A spaceship is discovered under three hundred years' worth of coral growth at the bottom of the ocean.A spaceship is discovered under three hundred years' worth of coral growth at the bottom of the ocean.A spaceship is discovered under three hundred years' worth of coral growth at the bottom of the ocean.
- Awards
- 3 nominations total
Featured reviews
With a cast like this you gotta have high hopes. With a director and a writer to match you deserve something fantastic! And for the most part this delivers. The build up is dark, mysterious and exciting. However once the sphere is found it goes downhill. It still has some really good moments the jellyfish bit is scary and other actions bits are cool. But it gets all muddled up in what the sphere is and who is doing what on the base. It almost manages to hold together until the final half hour then it all just collapses like a flan in a cupboard! It's a shame because for the most part it felt like it was building to something much better, but no.
The cast promised much but didn't deliver. Jackson was great, but I don't think he can be bad even in a bad movie. Hoffman stutters around like he doesn't know what he's doing. I know he's meant to be playing a character that isn't used to heroics, but he doesn't bring anything. Stone is OK but at times looks like she reading her lines off a board. Coyote is OK and Schreiber is understated by his own hammy standards. It's also cool to see Queen Latifah in a role.
Overall this is worth watching as for the majority it's real good. However you notice that the film has got 30 minutes left to go make your excuses and leave, by then you've seen the best it has to offer.
The movie follows the book pretty closely. Barry Levinson directs his 2nd Crichton adaptation, following Disclosure. There is a terrific superstar cast. Dustin Hoffman is a legend and has made several great movies with Levinson. Samuel L. Jackson, always fun to watch, is one of the top actors of today. The sexy Sharon Stone here continues to prove how good of an actress she is.
Sphere is a very strange, but entertaining movie. I do reccomend reading the book beforehand, though.
Definitely the giant squid thrills are insufficient (note that Crichton devoted a good part of his novel describing encounters with 'the monster'). I guess animation artists were short budgeted...though the film as a whole still is a visual treat...and the atmosphere is rightly captured, with nice music.
Overall, I think the movie is worth watching and is definitely of a much higher caliber than 'The Lost World'. It follows a psychological-cum-sci-fi thriller theme and i feel is better than the similar flick 'Abyss'. As from the novel's point-of-view...it could have been done better though. 8/10 stars!
As a kid, I vaguely remembered glimpsing Sphere (1998), but for some reason I hadn't (re)watched it until now. I'm convinced that if I had watched the whole thing back then, I'd felt far more nostalgia for it.
The book laid out a quasi 'foolproof' formula for a hit movie: gather a small group of intellectuels, isolate 'em from the outside world, add some mystery and the unknown, and voilá! Sound familiar? Despite this, the filmmakers couldn't quite crack the code for this one.
While the first act showed some promise, later acts felt rushed and ultimately fell apart, failing to capture the impact of the book, especially the end. Perhaps those story changes were as helpful as a screen door on a submarine.
Regarding the casting: Hoffman was a great choice for Norman, and Schreiber was fine as Ted. Well, Jackson is like the 'wildcard' of actors, he can work with anyone and anything, so that's that.
However, whenever Stone was on screen, I couldn't help but wonder who could portray Beth instead of her. In my mind, I envisioned actress like Amy Brenneman from Heat, or rather Kim Dickens from Mercury Rising, or even Radha Mitchell from Pitch Black --someone with a bit of edge, yet still lively and likable. Unlike Stone, who seemed devious from the get-go. While she really excelled in Basic Instinct with such mannerisms, here she seemed miscast.
Visually, some aspects still hold up. Though initially disappointed by certain missing elements, maybe it's for the best.
As for recommendations, it's probably a once-in-a-lifetime watch (even as a devoted Crichton fan, once in total is enough for now).
I rate it a weak 6/10.
PS: I'd recommend opting for the book instead, or for the audiobook (with a sample by Scott Brick, sounds nice).
Did you know
- TriviaMany scenes, like Harry (Samuel L. Jackson) and Norman's (Dustin Hoffman's) conversation about making up the ULF report and dealing with Ted (Liev Schreiber), were completely improvised.
- GoofsWhen Jerry first makes contact, he transmits in code : "MY NAME IS JERRY". Later, the code is revealed to have been mistranslated and the message reads: "MY NAME IS HARRY" If the letters H, E, J, and A in the simple letter/number substitution code were wrong, the first message would have read: "MY NEMA IS JERRY". Also, the entire series of conversations they had would have exhibited the same error, yet none did so. (HAPPY would have been JEPPY, ALL = ELL, etc.)
- Quotes
Dr. Harry Adams: We're all gonna die down here.
Norman Goodman: What?
Dr. Harry Adams: You see? It's curious. Ted did figure it out - time travel. And when we get back, we gonna tell everyone. How it's possible, how it's done, what the dangers are. But then why fifty years in the future when the spacecraft encounters a black hole does the computer call it an 'unknown entry event'? Why don't they know? If they don't know, that means we never told anyone. And if we never told anyone it means we never made it back. Hence we die down here. Just as a matter of deductive logic.
- Crazy creditsThe opening credits are cast over an invisible sphere.
- Alternate versionsSPOILER ALERT: An alternate television edit has been shown with a simplified and more ambiguous ending that follows the shooting script; Harry warns them that the authorities are on their way to debrief them, and they will demand answers. The three survivors ready themselves to forget about their mission and the power they possess. Outside, a helicopter sets down. Subsequently, we see the three survivors being interviewed in a debriefing room after decompression, each shot individually against the same background. They react as if they're oblivious to anything going wrong in the Habitat, unaware of anything that happened to Ted, Barnes or the Sphere. The helicopter leaves, and the camera pans down to the ocean, where the Sphere supposedly still remains.
- SoundtracksHorn Concerto No. 3 in E Flat Major, K.447
Written by Wolfgang Amadeus Mozart
Performed by Vienna Mozart Ensemble; Herbert Kraus, Conductor
Courtesy of LaserLight Digital
By arrangement with Source/Q
Details
Box office
- Budget
- $80,000,000 (estimated)
- Gross US & Canada
- $37,020,277
- Opening weekend US & Canada
- $14,433,957
- Feb 15, 1998
- Gross worldwide
- $37,020,277
- Runtime
- 2h 14m(134 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1