Night of the Ghouls

Ed Wood rounds up the usual suspects for this craptastic shocker. Lt. Moore is hot on the trail of shyster medium Dr. Acula (Uh huh, Dracula…I get it) who sets up his show in the good old Dr. Vornoff's (Bela Lugosi's lair in 'Bride of the Gorilla' (1955)) old lair to bilk little old ladies hard earned social security by channeling their love ones with floating sheets and phantom trumpet players who couldn't hold a tune even if they had pockets.. This guy couldn't talk to the dead with a two cans connected by string.

The Woodmeister really outdoes himself with 'Ghouls'. I was laughing my butt off during the good doctor's séances. Oh great swami salami please raise the dead. 'Night of the Ghouls' is badly acted with horrible dialogue and some of the cheesiest effects in all his films. I had a great time with this one. 4/5

The story goes that 'Night Of The Ghouls' sat in the can for over twenty years because Ed Wood couldn't afford to have it developed. I've sometimes seen it passed off as a sequel to 'Plan 9 From Outer Space', but it's actually a sequel to 'Bride Of The Monster'. The links are slim but the mad scientist played by Bela Lugosi is mentioned once or twice, and his assistant Lobo (Tor Johnson) appears in horribly disfigured form. As well as Johnson a few Wood regulars are involved, notably Criswell and Paul Marco. Criswell is a hoot as always but Marco is tiresome. He's the comic relief but I can't stand his character who is always whining and screwing up. Duke Moore from 'Plan 9' plays the main cop and Kenne Duncan, who trash hounds might remember from 'The Astounding She-Monster', plays "Dr. Acula", a crook posing as a spiritualist. 'Night Of The Ghouls' is a lesser Wood movie. It's neither as crazy as 'Glen Or Glenda' or as effective as 'Bride Of The Monster', and frankly I miss Lugosi. So don't get your hopes up, it's fun but pretty forgettable.

Night of the Ghouls (1959)

* 1/2 (out of 4)

Edward D. Wood, Jr. directs this semi-sequel to his cult film Bride of the Monster. People are seeing ghosts all over Los Angeles so a Detective (Duke Moore) goes to investigate. He comes across the weird Dr. Acula (Kenne Duncan) as well as a burned Lobo (Tor Johnson) among others. This is a rather interesting Wood film as it's probably his best made due to a couple reasons. For starters, Wood couldn't afford to pay the lab bill so the film set unreleased for 24-years. When Wade Williams stepped in and bought the film, he had professional editors edit the movie so this here makes it look somewhat better than normal. Even in other ways the film works better from the better special effects to a couple nice shots, not to mention some nice comedy bits and not those unintentional laughs we're use to. However, the film never reaches that "so bad it's good" level so we're left with a pretty bland film that doesn't go anywhere. The film is pretty boring, which is something you don't normally say in regards to Wood. The burn make up on Tor Johnson is probably the most graphic of any film from this era and looks great.

Old couple driving past the house where Old Lugosi experimented years before with Lobo (from "Bride of the Atom"). They see a woman dressed in white and are so alarmed they go report it to the police then have to go to hospital for a sedative. In the urgency, the cops call for their off-duty Luitenant, Bradford, to call off his night at the opera with his wife to go investigate. Un-offically, he's the resident ghost chaser you know (though the department can not and will not admit it!!). Anyway, he chooses idiot Cop Paul marco to go join him instead of any of the other guys. Marco somehow doesn't actually go with him, but goes alone about an hour or so later after finally managing to get a patrol car. He spends 1/2 the film in his car outside the mansion fainting from seeing this woman in white and taking potshots at her (as well as a woman in black who has now turned up) Bradford meanwhile, has broken entry to the house and is greeted by a *cough* Dr.Acula. This Acula guy holds seances. he spends ages on one seance with Bradford watching. The viewer is treated to a trumpet that plays by itself, a black man pulling faces as well as a few indescribable objects that look like parts of a car. Anyway, after a (long) while We learn Dr. Ac is a FAKE!!! The woman in white is infact...a woman in white who has to scare the cops away!!! Bradford, in Ac's absence goes off to explore the old mansion and spends some time reminiscing about the bannister (luckily(!) for the viewer, we can hear his thoughts). He bumps into Lobo (who is more hilarious + wooden than ever). Ac finds Bradford with Lobo who lock him up in a room.

Meanwhile Marco has called for help and by now actually gets out the car and enters the place. There are a few confrontations between cops (Bradford escapes from the room with no problems at all) and Ac and the white lady + upon receiving $10K from the seance decide to make a run for it. He sends one of his "actors" to shoot at the cops!! (for a fake seance??). Lobo is finally shot dead, but the real twist has just started...

This is grade Z rubbish. REALLY bad. In an attempt to escape right at the end, Dr. Ac actually RUNS TOWARDS his nemesis'!!

Not as "good" as plan 9 (unfortuntely) but worth seeing for Wood-Fans

Seriously bad movies takes the viewer into unexplored realms of weirdness quite beyond the range of more conventional films (there's an extraordinary sequence in 'Night of the Ghouls' depicting a seance, for example); although when a film begins with Criswell rising from a coffin to deliver a pious homily on the existential threat posed by juvenile delinquency you've got a pretty good idea what to expect. Veteran cameraman William C. Thompson meanwhile creates some memorable images; the single most haunting probably being the closeups of Jeannie Stevens in her fleeting appearances as the Black Ghost.