From Dusk Till Dawn 3: The Hangman's Daughter

This third installment to the "From Dusk to Dawn" movies is a prequel, as it takes place in the old West in American history. Initially one might think vampires and the wild West doesn't make for a good combination, but the movie was actually enjoyable. While better than part two, this movie still fell short of part one.

The story in "From Dusk Till Dawn 3: The Hangman's Daughter" is essentially exactly the same as in the first two movies. A band of outlaws and holy men and up at a seemingly deserted tavern in a secluded location. As night falls, the patrons turn into blood-thirsty vampires.

The characters in the third movie were more detailed than those in part two, and as such you get more into the movie and a greater wholeness permeates the overall storyline.

As for the acting talents in the movie, then people were doing fair jobs with their given roles and characters. It is, as always, a treat to have Danny Trejo in a movie, alongside the other familiar faces in the movie.

While better than part two, this is not a movie that will make a lasting impression, nor is it a bright shiny moment in cinema history. "From Dusk Till Dawn 3: The Hangman's Daughter" is exactly what you would expect from a movie of this type. It is enjoyable enough for what it turned out to be.

The first movie stands well on its own. The second movie is just a filler. And the third movie is essentially also just a filler, although it does show the origin of the seductive Santanico Pandemonium character from the first movie.

Just like the previous sequel, the third entry of the "From Dusk till Dawn" franchise would be another quickly produced straight-to-video sequel that would be somewhat a prequel to the original film. While I didn't think the second entry was as bad that it's usually made out to be, however "Hangman's Daughter" is still a definite improvement over "Texas Blood Money". In a way it kind of plays out more similar to the original, only this time the carnage is set in the early 1900s (where the Old West was coming to an end) to be finally played out once again in the seamy Mexican tavern that harbours blood-gushing surprises for its guests. For most part this horror western comedy is very well executed, as it's brashly pieced with its admirably crafted make-up FX, slickly directed for its low-scale budget and colourfully acted. The sweeping camera has scope framing the moody, sunbaked landscapes and story dramatics with constant flair with that spaghetti western brutality shinning through. It wears its influences quite proudly too. The mellow story starts of episodic --- focusing on an Civil war hero looking to long for some cause while on the other side is an infamous outlaw with a hypnotic runaway beauty whose father (a hangman) follows their trail. But the two while crossing paths during stages, eventually come to be one when they encounter an orgy of alcohol, sexuality and blood at a desolate inn that just happens to be home for the blood-sucking kind. Strangely enough while nasty and kinetic, I thought it became tiring when the survivors of the feeding work together despite their differences and try to fend off the vampires, as I thought the initial build-up was interestingly offbeat with its dry humour and lasting bite despite the systematic staples. Michael Park's wry character Ambrose Bierce is a fascinating one, as he pretty much soaks it up with little effort in which doing so emits an ambiguously tainted air about him. Marco Leonardi is quite a live-wire as the outlaw Johnny Madrid and his combination with the lovely, if pouty Ara Celi comes off. Temuera Morrison provides aggression and then Lennie Loftin and Rebecca Gayheart give out that twitchy energy as a married religious couple. In support is modest turns by Sonia Braga (who looks great!), Jordana Spiro, Orlando Jones and an always worthwhile Danny Trejo.

You know, this film aint too bad at all! this is an entertaining horror flick that returns to the quality of the first film and away from the pure drivel of the second movie. this is set in the past and we see the Vampire club as it was in the past. Like the first movie in this we see no monster action for the first half and pure blood sucking gore for the entire second half of the film. This not to say the first half is poor because it isn't. Again like the first movie the first half is different yet very watchable.

The acting is very good and the special affect are ok if not spectacular.The story is hardly ground breaking but at times this is very funny and in the moments when it was supposed to be, not like in the second movie when it was funny when they were trying to be serious! An above average horror that is hard not to like. 7 out of 10.

It begins with the getaway of Johnny Madrid (Marco Leonardi) , a nasty local bandit , from the gallows who then kidnaps his hangman's (Temuera Morrison) beautiful daughter , Esmeralda (Ara Celi) , with a little help from Reece, a female outlaw from the U.S. With the hangman and a local posse on their trail, Johnny meets with his gang who all rob a stagecoach which contains American author Ambrose Bierce (Michael Parks) along with newlywed couple John and Mary Newlie. As night falls, all parties coincidentally seek shelter in an isolated inn which is run by vampires led by the high priestess Quixtla (Sonia Braga) . However , the team unwittingly come into contact with the vampire denizens of the bizarre bar and soon join the ranks of the undead , taking place the usual carnage . Along the way a violent posse formed by the handman , deputies and underlings go after them . Esmeralda is revealed to be the half-human, half-vampire princess Santanico Pandemonium, whom the vampires want as their heir in which all the humans must join forces if they are to survive the night from the vicious blood-suckers.

Ridiculous , but entertaining horror/western , it results to an absurd prequel to ¨From dusk to Dawn¨ 1995 by Robert Rodriguez who here produces, in which a bunch of delinquents led by Marco Leonardi and other partners-in-crime decide to knock over a stagecoach and subsequently taking shelter at the weird brothel , then things go awry , while describing the tale of the birth of the vampire princess Santanico Pandemonium . Direct-to-video follow-up , it is a passable entry , quickly made , being set 100 years ago in Mexico , earlier the first film's massacre . This gory vampire movie contains thrills , chills , plot twists , brief doses of humor , gore and guts as well as go-for-broke action set pieces. The film is starred by Ambrose Bierce/Michael Parks , a notorious author who missed in Mexico , in fact the title of the film, "The Hangman's Daughter," is taken from the title of a short story titled : "The Monk and the Hangman's Daughter¨. As the protagonists suffering the bite put on them , except for Ambrose Bierce who manages to avoid momentarily the ordinary slaughter with lots of blood and gore . There are sympathetic and snappy dialogues but with no much sense and full of profanities and bad taste . This "Prequel" to the first From Dusk Till was professionally directed by directed by P.J. Pesce . Rating : 5.5/10 , this one is an acceptable film of the saga . Average . Only for ¨From dusk till dawn¨ saga followers and completists.

The saga is formed by the following ones : From Dusk to dawn 1995 by Robert Rodriguez with George Clooney , Quentin Tarantino , Harvey Keitel , Juliette Lewis , Fred Williamson , Salma Hayek . From dusk till dawn 2 : Texas Blood Money 1999 by Scott Spiegel with Tiffani Amber Thiessen , Bruce Campbell , Robert Patrick , Danny Trejo , Bruce Campbell , Muse Watson , Duane Whitaker who also wrote it , Raymond Cruz , James Parks . From dusk till dawn 3 : the handman's daughter 3 , 1999 , with Michael Parkas , Rebecca Gayheart , Sonia Braga , Marco Leonardi , Temuera Morrison , Ara Celi Danny Trejo . And TV series 2014-2016 created by Robert Rodriguez , Robert Kurtzman with DJ Cotrona , Eliza Gonzalez , Jesse Garcia , Jake Busey.

What everyone seems to be missing is the significance of Ambrose Bierce. He's a real 19th century author, and the film takes it's title from one of his books. He's best known for the classic twist at the end of "Occurance at Owl Creek Bridge". (It was made into an episode of the original Twilight Zone.) This film hints a few times that a similar twist will take place... but it never does. Why is there no payoff after building up the Bierce character with so much historical detail? Anyway, the film is not bad, which is surprising, considering that they just rewrote the script from the first film into a Old Western setting.

Bierce's story "The Damned Thing" was produced as an episode of Showtime's "Masters of Horror."