A Perfect Murder

Movies like these are missing from mainstream cinema today. I haven't seen a decent current psychological thriller for over a decade with the exception of Gone Girl. I am experiencing major Marvel fatigue and really wish the studios put out movies like this between all the blockbuster cgi fests. I miss the 90's thrillers like Kiss the Girls, Hand that Rocks the Cradle, Basic Instinct, Seven, Fatal Attraction, etc. This is my first time seeing this movie in 2022. The first half being significantly better than the second half. The first half was clever and fairly surprising and though unlikely, it was realistic. The second half got a little messy with a cliche ending. Still I appreciate the nice change of pace.

I found the film to be very interesting and smoothly executed. The acting of film veteran Michael Douglas was superb. Paltrow and Mortensen were also very smooth and a pleasure to observe. My only problem with this film was the way it ended. An editing glitch? Maybe. It was too abrupt. But all in all, a very entertaining film and an excellent use of a familiar theme-plot.

It should also be noted that Novella Nelson, who portrays Ambassador Alice Wills, is a noted songtress in her own right. I have had the pleasure of attending a few of her concerts and night club appearances in the 1970s. An excellent, sultry and sometimes fiery singer of jazz standards and R&B.

Don´t miss this thriller. It's one of the best of Michael Douglas and Gwynieth Paltrow. Viggo Mortensen played his role as a villain lover very well. It was well directed by the master Andrew Davis. Please create another good movie. The story is very hot from the begin to the end and the music by James Newton Howard was as usual perfect. I will add this one to my best of dvd collection. I highly recommend it and check out "Falling Down" with Michael Douglas. 7.5/10.

Hitchcock's DIAL M FOR MURDER was based on the Frederick Knott play of the same name. A PERFECT MURDER takes elements from the play, makes alterations in scenes and characters, changes the ending, and in attempting to modernize the whole thing has added some extra gore to the proceedings so today's audiences won't feel cheated. And yet, the result is not only distinctly disappointing, but inferior.

Only fans of Gwyneth Paltrow and Michael Douglas will relish their performances in this pale rehash of the original material. The complexity of "the key under the stairmat" which was so effectively played out in the Hitchcock film is entirely missing here. The detective work so fascinating in the original play and film is also gone despite the fact that he is played by David Suchet (in a very underwritten role). In short: none of the revisions are any improvement. Nor does Viggo Mortensen impress as Paltrow's lover.

Those who haven't seen the movie or the play DIAL M FOR MURDER will no doubt find some of this absorbing enough--but anyone able to make a comparison is bound to be disappointed. I'll take Ray Milland-Grace Kelly-Robert Cummings under Hitchcock's direction any day over a misguided Paltrow and Douglas under Andrew Davis' direction.

As for the comments of the viewer who said, "Who's Hitchcock?", please...spare me your review.

Wealthy Wall Street tycoon Steven learns that his wife Emily is having an affair with David, an artist and career criminal, Steven decides to do away with his wife, using David to do the job.

Over the last few months I've worked my way though Hitchcock's catalogue of films, I was sat wondering why none of his films had been remade for an age, the I remembered this one.

So it's basically Dial M for murder, with a late 90's twist, so we've got the tech, The Wall Street tycoon and of course that wonderful 90's vibe.

I have no intentions of comparing, as I don't think you can, but as an updated version it's good, it's a stylish flick, I liked the updates, and of course the heart of the story is magical.

It perhaps has a little too much polish, but on the whole it works, Hitchcock films weren't exactly in vogue in the late 90's, so it gets credit for at least being different.

Some nice twists and turns, I particularly liked the way the tech is used, and the way that David turns the tables.

Paltrow and Mortensen are both very good, but I'd argue it is Michael Douglas that stands out, and boy does he look sharp here.

I'd forgotten David Suchet was in this, at the time it seemed as though he'd turned away from Poirot somewhat, output was lower, it felt like he was going to leave the role behind, thankfully he didn't.

7/10.