A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.A cyborg policewoman and her partner hunt a mysterious and powerful hacker called the Puppet Master.
- Awards
- 5 wins & 7 nominations
Atsuko Tanaka
- Kusanagi Motoko
- (voice)
Iemasa Kayumi
- Ningyô tsukai
- (voice)
Akio Ôtsuka
- Batô
- (voice)
Kôichi Yamadera
- Togusa
- (voice)
Yutaka Nakano
- Ishikawa
- (voice)
Tesshô Genda
- Nakamura buchô
- (voice)
Namaki Masakazu
- Urisu hakase
- (voice)
Shinji Ogawa
- Gaikôkan
- (voice)
Mitsuru Miyamoto
- Daida Mizuho
- (voice)
Kazuhiro Yamaji
- Seisô kyokuin
- (voice)
Shigeru Chiba
- Seisô kyokuin
- (voice)
Hiroshi Yanaka
- Kenshi-kan
- (voice)
Ginzô Matsuo
- Ossan
- (voice)
Takashi Matsuyama
- Jikkô-han
- (voice)
Sanryô Odaka
- Gishi
- (voice)
Masamichi Satô
- Untenshu
- (voice)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn ordinary anime, characters would at least blink to create the feeling of "being animated", but in this movie, Motoko's eyes intentionally stayed unblinking many times. Director Mamoru Oshii's intention was to portray her as a "doll".
- GoofsThe car underneath the spider tank changes in size relative to the tank between shots.
- Quotes
Major Motoko Kusanagi: If we all reacted the same way, we'd be predictable, and there's always more than one way to view a situation. What's true for the group is also true for the individual. It's simple: Overspecialize, and you breed in weakness. It's slow death.
- Crazy creditsOn the Special Edition DVD of the film, the Manga Entertainment logo appears shaded cyberspace green and surrounded by circuitry.
- Alternate versionsThe original Japanese version has the song "Reincarnation" played over the ending credits. This song was replaced with "One Minute Warning" by Passengers (a collaboration between U2 and Brian Eno) for the English version.
- ConnectionsEdited into Wamdue Project: King of my Castle (Roy Malone Remix) (1999)
- SoundtracksSee You Everyday
Composed and Arranged by Kenji Kawai
Lyrics Pong Chack Man
Vocals Fang Ka Wing
Chorus Junko Hirotani
Featured review
That anime could be this good. I'd thought I'd seen good anime when a friend brought me 'Akira', but this one is just awesome.
It has everything that one could want. An interesting plot, deep thoughts, nice dialog, hot chicks, cool action, neat tech, and animation that puts everything to shame which has ever been produced in the western world.
Now when I watch anime I usually expect (and dread) the scene which will explain something about the fundamental nature of life, the universe, or whatever. This is (the only part) where 'Akira' failed. This is where 'Final Fantasy' went down the drain. But 'Ghost in the Shell' shines here brightly.
While watching it for the first time I had always this nagging feeling that some such scene would turn up and ruin the truly stunning visuals. Not so. After the '2501' monologue the story really comes together and you start to be eager for story development instead of just looking for the many details and extravagant action sequences.
A word on the story: No, you will probably not 'get' the story the first time around. Especially in the English version you will have to make the connection between MoFA, MF, MFA and Ministry of Foreign Affairs, that is easy to get confused over. The whole storyline might not be quite as complicated as understanding some 'Aeon Fluxx' episodes, but you have to rewatch the story to get a feel for the interconnection of the different players - especially if you are not familiar with the Ghost in the Shell literature. The story,thank god, is not dumbed down for the average viewer. This is what makes rewatching it so enjoyable. It has also some nice reflections on what it means to be human - things you may ask of yourself after the movie finishes ('Who knows what's inside our heads. Have you ever seen your own brain?').
The animation is superb, and used to unusual effect. The details are exquisite - especially cloth effects and character motions. There are a few scenes that only have music or an accentuating sound effect in the background while the animators show off their full artistic talent. But it's not just show-off time, the visuals are tied in with the subject and leave the viewer time to reflect on the philosophical/sociological messages (like showing the cybernetic heroine look at tailors' dummies)
In short: This is a must see for anybody who likes anime. Definitely a movie for grown-ups, though, because the graphic violence may disturb kids and the philosophy will go right over their heads.
10/10
It has everything that one could want. An interesting plot, deep thoughts, nice dialog, hot chicks, cool action, neat tech, and animation that puts everything to shame which has ever been produced in the western world.
Now when I watch anime I usually expect (and dread) the scene which will explain something about the fundamental nature of life, the universe, or whatever. This is (the only part) where 'Akira' failed. This is where 'Final Fantasy' went down the drain. But 'Ghost in the Shell' shines here brightly.
While watching it for the first time I had always this nagging feeling that some such scene would turn up and ruin the truly stunning visuals. Not so. After the '2501' monologue the story really comes together and you start to be eager for story development instead of just looking for the many details and extravagant action sequences.
A word on the story: No, you will probably not 'get' the story the first time around. Especially in the English version you will have to make the connection between MoFA, MF, MFA and Ministry of Foreign Affairs, that is easy to get confused over. The whole storyline might not be quite as complicated as understanding some 'Aeon Fluxx' episodes, but you have to rewatch the story to get a feel for the interconnection of the different players - especially if you are not familiar with the Ghost in the Shell literature. The story,thank god, is not dumbed down for the average viewer. This is what makes rewatching it so enjoyable. It has also some nice reflections on what it means to be human - things you may ask of yourself after the movie finishes ('Who knows what's inside our heads. Have you ever seen your own brain?').
The animation is superb, and used to unusual effect. The details are exquisite - especially cloth effects and character motions. There are a few scenes that only have music or an accentuating sound effect in the background while the animators show off their full artistic talent. But it's not just show-off time, the visuals are tied in with the subject and leave the viewer time to reflect on the philosophical/sociological messages (like showing the cybernetic heroine look at tailors' dummies)
In short: This is a must see for anybody who likes anime. Definitely a movie for grown-ups, though, because the graphic violence may disturb kids and the philosophy will go right over their heads.
10/10
- antialias11
- Jan 22, 2005
- Permalink
Details
Box office
- Budget
- ¥330,000,000 (estimated)
- Gross US & Canada
- $889,074
- Opening weekend US & Canada
- $2,736
- Feb 4, 1996
- Gross worldwide
- $929,593
- Runtime1 hour 23 minutes
- Color
- Aspect ratio
- 1.85 : 1
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