Washington Square

I first saw "The Heiress" when it first came out. I was about 12, but old enough to be fascinated by the characters and the basic conflict. Wow! I read the James' book "Washington Square" about 30 years later. I was disappointed. It was a rambling story told by a busybody with none of the dramatic high points of The Heiress; it is Henry James" first novel and has none of the intriguing nuances of his later novels.

This film stays closer to the novel than "The Heiress". Thus, it is much less of a drama. The attempt to do the book is commendable, but it is not necessarily the route to an entertaining film. Here, the characterizations are obscurely unmotivated (Finney), over-the-top (Smith), uneven and sometimes weird (Leigh), and charmless and off-putting (Chapin). The musical score is intrusive. All of this contrasts badly with "The Heiress", in which the characters had far more depth, authenticity, and appeal(certainly Morris and even the minor characters).

This longer version attempts a better exposition of the characters' psychology. Good ambition but it fails. Take Dr. Sloper. A hard working, self-made man who despises Morris Townsend mainly because he is a self-centered loafer. It is not snobbery which motivates him, Morris is a gentleman, but his belief in merit and good works. He does love his daughter but she disappoints him with her shyness and inability to master much of life. He pushes her to manage better, but he is constantly frustrated. For her to marry Morris would be to shatter all he believes about how people should live. A bad guy? A good guy? All of this comes out in Ralph Richardson"s performance in "The Heiress.' Finney just seems like an nasty oaf in comparison.

If you liked this movie, then you should try William Wyler's "The Heiress" (1949) featuring GWTW's Melanie, Olivia de Havilland and Montgomery Clift. Both of these movies contain moving performances from all of the lead actors. Catherine Sloper is skillfully portrayed as an unworldly, naive, young woman who falls for financially-unmatched, well-cultured, dashing Morris Townsend. The overprotective yet unloving Dr. Austin Sloper, Catherine's father, will make your blood boil! Both movies have the making for some intense soap opera-like drama - suspenseful in every regard, keeps you reaching for that bowl of popcorn or that box of Kleenex. To truly understand the plight of the young lovers and especially to get a sense of the tension behind the relationship between daughter and father, one must view "The Heiress" and "Washington Square" for the two films are lovely by themselves, but they certainly complement each other. You'll see what I mean after watching both ;) Enjoy!

The film version of Henry James' novel twists the story James tried to convey. The director of the film took too many liberties with the film by adding scenes and distorting scenes as to make the drama point almost all fingers at the poor Doctor. I believe that the director did not make as much of an emphasis on the money as James originally did, and I believe that the director did not convey the faults within the love affair in order to make the drama more romantic. I think that a more strict adherence to James would have made the film just as romantic, but would have left the audience with the message that the lovers had just as many faults as the good Doctor.

This was such a ham-handed film that only the invisible force field that surrounds my couch prevented me from getting up and turning the television off. Much of Leigh's performance seemed to consist of channelling Ally Sheedy's quirky "Breakfast Club" shtick. Jeez, Catherine isn't supposed to be the village idiot; she's just naive and sheltered. The scenes involving pants-wetting and prostitution were unfaithful to James' spirit, let alone the actual text, and the music was god-awful and anachronistic, especially the irritating piano duet.

Albert Finney and Maggie Smith did their best, but the direction gets the Golden Toilet award. Oh, look; it's sunny - such felicity abounds! Aw, gee, it's raining, let's all fall down in the street to the sounds of swelling symphonic shmaltz. Peuw.

And I am normally a such a forgiving costume drama fiend. Alas.

It is unfair to compare the 1997 film "Washington Square" to the 1949 film "The Heiress." "Washington Square" is a faithful adaptation of Henry James' eponymous classic novel; "The Heiress" is based on the stage adaptation of the James novel by Augustus and Ruth Goetz.

Hence, the two most dramatic scenes in "The Heiress" do not appear in "Washington Square" -- Morris Townsend's cruel jilting of Catherine right before their planned elopement, and Catherine's revenge in the final scene, where Morris is left pounding on the bolted door.

There were many fine performances in "Washington Square," most notably Jennifer Jason Leigh. Her many expressions of hurt, pain, and anguish are heart-breaking to watch. Ben Chaplin's outstanding portrayal of "the fortune hunter" is surprisingly sympathetic. Maggie Smith's Aunt Lavinia is seen as meddling and trouble-making. The soundtrack is beautiful, and the set designs and costumes provide an accurate portrayal of 19th century New York.