April Captains

9/7 8:45 pm APRIL CAPTAINS (**** out of a possible 5)

Excellent, if slightly overlong film about the Portuguese coup d'etat in 1974. Best Line: "Coup d'etat. Can we come in?" The humor was a welcome surprise. Spoke with writer/director Maria de Medeiros afterwards. She was very sweet and lovely and asked me to "salute my mother" for her since they met recently in Avingnon.

For her feature directing debut, Maria de Medeiros ("Pulp Fiction", "Henry and June") has certainly taken on a big story: the Portuguese Revolution of the 25th of April 1974. However, the film isn't a history lesson; rather a fictional story that introduces fictional characters and situations into the actual historical facts and places of the day, alongside some of its real protagonists. It's basically a schoolboy comic-book adventure, full of naive heroics and larger-than-life moments, quite well played and adroitly directed; the script is the weakest link, fanning out into a number of parallel stories some of which are rather pointless. The film exudes the contagious energy and juvenile joy of actually living out an adventure (although one might point out that no, the actual Revolution was not an adventure!), and it's precisely that schoolboy-adventure side that, along with its no-nonsense storytelling which adheres relatively faithfully to the actual run of events, is enough to recommend it. .

Principally it is the story of two men who were part of the Portuguese revolution. It was easy to understand the contest, but usually directors starts from a historical fact to speak about something else, or they shows also the period before or after this fact, here everything happen during that couple of days when the revolution acts. It could also be seen as a kind of documentary. The movie focalize to these two people, showing as normal they were, not like common heroes, because the revolution come from people. Although it was made from military army from the title you can understand that they were just "capitaes" as the main characters. Nice colors and lights during the whole movie, excellent work for the director being her first movie, she doesn't fall to the banal way. Well shown emotions and passion of people and crowd. The character of Maia (main one)is well-made and there is also a good interpretation for Stefano Accorsi, able to show Maia's limits, this not-being an hero.

You know? Our spirit is based on that revolution, it's asleep... I can explain, I think!! Well... Until that happen on 25th April 1974, our freedom was limited, we didn't had liberty of speech, but when we got it at the revolution, it seems that Portuguese People lost his opinion, we don't use our liberty of speech! That's all a consequence of the revolution! I think that's clear!... About the movie... I think that it has a few mistakes on some character's acting, but by the way I use to watch on Portuguese movies it's quite good!! I like it very much!

I've seen this film a few minutes ago and i'm still carrying that feeling of satisfaction and identification with the characters you usually get with movies that touch you someway. And, if the film wasn't particularly intelligent, one thing touched me the most: its array of technical achievements. I already knew it was the most expensive movie of Portuguese history. I already knew they had cranes, dollys, steadycams and all sorts of sound and image devices. I also knew they payed 5000 escudos (something like 25 dollars) to each extra, for each day of filming, since I was on the set, shouting alongside the others. But my fear was that the director who had a movie debut of 5 million dollars wasn't up to the challenge, spending most of her money learning and using basic shots. But it was surprising to see that Maria de Medeiros used her resources with taste, and professionalism. As for the story, I think it's somewhat simplified, but, given the budget, I think it's still incredible to see what they accomplished. As a future director, I hope and pray that Portuguese cinema continues to evolve this way, inventing, surprising, earning profit, and (most importantly) audience. Two thumbs up, I loved it. Bravo!