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John Riley, an Irish immigrant soldier recruited in the American army during the Mexican-American War faces anti-immigrant and anti-Catholic bigotry from his fellow servicemen and defects to... Read allJohn Riley, an Irish immigrant soldier recruited in the American army during the Mexican-American War faces anti-immigrant and anti-Catholic bigotry from his fellow servicemen and defects to the Mexican army.John Riley, an Irish immigrant soldier recruited in the American army during the Mexican-American War faces anti-immigrant and anti-Catholic bigotry from his fellow servicemen and defects to the Mexican army.
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Featured reviews
Superbly told story.
I was fortunate to attend the premiere. Now I am trying to find out when OMH will be released to the SF Bay Area so that I can tell my friends to be sure to see it.
I am very familiar with writer Michael Hogan's work in both his The Irish Soldiers of Mexico and Molly Malone and the San Patricios. Michael is a superb poet too. I happen to know too that he served as a consultant on the troop movements, the uniforms, the flags etc. when the Hools were filming in Durango.
The film depicts a little known episode in the U.S.'s quest to dominate the northern hemisphere. We know that this quest was successful, but we also know that the price in blood was much higher than any of the proponents of Manifest Destiny ever dreamed.
The acting is superb. I especially liked Joaquim Alameda for his portrayal of a renegade patriot. I think there is another great story there that perhaps the Hools should do. What did happen to him? Did he spawn Zapata?
Finally, the score, the scenery, and the battle scenes were really well done. Pity the poor lads who had to pay even more than the price named in the Military Code of Justice. That was a shame, but we must remember their memory will live on forever. Even more so now that Lance and Conrad Hool have immortalized them on film.
I am very familiar with writer Michael Hogan's work in both his The Irish Soldiers of Mexico and Molly Malone and the San Patricios. Michael is a superb poet too. I happen to know too that he served as a consultant on the troop movements, the uniforms, the flags etc. when the Hools were filming in Durango.
The film depicts a little known episode in the U.S.'s quest to dominate the northern hemisphere. We know that this quest was successful, but we also know that the price in blood was much higher than any of the proponents of Manifest Destiny ever dreamed.
The acting is superb. I especially liked Joaquim Alameda for his portrayal of a renegade patriot. I think there is another great story there that perhaps the Hools should do. What did happen to him? Did he spawn Zapata?
Finally, the score, the scenery, and the battle scenes were really well done. Pity the poor lads who had to pay even more than the price named in the Military Code of Justice. That was a shame, but we must remember their memory will live on forever. Even more so now that Lance and Conrad Hool have immortalized them on film.
Poor telling of fascinating story
John Riley did indeed lead Irish deserters for Mexico in the war. The Irish were ill-used by Nativist officers who didn't like 'croppies.' Protestant America was feeling threatened by the huge influx of Catholic Irish flooding into the US from famine-struck Ireland. Few troops have been given more reason to desert. However, the movie tells it all wrong. Riley wasn't a sergeant and didn't plan to return after getting his men to safety. He was a private who swam the Rio Grande a month before the war was declared. He responded to 'desertion leaflets' that the Mexicans had sneaked into American Camps. No US army ever had higher desertion rates.
The treatment of Winfield Scott is rather harsh. Riley was actually sentenced to hang with virtually all of his men but it was Scott who commuted his sentence (the still harsh 50 lashes and branding), along with that of more than a score of his men. This infuriated Scott's Nativist officers.
Riley remained in the Mexican Army after the war for a year or so and almost certainly returned to Ireland thereafter. Also, he was a young fellow, about thirty, which made it hard to accept Tom in the role. Another thing that was irritating is that there is a list of the men who served under Riley and it is amazing that the screenwriter decided to create fictional replacements instead. Why? Also, one must not forget that most Irish, despite poor treatment by prejudiced officers, did not desert. Who was more heroic, those who deserted or those who didn't?
All in all, a disappointment. However, it is one of the very few films that deals with the Mexican American War, and for that I commend it.
The treatment of Winfield Scott is rather harsh. Riley was actually sentenced to hang with virtually all of his men but it was Scott who commuted his sentence (the still harsh 50 lashes and branding), along with that of more than a score of his men. This infuriated Scott's Nativist officers.
Riley remained in the Mexican Army after the war for a year or so and almost certainly returned to Ireland thereafter. Also, he was a young fellow, about thirty, which made it hard to accept Tom in the role. Another thing that was irritating is that there is a list of the men who served under Riley and it is amazing that the screenwriter decided to create fictional replacements instead. Why? Also, one must not forget that most Irish, despite poor treatment by prejudiced officers, did not desert. Who was more heroic, those who deserted or those who didn't?
All in all, a disappointment. However, it is one of the very few films that deals with the Mexican American War, and for that I commend it.
A valid reflection of the times
Anyone who doubts the power of religion to sway a man's loyalties has never studied history. Likewise, anyone who doubts the power of a man's need to feel respect and a sense of "belonging" has simply never felt the lack. The Irish of the time came to our shores fleeing famine and disease, poor in the wallet but rich in pride and heritage. They asked for nothing but a chance, and took what was offered in good faith. The politics of the time made them much as the Mexicans are viewed today. Unwanted aliens who should be sent back from whence they came. Taking the offer of the US Army at face value, they were ridiculed and scorned and abused constantly. When battle was joined they found themselves fighting a people not so different from themselves. A people who shared ties of Catholicism, as well as spirit. They got nothing but hatred and ridicule from those who supposedly would welcome them, and could not be proud of fighting Mexicans, who shared so much in common with them. All they asked was a place to belong. Once they found it, they fought for it with all they had. It just happened, they found it in the ones they were supposed to be fighting.
A MUST SEE FILM
One Man's Hero details a little known chapter of the very unpopular Mexican American War. The acting is superb, Tom Berenger aches with conflicted loyalty to his church, to his "boys" and to his adopted country. In many ways this is a diffucult film to view. Often, Americans feel my country right or wrong. This film fairly reveals both sides with warts and all. There is never a winner in any military confrontation. Everyone loses - their own lives, the life of a loved one, a cherised home land. The US army of the 1800's often employed less than honorable tactics to lure uneducated immigrants into its rank & file. What they found was a prejudice not just reserved for the those of a different color skin or on the "other" side of the confrontation. The prejudices of the army were cruelly devisive & a socially acceptable behavior among the rank and file of the US troops. Often an ethnic groups loyalties were not grounded in the flag and mission of their adopted homeland, but among their own, where they shared traditions, culture and church. This is the story of One Man's Hero. The cast is excellent. The story will make you think. Today we talk about human rights, human dignity .... In the 1800's our country was far from the equality, freedom and dignity we are still striving to achieve today. One Man's Hero will make you think. It will make you think twice before you utter an unkindness or that "funny" joke from the water cooler. When we hurt others, we are only hurting ourselves. This is the lesson of One Man's Hero. Can we ask any more of a film.
"I've always been free colonel."
An epic, slow grinding war story of source accounts with romance, faith and loyalty streaming through. I don't know how true it is to the facts, but you couldn't help but admire its powerful scope and sound performances led by Tom Berenger. Irishman John Riley leads his fellow countrymen who desert to Mexico just before the American-Mexican war after encountering religious and ethnic prejudice in the US cavalry. While holding up in Mexico, war is ignited and the men form the St Patrick's brigade where they become allies with the Mexicans. The story shows how much in common these two sides shared in their viewpoint of freedom, which the Irish men saw when they lived and fought side by side with the Mexicans. They kept fighting on, despite the odds being stacked up against them. The war scenes are dramatically staged with strategic precision and bravery, as it becomes a stirring display of chemistry and spirit between the cast. The characters do provide good insight and form lasting impressions, making the entire ordeal even more effective when they meet their fate. Joaquim de Almeida is perfectly strong willed as a Mexican outlaw and Daniela Roma as the Mexican lady caught in a love triangle.
"One man's hero. Is another man's traitor I reckon sir."
"One man's hero. Is another man's traitor I reckon sir."
Did you know
- TriviaThis was the last film ever released by Orion Pictures.
- GoofsThere are a number of geographical and historical errors in this film, including some scenes in the battle of Churubusco (the last battle in the movie).
- How long is One Man's Hero?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Herois sense pàtria
- Filming locations
- Sierra de Organos, Sombrerete, Zacatecas, Mexico(exterior scenes)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $11,350,000 (estimated)
- Gross US & Canada
- $240,067
- Opening weekend US & Canada
- $108,567
- Sep 26, 1999
- Gross worldwide
- $240,067
- Runtime
- 2h 1m(121 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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