Abbie, tired of failed relationships, has a one-night-stand with her gay friend; they agree to raise the resulting baby together.Abbie, tired of failed relationships, has a one-night-stand with her gay friend; they agree to raise the resulting baby together.Abbie, tired of failed relationships, has a one-night-stand with her gay friend; they agree to raise the resulting baby together.
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This movie is really a sleeper. I can see why people who watch it expecting a campy fiasco like Madonna made with Sean Penn would be disappointed or even p.o.'d. I avoided it for 9 years just on principle. In fact, during the first few minutes when I accidentally caught it on TV, I kept thinking, "Who is this actress who looks so much like Madonna but who can ACT????" This is really REALLY not a romantic comedy, no matter how light and funny it is initially. It is a more serious than usual role for both Madonna and Rupert Everett, and they both did very well. It is touching and funny, and might have suffered 9 years ago because the viewing public was not ready for the very realistic portrayal of these complicated questions about who is really "family" and why.
Seeing this movie is the next best thing to having your intestines removed with a teaspoon. I never was a big Madonna fan (Like a virgin, touched for the very first time...), but I never thought she could be THIS bad. I stopped caring about all these characters within 15 minutes into the movie, and the only people I sympathized with were myself and any other suckers who paid to see this movie. It's just plain stupid. It's not funny, it's not dramatic, it's not believable - people don't act like this! It's ludicrously bad and all copies should be BURNED.
I had high hopes for this -- really, I did. I thought it would be a sweet, charming and tugging-at-the-heartstrings comedy. But I was TOO hopeful.
Story in one sentence: two best friends (one gay, one straight) end up in bed together, have a son, raise him together, everything hunky-dory until she wants to marry someone else and the little family gets screwed up.
Let's talk about what's the worst: the script, hands down. Everything is so spliced in or cut out it's just terrible. The transitions are so choppy, that we barely have enough time to understand the undeveloped characters -- they're just thrown at us and next thing you know, it's years later. It's unrealistic and it's too fictional to really understand or get into. Madonna is suffering from never finding Mr. Right, Rupert is the gay buddy that "somewhat" turns into the bad guy and poor Benjamin is just caught in the middle. We don't know WHO to hate in this movie -- that's pretty much the hard part. Everyone is in the bad guy role, they just don't fit it due to the fact they all need sympathy.
As for Madonna, yes, it's obvious she took lessons. The problem would be that she is way too conscious of the camera. Her husband commented once that she needs to let the director direct -- and I think that's a huge problem with her performance. She is just "too beautiful" in this movie. I mean, she's supposed to be sobbing her eyes out and she looks up and is all glistening and pretty. Sorry, but in order for me to believe her I want to see it on her face that she's worried -- you know, red eyes, puffy cheeks, smeared makeup -- the works. Madonna had too much creative control in this and it's obvious. Her expressions don't fit her tone of voice either; she seems to blink consciously and doesn't have much expression -- but hey, close your eyes and listen to her and you'll see that she's making progress.
All in all, a good storyline put to a bad script and bad performances. Anyone who tells you this is a great movie is obviously a star-struck Madonna fan.
Story in one sentence: two best friends (one gay, one straight) end up in bed together, have a son, raise him together, everything hunky-dory until she wants to marry someone else and the little family gets screwed up.
Let's talk about what's the worst: the script, hands down. Everything is so spliced in or cut out it's just terrible. The transitions are so choppy, that we barely have enough time to understand the undeveloped characters -- they're just thrown at us and next thing you know, it's years later. It's unrealistic and it's too fictional to really understand or get into. Madonna is suffering from never finding Mr. Right, Rupert is the gay buddy that "somewhat" turns into the bad guy and poor Benjamin is just caught in the middle. We don't know WHO to hate in this movie -- that's pretty much the hard part. Everyone is in the bad guy role, they just don't fit it due to the fact they all need sympathy.
As for Madonna, yes, it's obvious she took lessons. The problem would be that she is way too conscious of the camera. Her husband commented once that she needs to let the director direct -- and I think that's a huge problem with her performance. She is just "too beautiful" in this movie. I mean, she's supposed to be sobbing her eyes out and she looks up and is all glistening and pretty. Sorry, but in order for me to believe her I want to see it on her face that she's worried -- you know, red eyes, puffy cheeks, smeared makeup -- the works. Madonna had too much creative control in this and it's obvious. Her expressions don't fit her tone of voice either; she seems to blink consciously and doesn't have much expression -- but hey, close your eyes and listen to her and you'll see that she's making progress.
All in all, a good storyline put to a bad script and bad performances. Anyone who tells you this is a great movie is obviously a star-struck Madonna fan.
i really liked this movie. being a yoga instructor i was impressed with madonna. being one of the biggest fans of her has nothing to do with it. i will be the 1st to say, as far as acting, well, lets just say she could be the weakest link. BUT, that only pertains to the earlier films. due to the fact that all & all the movies were bad scripts. shanghi what? next best is the right movie, the right direction,& a wonderful cast. rupert was great. benjermin bratt, aside from being beautiful, he did really well too. but it all comes down to madonna's cute dark humor that steals the show. 1-10 (9)
The Next Best Thing casts Madonna as a free spirited soul (some stretch of casting there) who has a one night stand with an old friend and soul mate Rupert Everett. But that's not likely to happen too often as Everett is a gay man with whom she confides her innermost.
I think Everett's character must have been based on Roddy McDowall who was a confidante to many of the rich and glamorous and unlike that other gay man who did that as well, Truman Capote, McDowall never wrote any tell all memoirs.
It rarely happens in real life, but a blessed event came from that mating and Madonna and Everett decide to move in together, not marry, but raise the child as a mother and father with each leading their separate lives. It actually does work for a while.
Madonna really gets into the mother role and Everett's a great father figure. But he never forgets his social life with friends and lovers like Neil Patrick Harris and Mark Valley.
But then Madonna meets Benjamin Bratt who wants to get married and that puts an end to the arrangements.
The Next Best Thing while a sincere effort in its own way of showing the complicated problems that gays and lesbians have with the raising of children, their own children at that, it sadly degenerates into the kind of soap opera that one finds on the Lifetime Channel. It's not a horrible film, just will never be on anyone's ten best list.
I think Everett's character must have been based on Roddy McDowall who was a confidante to many of the rich and glamorous and unlike that other gay man who did that as well, Truman Capote, McDowall never wrote any tell all memoirs.
It rarely happens in real life, but a blessed event came from that mating and Madonna and Everett decide to move in together, not marry, but raise the child as a mother and father with each leading their separate lives. It actually does work for a while.
Madonna really gets into the mother role and Everett's a great father figure. But he never forgets his social life with friends and lovers like Neil Patrick Harris and Mark Valley.
But then Madonna meets Benjamin Bratt who wants to get married and that puts an end to the arrangements.
The Next Best Thing while a sincere effort in its own way of showing the complicated problems that gays and lesbians have with the raising of children, their own children at that, it sadly degenerates into the kind of soap opera that one finds on the Lifetime Channel. It's not a horrible film, just will never be on anyone's ten best list.
Did you know
- TriviaRupert Everett disliked the script and originally turned the role down. Paramount wanted to hire Everett so much that they offered him a producing and writing credit and the right to pick his co-star. Everett picked his longtime friend, Madonna. During production, Everett was fired as producer and co-writer.
- GoofsNear the end of the film, when Robert is talking to Ben across the street of Sam's school, Robert's head keeps changing positions between shots. In one shot he is looking toward Ben and in another shot he is looking at the school, then it goes back to the other shot when hes looking at Ben.
- SoundtracksBoom Boom Ba
Written by Aida Bredou and Skully
Performed by Métisse
Courtesy of Wildstar Records
By Arrangement with Telstar Special Products, Part of the Telstar Entertainment Group
Produced by Magnus Fiennes (uncredited)
- How long is The Next Best Thing?Powered by Alexa
Details
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $14,990,582
- Opening weekend US & Canada
- $5,870,387
- Mar 5, 2000
- Gross worldwide
- $24,362,772
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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