Zero Kelvin

Yes, the movie is in Norwegian with English subtitles. It is not difficult to follow however, because the scenes are almost all dialog driven. With little action to distract, you will be somewhat at ease reading the text. Essentially this is a character study about the dynamic interaction between three isolated fur trappers played against the bleak Greenland landscape. There is a sympathetic poet writer, a gruff foul mouthed sailor, and a scientist. With the poet and sailor on a collision course, there is a claustrophobic catastrophe just waiting to happen. This film is not for the squeamish viewer, because of the human and animal brutality on display. - MERK

As a squeamish woman who rather hates film violence, I have to say that Zero Kelvin was an exceptional film. Henrik Larsen is a struggling writer who wants "raw material" and subjects himself for a year with 2 experienced hunter-trappers. I agree with the other film reviewer that this is a "character study" but want to point out that it is not flat or dull by any means. There's plenty of action throughout. I don't think that Larsen's boss and nemesis, Randbaeck, is evil but "troubled", and this distinction gives a lot of credence to the true struggle and relationship between the two men.

As usual, I went to see this movie having heard nothing of it, which normally works best since then I am able to see it on its own premises rather than being affected by reviews or previews, and even so I was quite surprised.

This film is nothing less than a well-played, well-shot psychological action/drama/thriller, and what's more, a Norwegian one even. Everything is highly believable, and the psychological development of the main character is a bit reminiscent of Espen Arnakke in Aksel Sandemose's Misery Harbour.

In "Misery Harbour", however, it is a development you are made aware of and pointed to look for, whereas in "Kjærlighetens Kjøtere", it gradually dawns on you what you are seeing, which makes this a much more powerful psychological narrative.

All in all, this is a rare pearl of ice, a gem of filmmaking that should not be left in its oyster, but held up to the light to be viewed in all its beauty by everyone who enjoy good movies.

This film is not for everyone. It is a pretty dark and pessimistic story and leaves you thinking for a long time after you've watched it. I had to see it several times to really understand the difficult relationship between Randbaek and Larsen. All actors are superb and the pictures of the arctic landscape are stunning. More drama than adventure.

Although that's not a bad thing, that is not exactly what the Kino Video release implies about the film. I was expecting some sort of exciting Arctic adventure story. Something fairly simple-minded, in other words.

Since expectation and actualization in this case are as different as snow and ice, it's a little difficult to assess the film fairly.

Suffice it to say that Stellan Skarsgård is unrecognizable as the foul-mouthed hunter. In Scandinavia, is he well known for his versatility? If he's not, he should be. Stellan is lousy in this film. I mean that literally. He's infested with lice. He's grubby. You would not want to be locked all winter in a claustrophobic room with him. His character is the heart of this drama.

This may not have been the Arctic adventure I was hoping for, but then it didn't leave me cold either.

The film was shot on the island of Spitzbergen (Svalbard in Norwegian), but I couldn't tell that I wasn't looking at Greenland.

The last credited performer, Tinkas Qorfiq, played the part of Jane, the dog, if I'm not mistaken.