User reviews

This film makes a change in that it is about The European Community instead of one particular political party or country. An embittered out-of-favour British politician (played by John Hurt) is banished to Brussels, as Britain's European Commissioner for Industry, which he believes, will be terribly dull. But then after a tip off about criminal activities by an employee of a top European chemical company, who tells the commissioner that they are also manufacturing nerve and biological warfare agents. From there all the intrigue and double crossing of both friends and enemies starts and does not stop even at the end of this political thriller. This is the best part I have seen John Hurt play for a very long time and as the commissioner he is very convincing. The films only problems are it is a bit drawn out and it is one of those films that leaves you guessing at the end as to what really happened. Will there be a sequel to put our minds at rest? My recommendation is well worth watching and out of 10 I would give it 7.

( JNW ) John N. Wainwright.

jwainwrightj@freenet.co.uk

For me, this is one of those films that you start watching and half an hour later, wonder if you should watch or do something else. But I stuck with and found it "so-so" viewing. John Hurt played his role well as did Mueller-Stahl (he was great in "Shine"). The plot takes a few unexpected twists that I did not foresee. However, what disappointed me was the predictability of some parts of the story (e.g. the fate of some characters), the superficiality of some of the characters' interrelationships, and the generally cheap look and feel of the production. A pet hate was the stereotyped Texan businessman in a Stetson - also poorly acted. The movie lacked a certain flow and left some issues hanging unnecessarily. Anyway, see for yourself.

Although it starts as a rather typical political thriller, in which the good and bad guys are singled out from the very beginning, "The Commissioner" is in fact quite different: In this film, the lines of good and bad are not only blurred, but through a series of multiple plot twists, our perceptions for the characters involved change constantly.

"The Commissioner" is about the story of James Morton (Hurt), a minister in the UK government who after being forced to resign from his post, is offered the position of Commissioner in the EU. He accepts the offer only after he is promised by his Prime Minister that he will hold the Foreign Affairs portfolio; however, upon his arrival in Brussels he finds out that he gets Industry instead, and that the UK PM actually lobbied for that. Despite his disappointment, and despite a wrecked marriage with his wife Isabelle (Krige) who declines even to follow him in his new home, he devotes his full energy in his new post. And soon, the first challenge faces him: He is handed evidence that a German chemical company, which is about to merge with a British one, is involved in the production of chemical and biological weapons. Assisted by his soon-to-become girlfriend Helena Moguentes (Pastor), the Environmental Commissioner, they begin a crusade to uncover the truth. However, in the process he discovers that people are not what they seem; not only that, but even the truth is not what it seems...

The clever plot twists make the movie very suspenseful and interesting. Moreover, the performances are generally good, although I must admit that I found Rosana Pastor a bit unsatisfactory in her role.

All in all a good film. 7/10.

There are some interesting twists in the movie, so there was a lot of thought put into the plot. Unfortunately, the execution did not live up to the potential provided by the plot. Actually, the plot of the movie is just as pertinent today as it was 10+ years ago of corporations with ties to politicians being able to be above the law. However, the script, the dialog, the pace, and the acting all left a little to be desired. Even the performance of the distinguished John Hurt seemed average at best. This seemed more along the quality of a made-for-TV movie. The redeeming value of the movie was that it has the theme that one must do things for the right reason, but it was rather painful process to get there.

John Hurt is "The Commissioner" in this 1998 drama.

The film begins with a horrific suicide and then reverts to a heavy scene between the British prime minister and a high-ranking government official, James Morton, who is fired. The reasons are political, but we aren't really told why or what happened. The PM wants to use Morton's abilities, so he sends him to Brussels as Britain's European Commissioner, and he is promised that his role will be in Foreign Affairs. Instead, it's Industry. Morton doesn't want the job as he feels it's a true exile, but he goes. He basically leaves his wife (Alice Krige) behind. She's sick of his philandering and wants a divorce.

In his job as Commissioner, Morton receives information about a huge German chemical company that is supposedly manufacturing nerve and biological weapons, and is about to merge with a British company. Everyone is all for the merger, but Morton delays it. He is given compelling documents from a former worker at the plant (Armin Mueller-Stahl). The investigation leads to some shocking information.

John Hurt is one of the greatest actors to come out of the UK, and he could act the phone book and get an Oscar nomination. I really didn't feel this role was fitting for an actor of his caliber, though he is excellent. Mueller-Stahl is a real standout as well, and Rosana Pastor is beautiful and convincing.

The problem is that we just don't find out enough about the characters and the back story, and in fact, the film ends and we really don't know how things are going to turn out for the most part.

I expect more important things from John Hurt, whose work in The Naked Civil Servant and Elephant Man stand as two of the most brilliant performances of all time.

Poor editing/directing, muddled scenes that go nowhere, and a long drawn out plot that doesn't really go anywhere by the end of the story ruined what could otherwise have been a good taut thriller with otherwise decent actors trying to do their best.

The actors saved it from being absolutely horrible.

It took far too long to establish the beginning of the plot and the middle part of the film was muddled and incoherent.

The last third of the film was OK, but the film suffers from an incomplete ending.

This strikes me as a TV movie of the week that suffered from either a limited budget or too short of a production period.

John Hurt is wasted in this German-English-Belgian low-budget, poorly produced drama/thriller. Hurt does his best, and the basic idea from the novel is sound, but this film is a failure in most respects (If you want an example of how this sort of thing MIGHT have been done, chase up the original English TV series of 'Edge of Darkness') For a start the production values are awful. It's sub-TV. In one scene a camera pans to the left, obviously bumps into something, wobbles, and the six producers and co-producers (not to mention editor, director) either didn't notice or didn't care. The sound, in some scenes, is filled with the sort of ambient noise you really don't want: noises which ought not be heard make their way in.

Supporting actors are at best adequate; at worst painful.

In theory it ought to work, given a budget, but it ends up a tiresome shambles. Without Hurt it would be unwatchable. Gods know why maybe the best male actor of the early-mid 80's was reduced to this sort of thing.

The Commissioner is a great film starring John Hurt as the British Commissioner of Industry in the EU. His acting as usual is intensely engrossing as Commissioner Morton uncovers industrial corruption on a grand scale. But wait, which company is the most corrupt? And who is responsible for all the killings? Is Armin Mueller-Stahl really a company man who came in from the cold? Complex plot with many twists, and if you can follow it you have my admiration.

But at heart this film's significance lies in its forceful stance against big industry. You'll never question the validity of the WTO protestors again.

Minister James Morton is sent to Brussels as the new British European Commissioner retreating from a government scandal. He is disappointed with his new portfolio as Commissioner for industry. That is until Helena Noguentes appears as the new Commissioner for the Environment. Add to this a media manipulation, a potential international disaster, high level corruption and a dash of American cavalier capitalism it makes for good watching.

I hadn't come across this until I saw it on cable - definitely worth a watch. Hurt virtually holds up the rest of the cast throughout although a good performance is put in by David Morrisey. This has been Sluizer's only attempt at making a film in English and is commendable. Moves well back and forth from location in London to Brussels.

Lets face it how many films could they make interesting about the EC?

I had my finger on the fast-forward button while watching this, as I expected this to be a boring and mediocre political thriller and I'm not that very interested in politics. But what a surprise! It turned out to be a smart and very intelligent movie, with a realistic and intriguing story! Although lots of actions happen, on a very high tempo, the story always remains clear and comprehensible. John Hurt was extremely strong, the photography was nice and the camera-work effective. I also liked the music very much, it certainly contributed tot the tension in the film. I think it's great the way George Sluizer made this movie with possibly not that much money.

An intriguing thriller in the halls of the EU headquarters in Brussels, involving old Nazi infiltrations in the EU, old traumas from the war and Auschwitz, a romance developing critically, terror bombings and corruption on the highest financial industrial level - the gem of the film is Rosana Pastor as the beautiful Portuguese commissioner in charge of the environment, while John Hurt just is the perfect bureaucrat doing his job as well as he can and encountering most unexpected problems and complications. Although much of the intrigue naturally is contrived and spiced with dramatic constructions, the film is well worth seeing for being just what it is, an EU thriller. Alice Krige makes a great performance as the wife who justly obeys her instincts and refuses to follow her husband on that job in Brussels, and the other actors are also perfect enough, especially (as always) Armin Mueller-Stahl, who introduces the film and provides the chief dramatic impact with its consequences. Of course, a thriller like this in the halls of EU headquarters must pose some questions, which cannot be answered, except primarily by silence.

This film's subject matter may be more worthwhile than average - let's face it, the institutions of the European Union need all the PR they can get - but that doesn't make up for the unlikely plot twists, unsubtle (cliched, even) characters and the feeling that this is only the first part of a bigger story.

The viewer is likely to feel unsatisfied because different elements aren't connected well; for example, the film begins with a very dramatic scene but this turns out not to be the real climax, only one of a series of dramatic events. The nature of the relationships between John Hurt's character and other characters, such as his wife, his lover, the prime minister and the journalist, is not shown in a way that reveals how it is relevant to the plot.

John Hurt is always watchable and it's just a shame that this partly-realized story provides the viewer with only the odd glimpse of what his character could be; a determined, morally decent (but flawed) man prepared to bring the world down around him for the sake of justice.