Alex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.Alex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.Alex and Elliot an unlikely pair connect to write a film about a New York cop working undercover as a fashion model.
- Director
- Writers
- Stars
- Awards
- 3 wins & 1 nomination total
Teresa DePriest
- Lana
- (as Therese De Priest)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
These seemed like real people
I liked the fact that most of the people in this movie were pretty much unknowns to me. This eliminated the "superstar" factor; where I get so distracted by the person playing the character that the character doesn't develop. I loved the idea for their screenplay; the premise was so funny, the scenes they showed were hilarious. The scenes with the family at the restaurant were very realistic. Even the gay Christmas party was good. Elliott reminded me of a gay Woody Allen (which, if you think about it, would have saved Mia a lot of trouble). Alex, I couldn't quite pigeonhole that easily. Didn't seem very ethnic, ethereal; he seemed more like a jock than a writer. All in all, I think this was a really good movie. I came across it by accident and I hope you do too.
Movie about Friendship and Perseverance above all
Hit and Runway may at first glance appear to be another one of those movies about struggling screenwriters trying to write a movie. But unlike most of their blockbuster counterparts, this movie is not about the movie that Alex and Elliot are writing, but it is about the friendship that they forge throughout the experiment. Although the screenplay they are writing is not particulary good, the broader movie is able to focus on human nature, and the inexperienced actors are good in delivering timely humor. On the whole, a strong movie and a good career start for up-and-coming director Christopher Livingston. Well Done.
Excellent Story, Excellent Comedy; One of the best gay films ever.
The main purpose of this comment is because I was so disappointed by the other review on this site. It completely misses the point of the movie and I would hate for someone to only read that one and then not see the movie. The story is very well put together. It begins with rough, thumbnail (almost stereotypical) characters and you are ready to be put off. Then the story gradually develops and we get to know the two main characters in a full, three dimensional way. Each comes forward through the story line as complete, reasonable, and likable. The message of the movie is presented in a systematic and approachable way, without being in any way obvious or predictable. I can highly recommend this movie to anyone who is halfway sensitive and open to seeing gay people beyond the usual four corners often found in gay pride parades. By the way, if you like this movie, you will really like The Big Eden, probably opening near you soon, if not already.
Pleasantly Surprised!
I have never commented on the IMDB before but felt compelled to do so when getting home from the theater. I was pleasantly surprised and enjoyed this film very much. The writing was clever, the directing excellent and the cast fantastic. I felt the editing may have needed a bit more attention...at a few moments. I don't know the actor Michael Parducci nor have I seen any of his work, but I think he did an amazing job. You really grow to like this "cool Italian guy". I hope to see more of Christopher Livingston's work in the future. Nice job!
A relationship comedy for the new millennium?
This movie is a wonderful variant on a traditional movie theme, the romantic comedy. Only in this variation it would be best to call it a relationship comedy. The two protagonists meet and although they are initially uncomfortable around each other, they are forced to work toward a common goal. In doing so they form a relationship. When that relationship ends, we see a parting scene that recalls many great parting scenes of the past.
Now for the twist, it is not a romantic relationship that ends but a friendship between a straight man and a gay man. This movie has been compared to `Kiss Me Guido' but folks that feel that way are missing the point. This story is about the development of an accepting friendship between a gay man and a straight man without the issue of sexuality. Yes, the straight man starts with the stereotypical panic that the gay man will somehow take advantage of him carnally. But he needs the gay man to help him write a screenplay and as they work together they form a bond as friends. As they collaborate on the screenplay they talk and learn important life lessons from each other. The gay man helps the straight man becomes a more insightful person and with the straight man's encouragement the gay man begins to develop some self-assurance.
At one point they are so comfortable with each other that they both get drunk and end up clinging to each other for stability as they walk through the writer's apartment. They end up passed out in the same bed and in the morning the straight man has an anxiety attack that shows he's not completely over his stereotypes.
Overall I found this to be a well-crafted and engaging film. I only wish that the relationship could have turned out differently in the end. And who knows, it might.
Now for the twist, it is not a romantic relationship that ends but a friendship between a straight man and a gay man. This movie has been compared to `Kiss Me Guido' but folks that feel that way are missing the point. This story is about the development of an accepting friendship between a gay man and a straight man without the issue of sexuality. Yes, the straight man starts with the stereotypical panic that the gay man will somehow take advantage of him carnally. But he needs the gay man to help him write a screenplay and as they work together they form a bond as friends. As they collaborate on the screenplay they talk and learn important life lessons from each other. The gay man helps the straight man becomes a more insightful person and with the straight man's encouragement the gay man begins to develop some self-assurance.
At one point they are so comfortable with each other that they both get drunk and end up clinging to each other for stability as they walk through the writer's apartment. They end up passed out in the same bed and in the morning the straight man has an anxiety attack that shows he's not completely over his stereotypes.
Overall I found this to be a well-crafted and engaging film. I only wish that the relationship could have turned out differently in the end. And who knows, it might.
Did you know
- TriviaWinner - Best screenplay at the 1999 Los Angeles Film Festival.
- GoofsWhen Alex confronts Eliot at the restaurant, he takes his spoon away so he cannot finish his ice cream drink. After a few seconds Eliot jumps up to reveal that the half-full glass has suddenly become empty.
- Quotes
Elliot Springer: It's Hopeless.
Alex Andero: Hopeless is not a word in my vocabulary.
Elliot Springer: I suspect that there are a lot of words that aren't in your vocabulary.
- Crazy creditsRecorded at Audio Paint, NYC If it can be imagined, it can be recorded www.audiopaint.com
- ConnectionsReferenced in Eating Out (2004)
- SoundtracksAmerican Dream
Written by Lance McVickar
Performed by Slow Poke - Lance McVickar, Joel Finn & Mark Frankel
Engineered and Arranged by Lance McVickar
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Éxito y pasarela
- Filming locations
- Manhattan, New York City, New York, USA(various exterior shots)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $1,200,000 (estimated)
- Runtime
- 1h 48m(108 min)
- Color
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