Six Days Seven Nights

I saw this when it first came out in 1998 and thoroughly enjoyed it. My wife and I just watched it in 2022, for her a first time. We both liked it a lot. It's hilarious, adventurous, suspenseful, and has good romance.

When a hard-working career woman by the name of Robin Monroe (Anne Heche) works for a popular woman magazine. When her nice boyfriend Frank Martin (David Schwimmer) purposed to her to married him. Also to come with him for a week at a tropical island. Once they get there... they meet a gruff, rough cargo pilot Quinn Harris (Harrison Ford). Once the pilot brings them to the island, Robin and Frank start enjoying their vacation. But the trouble starts when her boss (Allison Janney) calls her from their trip to take a photo shoot. Robin asks Quinn to bring her to the location, where she has to go. But once they left the ground to fly, they ended being hit by lighting and crashing to a deserted island and trying to find a way to get back to the tropical island. While Robin and Quinn dislike each other with plenty of problems and troubles. They find themselves chased by pirates (Temuera Morrison, Cliff Curtis and Danny Trejo). Slowly Robin and Quinn start falling for each other.

Directed by Ivan Reitman (Ghostbusters 1 & 2, Junior, Twins) made this amusing, nicely filmed romantic/comedy/adventure with fun performances by Ford and Heche. This wasn't a huge hit at the box office but it should play well on video. Although involving pirate in the subplot seems out of place with the story. It's entertaining enough to overcome certain flaws in the movie. Probably the best thing of the picture is Ford, which he's especially loose and funny. Certainly worth viewing. Panavision. (****/*****).

There was a lot to like about this movie. The scenery, (Hawaii, not Obradors), was fantastic. The acting was superb. While the plot held no surprises, (once you understand the premise of the film, you know right where it is going, but, in the case of this movie, it was fun to find out how they get there), it was interesting. The gags were very funny, (particularly when Heche's character displays the her inability to cope in situations where there aren't subways and cell phones.).

The movie showcased the range of both Heche and Ford. It might have done the same for Schwimmer and Obradors, if they had significant roles. Since I have never seen a single episode of "Friends", (I know, I must be the only person in the world who hasn't), I cannot compare Schwimmer's acting in this movie with his role in "Friends." His acting in this movie didn't compare to his role as Lt./Captain Sobel in "Band of Brothers." Based on this role and "Band of Brothers", it seems to show that Schwimmer has a lot of range and can play different roles very well. Schwimmer does seem to be typecast as the inept "loser" who tries hard and always comes out second in the end. Unfortunately, he and Obradors seem to be limited to supporting , rather than starring, roles.

So, if you are looking for a light, funny way to spend an evening, watch this movie.

The script/timing/acting in this movie is excellent, and is a great joy to watch. The perfect timing of the cast and an excellent story make this one of our favorites along with Fifth Element,American President, In and Out, The MatchMaker , The Local Hero and The Mystery Man..

Sinan

Ivan Reitman's comedy-drama is as entertaining as it is undemanding. Harrison Ford and Anne Heche are convincing and funny as crabby airline pilot Quinn Harris and jet-setting fashion magazine editor Robin Monroe, contending with being lost on a Pacific island, and battling with some modern-day pirates. Though their course from mutual dislike, through respect and friendship, to the finishing line of love, is familiar, they run it with style. There are the added pleasures of spectacular scenery, realistic flying sequences, and some nifty cutting between a hula dance performance and a crash landing. (Even David Schwimmer, as Robin's waiting boyfriend with a roving eye, is for once reasonably cast.)

In some respects this is a remake of the 1951 classic The African Queen - both involve a snooty woman and a tough guy thrown together in adversity. But a big difference is that, whereas Bogart and Hepburn were aged 52 and 44 when their movie was made, Ford and Heche were 56 and 29. It seems ironic that in those far off pre-feminist-movement days both movie-makers and audiences could accept older leading ladies; while now female stars over 40 can't find roles, and have to watch older male counterparts romancing women young enough to be their daughters.

But most viewers will ignore such considerations, relax, and simply enjoy this cinematic equivalent of "easy listening" music.