IMDb RATING
4.6/10
2.9K
YOUR RATING
3 men rob a place. Hayden is killed, Johnny is wounded and does 5 years prison, and Patty leaves with the money and sees Hayden's sister. When Johnny is released, he goes straight and wants ... Read all3 men rob a place. Hayden is killed, Johnny is wounded and does 5 years prison, and Patty leaves with the money and sees Hayden's sister. When Johnny is released, he goes straight and wants a boxing career.3 men rob a place. Hayden is killed, Johnny is wounded and does 5 years prison, and Patty leaves with the money and sees Hayden's sister. When Johnny is released, he goes straight and wants a boxing career.
- Director
- Writers
- Stars
Jade Scott Yorker
- Ricky
- (as Jade Yorker)
Michael Nicolosi
- Sean
- (as Mike Nicolosi)
Sharif Rashed
- Stevey
- (as Sharif Rashid)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
... about the American b-movies of the 90's that isn't exactly placeable anywhere. my own very young background is literary with movies as adiaphora, but it's a damn necessary one if today's society is to be at all comprehensible (which even then doesn't insure us of its comprehensibility for all that). the movie reviewed is a mish-mash of emotion, all misdirected, but sure as hell standing in their own right; that is, as open to ridicule. an honest look, however, at the 'private' life of modernity rarely entails one linear chain of events, affects, that can be deduced 'logically'. confusion is not only permitted and encouraged, but sustained throughout its madness, meaning as banished as the howls of the afflicted discordant and the 'possibilities' being presented are using us for its own instrumental reason without ever including our 'human potential', so why not put in the breaks and vegetate? seems to be the message of modern-day cynicism. sure as bunkers, you can't either blame or pity these neo-nihilists, put in their rightful place by a society all-too-much-like a Russia of the late 19th century. a simple "no" is not the truth but at the same time not an "affirmative" of what you in your heart of hearts suspect of untruth (covered up with courteous witty banter). there is no hypocrisy in such play-acting, but even those who refuse to intellectualize (don't believe in any form of "rationalization" whatsoever) and give way to the scurvy feelings and blurry outlines of their being, vaporize the untruth of a society as well as any truth makes its intellectual form ever. the one is descriptive, the other normative. this movie portrays how most human relationships are actually played out from beginning to end and it should give rise to wonder, if not awe, in humility. the sheer bulk of madness transforms itself before our very eyes into an intelligible quality, which we begin to fear. i'm willing to go as far as to say it's cathartic, but in the modern sense, which, unlike tragedy, doesn't anesthetize your defeature with a supplementary cord of meaning. as always, it's the raw fact of death that shines a light on life and serves as the usual wake-up call for the lazy 'human'. (jolie is great, by the way)
I found this movie to be solidly entertaining. I was fascinated by the character of Johnny Miller. This was a guy surrounded by ugliness who, with one misstep, could have been consumed by it. However, simply by being who he was and doing what he knew to be right he redeemed himself and those around him. A lot of people in the world would do well to follow his example, and I hope a lot of people will see this movie and enjoy it.
This movie is pretty well done--I didn't think it would be good, but I was pleasantly surprised. It has a slow, steady pace, in which we continually learn more about the characters and their situations. As it unravels it almost hypnotizes you. This probably has a lot to do with the EXCELLENT soundtrack, which is beautiful and subtle.
The casting was pretty good. The acting was pretty decent, too. The script, so-so. I'd say it's the sort of movie to watch when you're in the mood to be alone and contemplative, but when you're feeling generous enough to forgive its shortcomings.
Why is there a 10-line minimum for these comments? I don't really know what else to say about it. I really like the song that plays during the end credits.
The casting was pretty good. The acting was pretty decent, too. The script, so-so. I'd say it's the sort of movie to watch when you're in the mood to be alone and contemplative, but when you're feeling generous enough to forgive its shortcomings.
Why is there a 10-line minimum for these comments? I don't really know what else to say about it. I really like the song that plays during the end credits.
This is certainly one of the best films I've seen lately. It's a good surprise, once it doesn't seem to be so good when you read about it. The plot is basic in the beginning, but it turns into a fascinating drama and a breath-taking thriller. Angelina Jolie is again very well in her role.
The songs we hear all through the movie are very good. They're also a good reason to make this such a good film. We have a bit of everything here: rap, rock, folk... This is really something you can't miss.
I have to talk about the direction too. I think it's brilliant and remarkable.
my rate 8/10
The songs we hear all through the movie are very good. They're also a good reason to make this such a good film. We have a bit of everything here: rap, rock, folk... This is really something you can't miss.
I have to talk about the direction too. I think it's brilliant and remarkable.
my rate 8/10
I have to admit, some scenes are boring and some are gross but at least it has a story to it. The story is actually quite interesting. I first saw this movie a year ago when I was eleven. I bought it off ebay in 2002. I enjoyed Hells Kitchen. I wish it ended a bit different though. It really tells you what life is like in Hells Kitchen.
Did you know
- ConnectionsReferenced in The Worst Movies of All Time: S.O.S. Barracuda - Der Tod spielt Roulette (2024)
- SoundtracksShe Moved Through The Fair
Traditional
Arranged by Mark Rutherford, John Gosling and Caroline Lavelle
Produced by Mark Rutherford
Performed by Jam Nation
Courtesy of Real World Records
- How long is Hell's Kitchen?Powered by Alexa
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $11,710
- Opening weekend US & Canada
- $4,332
- Dec 5, 1999
- Gross worldwide
- $11,710
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content