Mercury Rising

Mercury Rising is far from a masterpiece, the ending is choppy and the script has its weak spots. But it was the plot that was the main problem, despite its intriguing idea it is not only very thin and routine but some of it doesn't always make sense. However, the cinematography and editing are great, and there are enough tension and thrills to make up for the heavily flawed plot-line. The film is well-directed too, and the music has atmosphere while not being intrusive. The acting is fine, Bruce Willis is good in his role and his chemistry with Hughes feels natural, and Alec Baldwin is very chilling and detestable, but it is Miko Hughes who is excellent as the autistic child who carries the movie (being autistic myself I could relate to him). Overall, flawed but a decent film. 7/10 Bethany Cox

There are two great acting performances in this film. Bruce Willis plays Art Jeffries, an FBI agent with attitude. Miko Hughes plays Simon Lynch, an autistic savant with a gift for codebreaking. Both are believable but Miko Hughes is astonishing – one of the best ever screen performances by a child. The scenes between the pair of them are really touching and you can believe that Willis really likes kids. Perhaps he does.

The US government's pursuit of Lynch in this film may at first appear overly far-fetched and scaremongering. Then you remember the US attitude towards the British savant, Gary McKinnon, who was accused of perpetrating the biggest military computer hack of all time by hacking into 97 US military and NASA computers in 2002. Well, they didn't kill his mum and dad, and hunt him like an animal. But after 10 years of attempted extradition, and speculation of a 70-year jail term, maybe this story is just an exaggeration of reality, and not quite as ridiculous as some commentators have suggested.

It's not really a downside but if you come to this film expecting a shoot-em-up action movie, you may be disappointed. It's much more than that and consequently slower – it's a touching drama with action scenes, and so we can forgive, just about, the pace through the middle of the film. The writing is actually very good and Pearson, Konner and Rosenthal all deserve credit.

I did find the score a bit distracting. Sort of 'too big' and too 'James Bond' for the film. Scenes without music were better. Though the music being played at the club Jeffries visits was really good and I would have liked to have heard more of Koko Taylor (now no longer with us) belting out some blues.

I was finding it difficult to see where this film was going. When Wills is with a kid, like in 16 blocks or Die Hard 4, you expect a visible end point, and there wasn't one. There was a sense of going around in circles. Until the last 5 minutes. Ultimately that cost it a couple of stars and the score lost another one. So seven out of ten for this.

Willis is impressive (and softer) as an F.B.I. agent who protects an autistic boy who has cracked a major government code. Baldwin appears as the man who is threatened by the young boys' actions. Surprisingly good film with a more toned down type of hero for star Willis.

Mercury Rising is a very conventional "government bad guys" story about evil agents out to kill an autistic boy who can break their top code. Of course, the premise of the movie, that the government would rather kill someone who can break their code rather than fixing the problems with the code, is incredibly stupid. If one boy can break the code, isn't is reasonable that some other boy in Russia or wherever can also break it? If it has a flaw that allows the kid to find the pattern, doesn't it need to be fixed? Of course, not. We just kill the kid and pretend nothing ever happened.

But, what is really sad is that there is a grain of truth in this story. It is the policy of the US Government that TRYING to break codes is illegal. If you are smart enough to figure out that the DVD encryption has a major flaw, it's not the fault of the designers, it's your fault. Researchers who have discovered flaws in codes, watermarks, etc, have been arrested. This "head in the sand" policy has been around for a long time.

So, next time you see this movie, just think how easy it would be to combine this attitude with someone a bit too gung ho.

I just watcehd this on DVD, loved it and was literally stunned to find that most people, in particular those that write movie reviews for a living slated this.

Maybe its because in 2004, some six years after its original release we are seeing a revival of the action/thriller (Bourne Supremacy etc).

So, what didn't I like, not much. I would like to have seen more made of the kids codebreaking, they could really have milked that and didn't, the opening scene was just to cliché in setting up Willis's character as were the characters of his big black boss and hard nosed chief. The very last scene was typical US syrup but was thankfully very short.

What was good? everything else, I loved the idea behind the story, Miko Hughes is totally amazing to the point I had to check the next day to find out how the hell they managed to get a autistic kid to act (is isn't autistic but is a damn fine actor), Willis really does add vulnerability to a role that he has played many times before, with the movie underpinned fantastically with a John Barry soundscore and Harold Becker carefully crafts what for me was a very enjoyable movie watching experience and stands head and shoulders above many I have seen recently. 3/5 for me