Shadow Conspiracy

When political aide Bobby Bishop is warned by an old friend of a high level Government conspiracy before witnessing his murder he finds his life turned upside down and pursued by a trained killer. Unsure of who to trust Bishop teams up with journalist Amanda Givens in a race to uncover the conspiracy and clear his name, but who can he trust as the stakes are raised.

This is ultimately a chase movie, the political conspiracy is nothing more than an assassination plot that is wheeled out at the end. Most of the film is Bishop escaping from the killer and trying to uncover the truth. The conspiracy is pretty thin and you can guess who is involved from the first 20 minutes. The way that Bishop manages to uncover this great conspiracy is far too easy and it makes it all feel too lazy. And the assassination attempt is worth seeing just to laugh at how ridiculous it is - I won't spoilt it for you but trust me, it's totally absurd. That leaves the chase element which is quite dull and gets repetitive.

Sheen is not great here - often he can do well in poor films, such as Terminal Velocity, by giving a fun performance. Here he is serious and hunted and must "do" serious throughout. In fact the cast is actually really good on paper - lots of famous faces, Linda Hamilton, Sutherland, Turturro, Paul Gleason, Sam Waterston and Gore Vidal. Gore Vidal for God's sake! How all these people manage to not see that this was going to be a turkey is beyond me. Hamilton is unbelievable and seems content with the fact that it's not just a TVM. Sutherland does his usual stuff and is quite good. But should a poor film like this deserve a cast this deep?

Overall a poor film that relies on lazy plotting to move it's action along. The conspiracy is easily uncovered and the killer is easily avoided. When even Charlie Sheen describes this as "a piece of s***" then you know it's not going to be good. Avoid this - an alternative is Enemy of the State which has similar themes but is much, much better.

This was the last film directed by George P. Cosmatos, a Greek born in Italy, who directed numerous Hollywood action movies and thrillers over the course of 24 years, including several with Greek settings. This one is set entirely in Washington, D.C., and it is a cracking conspiracy thriller about traitors inside the White House. The hero (who spends most of his time on the run from an assassin hired by the conspirators) is played by Charlie Sheen. Linda Hamilton plays a Washington political journalist with whom he is involved on and off, and they become co-fugitives. The dominant presence in this film, however, is that of Donald Sutherland, who acts circles round everyone else, as a security chief. Theodore Bikel has a bit part as a Russian scholar living in the USA who gets killed at the beginning of the story because he has discovered the traitors. Ben Gazzarra plays a character who stands around tables at the White House looking important and smug, but I did not understand until I looked at the credits on IMDb that he was meant to be the Vice President. The President is played by Sam Waterson, but he too is just a supporting character in the story. Gore Vidal has a fleeting bit part as a Congressman. The film contains an excess of action and not enough story. But it is very tense and 'thrilling' as a thriller should be, so it works within its genre. Charlie Sheen is very convincing as a young Special Assistant to the President who is constantly on the run because he has discovered the traitors who wish to assassinate the President. The assassin who keeps trying to kill him is played by Stephen Lang, who is absolutely terrifying, though why he wears a long white coat down to his ankles, thereby attracting a lot of attention to himself, is a mystery. (Aren't assassins supposed to be inconspicuous?) And how does he stow all of those guns under that flimsy coat? And how does he not get stopped by the police when he is shooting all those innocent bystanders in the streets like that? Oh, well, it's only a movie.

This movie is so bad you'll be laughing yourself home. George P. Cosmatos is capable of making a good movie, look what he did with "Tombstone," and this one has all the right elements but falls flat on its face.

It *looks* good, has lots of mistrusting characters and turns of story to keep things going, and creates an atmosphere of deep intrigue and suspicion with bland Charlie Sheen at the center. But all these people running around so deathly serious never seem to stop and realize, "hey, this is really stupid what we're doing!"

A lot of the problems relate to the central assassin/hit man, a mute iron-eyed killing machine who runs around in a tan duster that makes him stand out like a sore thumb. He draws the line at shooting a defenseless puppy, but otherwise he kills everything that moves and is such a bad guy that he LITTERS!

It's easy to compare this movie to better efforts like "In the Line of Fire" or even the remake of "The Jackal." All feature a ruthless assassin constructing a secret weapon. "In the Line of Fire" had a plausible and realistic one, "The Jackal" was overkill, but this one is ridiculous. You have to see what the killer actually does at the end of the movie, it blows what little seriousness the movie had and turns it into a farce.

If you miss seeing this movie, don't worry about it.

Bobby Bishop's role in the White House was never made clear, but when they needed him, they sent a helicopter, and he arrived in a conference room full of suits still wearing his sweaty Princeton sweatshirt. Once he cleaned up and put on his own suit, Bishop went before the press to clear up a public relations problem--after reminding a certain congressman what could happen if said congressman didn't help.

A secret meeting with Prof. Pochenko promised to reveal something not quite kosher in the White House. But a man with a gun wanted the information to stay secret. So Bishop spent the rest of the movie on the run and trying to uncover secrets with the help of Washington Herald reporter Amanda Givens. Meanwhile, someone was capable of monitoring pretty much every phone call that took place in the movie.

I like Charlie Sheen better as a womanizing jerk, but he was just fine here. Both Sheen characters know how to scheme and lie and otherwise be quite charming to get what they want. Donald Sutherland did a credible job as the White House Chief of Staff who didn't have faith in the President's ability. And Sam Waterston didn't exactly inspire confidence as the President. Linda Hamilton was good as Amanda.

This wasn't a great action thriller, but it was good nevertheless. Too violent for my taste (and there was a stern warning on the TV station I watched, even after the movie was cleaned up for TV), but I enjoyed the chases and the occasional comedy.

My Take: Routine political thriller with mediocre action scenes and predictable twists.

A rarely seen political thriller, which made a very poor box-office response, I managed to catch THE SHADOW CONSPIRACY on TV just now, and while I was glad that I satisfied my curiosity to see this rare film, I didn't exactly feel this film was all special. Considering the box-office response to it, SHADOW CONSPIRACY is not all quite as bad as critics and the public reacted to it, but still ain't very good to begin with and everything, from script to direction, is pretty predictable. Charlie Sheen plays the presidential assistant who finds himself caught up with assassins and chases (a lot of them) when he discovers a deadly conspiracy which lurks amongst the White House staff. After a professor is murdered, Sheen aids the help of ex-flame reporter Amanda Givens (Linda Hamilton) to uncover the traitor and unlock the conspiracy of the title.

But this script, written by Adi Hasak & Ric Gibbs, are pedestrian as they come, not much differing from other White House conspiracy thrillers as in ABSOLUTE POWER and MURDER AT 1600. Some considerable talents (Donald Sutherland, Ben Gazzara and Stephen Lang) try their best on a routine script, but rarely saves it from predictability of the script. Not to mention a ludicrous scene which involves a toy helicopter, which seems far too silly and out-of-place in this "serious" political thriller. THE SHADOW CONSPIRACY has its moments I'm sure, some of which are much to under-appreciated (director George Pan Cosmatos serves up some decent chase scenes), but none of which lifts this routine thriller of which there's not much payoff or surprises.

Rating: ** out of 5.