Gloria

Gloria (Sharon Stone) is released from prison in her party dress. Her parole is in Florida but she immediately travels to New York City anyways. She wants her money from mobster boyfriend Kevin (Jeremy Northam) after taking the rap and spending three years in prison. Nicky is a young boy being hunted by Kevin's gang. His father had stolen a computer disk and given it to him as he goes on the run. The boy is alone after his family is massacred. When Kevin refuses to pay Gloria, she decides to take the boy.

Sharon Stone is doing some overacting. It's the heart of the problem and her greatest sin is that she's not Gena Rowlands. Gena shows glimpses of her heart but Sharon is doing an acting bit. There is some reworking of the premise but that is not solving anything. In the end, it all falls upon the chemistry between Sharon and the kid. If she calms down and has more time with the boy, the relationship would actually have the room to breathe. If taken as its own movie, this is marginally fine. As a remake, it is a step below.

"Gloria" Having not seen the original Gena Rowlands version, I was very surprised to feel entertained and satisfied with this remake. Not much happens in this film, so therefore no marketing angles to work. It all depends on your tolerance for Sharon Stone. I have no problem with her. She has had some very fine performances in the past, and she is more capable then most actresses. Yet, her sheer ego and the "glamour" she sweats daily gets in the way of her natural charisma. In "Gloria" she is given full opportunity to own the frame with a detailed and rich performance. Her interaction with the child of the film is funny, and at one point - achingly heartbreaking. She works overtime to make the film connect. Working in the same old NY/LA vortex that has absorbed modern movies, the film is not really ground-breaking in any way, just simply enjoyable. Lately, that's all I ask from a movie. The Brooklyn mob hitmen that are the nemesis of Gloria are boring and cliched, but director Sidney Lumet does a fine job making the violence in the film pleasingly bloody and memorable. This version - I would bet - does not compare favorably to the 1980 Cassavetes's film, but for now I'm amazed how well it works.--------------- 7

The veteran Sidney Lumet wastes his talent here by presenting us with a well told but banal story of a woman involved with the leader of a criminal gang who accidentally becomes aware that the gang is willing to kill a little boy in order to eliminate a possible undesirable witness and decides then to save the boy at the risk of her own life, initiating a course of hide and run well shown in a sequence of scenes thrilling enough to rivet our attention. However neither Sharon Stone in the role of the woman who develops maternal love for the boy nor Jean-Luke Figueroa in the role of the little boy suddenly orphaned and becoming sentimentally attached to her, are very convincing indeed and that's the weakest part of the movie. The best part of the movie is the acting of George C. Scott another veteran, here in a minor role but showing his great talent every time he appears on screen. A fair movie after all.

Yeah, I realize what it says under the director's credit. But there is no way in hell that I'm gonna believe that the man that gave us "Network", "Dog Day Afternoon", "Running On Empty", and his own quartet of NYPD dramas ("Serpico", "Prince of the City", "Q&A", and "Night Falls on Manhattan") is even associated with this. This is quite possibly the worst mainstream film of '99, in the cozy company of "Bats", "Virus", "She's All That", and (gasp!) "The Haunting", just to name a few.

Where to begin? The script for starters. How the writer managed to completely foul up the original source material is beyond me. Much of everything that comes out of Sharon Stone's mouth is unintentionally funny, especially in one scene where she tells her young companion, "I'm trying to teach you a philosophy of life here!" after telling him opportunities in his future (these include going to a race track, lovemaking, and "chasing a skinny blonde girl with big boobs.")

And while on the subject of Stone, it's roles like this that manage to solidify the claim that maybe, just maybe, her brilliant turn in "Casino" was a fluke. Please Sharon, say it ain't so!

Like other users have mentioned, the film's only saving grace is the car chase. But there's a lot of tedium to get through until the chase scene comes. Then again, why bother?

Avoid. I can't stress this enough.

"Gloria" is a great looking movie. Sharon Stone's legs and the location photography are both terrific. The rest of the movie isn't so hot. The cast is hit and miss (Stone makes the hit side in a squeaker). The movie is uninvolving. Director Sidney Lumet seems to be going through the motions. This movie also has one of the most boring car chases you'll ever see. "Gloria" is a curiosity piece for fans of the original movie (like me). Dishonorable mention: the music.