Shakespeare in Love

I was in awe for a good five minutes after watching this film. Tackling Shakespeare in a movie is a risky business, but John Madden has really outdone himself this time. The beautifully seamless connection between Will's plays and his life experiences is unparalleled. The best thing was, the entire movie experience felt like attending one of the RSC's best plays. Now THAT's an accomplishment. The cast was magnificent. I was very impressed with the acting chops of Gwynneth, Joe Fiennes, and Ben Affleck. Gwynneth and Joe had more onscreen chemistry than I can remember in a very long time. I felt my own heart breaking as they bid adieu for the last time, and many times in between. And Ben proved he has excellent comic timing. I never would have imagined he could do Shakespeare. And Dame Judi Dench! It's amazing that so small a role can have such a powerful impact on the tenor of the movie. She was a perfect choice for Elizabeth. She needs but to speak, and she commands the rapt attention of her entire audience, both the actors in the movie and the audience beyond the screen.

I haven't felt so giddy with excitement after watching a movie since the Shawshank Redemption. Fabulous!

When my English teacher told the class that we would be watching "Shakespeare in Love" everyone groaned, me included. We all thought it would be another boring movie, but I along with many others was pleasantly surprised. Even though the movie didn't portray the actual life of William Shakespeare, it is a very interesting interpretation of what his life might have been like. Normally I am not a big fan of Gwenyth Paltrow, but she fulfilled the role of Viola De Lesseps very well. This movie, unlike many others I have been forced to watch in school, has not been a waste of time and has informed us more about the concepts and details that could not be seen just by reading the play. Overall I think I have gained a better understanding of Romeo and Juliet by watching "Shakespeare in Love".

In the movie Shakespeare in Love, a young and promising William Shakespeare is finding it difficult to write a new play. He feels he has lost his gift for stringing together eloquent sentences and yearns for some sort of inspiration to rid him of his horrible writer's block. William then meets the lovely and royal Viola, who is craving to be an actress. She becomes his muse, as well as the lead `actor' in his new play Romeo and Juliet, as they weave a tangled love affair. This burning passion they feel can only end with separation when Viola is forced to marry Lord Wessex and move to America. This film is a wonderful combination of romance, comedy, and drama that attempts a new perspective of the classic Romeo and Juliet story. It employs clever dialogue, beautiful scenes, and wonderful characterization to entertain the viewer. The film's Renaissance dialogue is true to its time period. With such an excellent script, William comes across as the master of speech that he really is. Some parts of the movie are purely funny as almost to parody the seriousness of Romeo and Juliet. Other parts intertwine the actual lines from the play, such as the multiple bedroom scenes between Will and Viola, to provide a unique and obvious parallel between it and the movie. When Will quotes `Shall I compare thee to a summer's day?' to Viola, this provides not only a sentimental scene but actual words from Shakespeare to add to the historical content of this film. This film has an interesting twist on the tragic tale because Will becomes not just a writer pouring out the lines for pay, but a man pouring out his heart in true love. At the end of the movie, Romeo and Juliet is presented as though you were actually sitting on the dirt floor of the playhouse. You see the play through the eyes of a person in England during the late 1500's, except by this time the lead is not longer Romeo and Juliet but literarily and symbolically Will and Viola. The setting of this film is very well done, and the playhouses, taverns, and elegant houses convey the feeling of Renaissance England. The costumes, including Queen Elizabeth's glamorous dresses and Viola's body-shaping corset, are seemingly accurate. (I would have hated wearing those clothes!) The scenes between Will and Viola are rarely anything but love scenes, and they, like their counterpart scenes in Romeo and Juliet, mostly happen at night. This adds to the mystery and forbidden feeling of the movie. The characterization of this film was splendidly carried out. I could not help but fall in love with the beautiful emotion that gushed from Will and Viola ( Will is extremely good looking by the way). When the couple was separated in the end, I felt like a terrible wrong had been committed. The character of Queen Elizabeth, with her snide comments and all-knowing attitude, was a comical representation of a serious position that kept me completely entertained. Christopher Marlowe also provides a wonderful character that conveys `real person' qualities of competition between two famous playwrights. I found this film to be completely engaging from start to finish, but I would not recommend it to everyone. I believe it could truly be given the title of `chick flick' by some viewers despite its fight scenes and comedic devices. The viewer will gain a knowledge of the Renaissance period and its characteristics while also getting the feeling of knowing the great William Shakespeare, however inaccurate the description of Will may be. I feel that now I appreciate the play Romeo and Juliet with a new sense of understanding that can only come from looking at an old tale in a new light.

Tom Stoppard, who penned Rosencrantz and Guildenstern Are Dead, knows a thing or two about the modern deconstruction and reconstruction of Shakespeare's work -- and it shows in the bright and vivid Shakespeare in Love, which Stoppard co-wrote with Marc Norman. Applying many of the same conventions favored by Shakespeare in his own work (including primarily the confusion over mistaken identity and gender) the screenwriters begin with the "what if" premise and run with it, speculating with wicked delight on the Bard's rivalry with Christopher Marlowe, his use of overheard phrases finding their way into his plays, and best of all, the possible sources of his inspiration. Will's muse is Violet, played wonderfully by Gwyneth Paltrow, who shows off in this film her finest acting to date and credibly pulls off the tricky task of being both an object of poetic inspiration and a genuine, down-to-earth human being.

I had high hopes for this film from the first time I saw the trailer. I am happy to say that the film lives up to the previews. Although it is an art house flick of sorts, it manages to be profound and accessible at the same time. So many art house films manage to be merely pretentious, as if aimed at those that want to believe that they are having an intellectual experience rather than those who are really open to one. This film shows that you can make a film of substance that is at the same time very entertaining.

One thing that stood out was the way they showed enough of the performance of Romeo and Juliet so that you could understand what the play is about, without making it a film of the play per se. There are many parallels between the fictional play and the events of the film, and this goes to underscore the relevance of great literature to the human condition. The actual performance of the play was acted so well that there were times when a character in the play was in a fight and I said to myself "they're really fighting, that guy really got stabbed!" So often a play within a movie is acted in a very staged manner, so this was a welcome surprise. And for anyone who is a fan of Shakespeare, it is easy to find little tidbits to reflect upon - such as the fact that Shakespeare himself was fond of the "play within a play" theme that we see in this film.

The performances are excellent throughout, including minor characters. In the midst of tragedy there is genuine comic relief, just as in Shakespeare. The historical details that surround the conjectural main plot are accurate down to the names of the actual people with whom Shakespeare crossed paths. In the end "Shakespeare in Love" causes us to feel as well as think, to think as well as to be entertained.