Wishmaster

Wishmaster marks a huge return for theatrical gore. What a splatterfest! That opening scene, are you kidding me? The KNB crew have blown me away again. From chest exploding skeletons to lizard men, it's well done and I applaud them. It's not just the prologue, it's the whole movie. There's one bit in particular where a guy gets his jaw ripped off. It's jaw-dropping (no pun intended). There is someone from nearly every important horror franchise, and some that aren't so important, in this flick. Cast and cameos include Robert Englund, Kane Hodder, Tony Todd, Angus Scrimm and Reggie Bannister, Ted Raimi and Dan Hicks, Tom Savini, Ricco Ross, Peter Liapis, Joseph Pilato, and Buck Flower. Not to mention KNB effects group, Harry Manfredini did the score, Peter Atkins wrote the screenplay, Robert (K of KNB) Kurtzman directed, and Wes Craven is producing. This is an unreal cast and crew, a who's who of horror. Let's not forget who's leading this cast: Andrew Divoff. He has the one of the scariest, harshest voices of all time. He is the Djinn and he's cool as hell. I just can't understand why this wasn't as well received by the horror community as it should have been. As for the sequels, what sequels? Stick to the original and you can't go wrong.

Firstly, this is a movie that is defiantly B-Grade, and it shines all the more for it. It has a cast of iconic B-Grade horror movie stars - Tony "Candyman" Todd, Kane "Jason Voorhies" Hodder, Andrew Divoff, Ted Raimi, and of course the greatest (to me, personally) horror icon, Robert Englund. We also get cameos from Verne "Mini Me" Troyer, Angus "Tall Man" Scrimm (albeit only in voice form), John Carpenter staple George 'Buck' Flower, and Ricco "Frost from Aliens" Ross among others.

Despite being a 1997 movie, the special effects feel late-80s, as befitting it's B-Movie status, I guess, but they don't come across particularly bad or dated in any way.

The acting from our lead, Tammy Lauren, is everything you'd expect from a B Movie, but not always distractingly so, and the story is basic enough to bring the gore - an evil Djinn is released and twists wishes immediately, if not directly affecting the wisher.

It's worth a watch, even if just to see the aforementioned horror icons.

This was one of my first horror movies (one of many). I first saw it when I was eleven. Back then it was extremely scary, but now, nine years later, it still had those "peekaboo"-moments.

If you want a scary and well made horror movie with a thrilling plot, this is not something for you. But if you want a gory, humorers and easygoing b-movie, this is just what you are looking for.

Although I usually like extremely complex plots, I also like watching movies with plots a three-year old could come up with - like Wishmaster and most action movies. The heroine is cliché - traumatizing past, strong and willful, protective older sister to an impulsive younger. The djinn is also quite cliché, with his cunning and evil ways. He has "I am not going to succeed in my evil quest to enslave mankind" written all over his face.

The movie is all about gruesome and gory things happening to people. Most things that happen are funny and gory. It's not like those movies that look away when the blade meets the neck - here we see everything, the camera even stays to show us what it looks like afterward.

Entertaining - but not much more.

I first saw Wishmaster at a midnight screening at the London Trocadero in summer 1998. I had been awake for nearly 24 hours but needed to kill some time. I was only 17, not old enough to get into the 18-rated movie, and it scared the hell out of me.

As we get older, fewer and fewer movies have the ability to scare us as we all get more savvy and jaded to the formulaic nature of most horror films. I don't know what it was about Wishmaster that spooked me so bad, but I've been a fan of the film ever since.

On a technical level, Wishmaster suffers from shoddy production design and direction that is barely above that of a cheap daytime soap opera. The acting is mostly appalling (with the exception of Andrew Divoff, who ravages the role of the Djinn/Demerest), and some of the dialogue is clunky. But, as a whole, the movie excels on pure energy alone. I mean, not only do you have more in-jokes than you can possibly count but even Jack the Ripper himself turns up before Lemmy sings hard rock over the closing credits.

There's so much potential, imagination, and over-the-top carnage that the film just whizzes by. A lot of the potential isn't taken full advantage of (the 90 minute runtime keeps things to the bare minimum) but it sets up enough mythology to justify three sequels, the first sequel being the only decent one, however.

The plot focuses on the Djinn, that's Wishmaster to you, and his efforts to take over the world. As you can see...it's pure hokum but it's the gory bits in between and the Djinn's wisecracking that make this movie worth the money. The Djinn will never be as infamous or as iconic as Freddy, Jason, Michael Myers etc, but that's not to say that he's not an utterly brilliant character. Divoff is absolutely perfect in the role. Even if all he did was real aloud from phone book he'd be mesmerizing.

If you like gore, ghoulish make-up effects, and don't mind horror humor that feels like it was conjured up by a bunch of drunken frat boys, then you'll find plenty to like about Wishmaster.

"Wishmaster" is better than I expected. It's quite a bit more entertaining than I thought it might be. As a direct-to-video series of horror flicks from the '90s, it had been on my radar for a long time, but I had never heard it spoken of or recommended, which is a shame.

Of course, it raises a flag that the movie was "executive produced" by Wes Craven. A lot of people have been burnt by that; generally people who don't know what an executive producer does, ie. nothing.

I wonder if the presence of the great, forever underrated Robert Englund ("A Nightmare on Elm Street") is owing to Craven's brand, however. And let's not forget the movie also features Tony Todd ("Candyman") and Kane Hodder ("Friday the 13th") in cameos, as well as Sam Raimi's brother Ted, and is narrated by Angus Scrimm, known as The Tall Man in "Phantasm".

The problem with the movie is that is doesn't hold together very well from scene to scene. It has many entertaining moments and good lines, but the story is simplistic, yet told in a confusing way. One indispensable aspect of these mid-'90s horror flicks is that they were made right before CGI came and ruined everything, and the movie has a lot of cool, practical gore effects.