsese that you could almost call it an homage, this French milestone deals with the disillusioned youth who live in the outskirts of Paris in such an elegant - and honest - way, that I would go so far as to call it the most relevant French film of the last 20 years. But it's also a cinematic masterpiece and great, often hilarious entertainment. Everything fits: the musical choices, the outstanding performances by the 3 main characters, the beautiful cinematography and flawless direction. And, perhaps most of all, THE perfect script.
As much a realistic portrayal of a torn society as it is an artistic achievement, 'La Haine' is essential viewing.
My vote: 10 out of 10
Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/
Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget and B-movies: http://www.imdb.com/list/ls054808375/
Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/
As much a realistic portrayal of a torn society as it is an artistic achievement, 'La Haine' is essential viewing.
My vote: 10 out of 10
Favorite films: http://www.IMDb.com/list/mkjOKvqlSBs/
Lesser-known Masterpieces: http://www.imdb.com/list/ls070242495/
Favorite Low-Budget and B-movies: http://www.imdb.com/list/ls054808375/
Favorite TV-Shows reviewed: http://www.imdb.com/list/ls075552387/
Did you know
- TriviaReal police officers were highly offended by how their police counterparts were portrayed in the movie. During the Cannes film festival premiere, they 'greeted' the arriving cast and crew by turning their backs to them in protest. Despite their efforts, the movie received a standing ovation from the crowd afterward.
- GoofsThe trip across Paris is strange: the three characters should arrive at the Saint-Lazare station (north-west of Paris), coming from Chanteloup Les Vignes. Yet, when they arrive, they are in front of the Montparnasse station (south of Paris), on the Rennes street. Then, they go to Asterix place, on the boulevard Pierre Ier of Serbia, close to Iena Place (west of Paris), and when they try to catch the last train, this time they are at the Saint-Lazare station, the right one to go back. But then, when they are on the roof, they see the Eiffel Tower and the Trocadero from the south-east, being probably close to Montparnasse station. Then, they come across a sculpture, L'Ecoute, in the Halles Garden (center of Paris), before going back. Hence, their trip goes: south, west, north-west, south and center of Paris.
- Crazy creditsAll the cast and crew credits are at the start of the film. The end credits only contain special thanks and the song credits.
- Alternate versionsIn some English language subtitled (mainly American) versions the reference to the character of Said's friend who lives in the "posh towers" is 'Snoopy'. However, the untranslated dialogue says 'Asterix' and the woman who Vinz speaks to on the intercom laughs and says 'No, but his friend Obelix is here', whereas the translated version says 'No, but his friend Charlie Brown is.'. The reason Asterix and Obelix were changed to Snoopy and Charlie Brown in the subtitled version was because a lot of people are more familiar with those characters and possibly wouldn't understand the joke relating to Asterix and Obelix, which are two best friends in various French cartoon books by Goscinny & Uderzo.
- ConnectionsFeatured in Three Kings (1999)
- SoundtracksBurnin' and Lootin'
Written by Bob Marley
Performed by Bob Marley
© 1973 by Caiman Music Inc.
avec l'aimable autorisation des EMI Music Publishing France SA et de Polygram Projets Speciaux
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Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- El odio
- Filming locations
- Chanteloup-les-Vignes, Yvelines, France(Cité des Muguets, Cité La Noé)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- €2,590,000 (estimated)
- Gross US & Canada
- $280,859
- Gross worldwide
- $764,008
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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