Go-Get-'Em, Haines

A maverick reporter becomes embroiled in a murder mystery when he follows a disgraced financier onto a cruise liner. Although he would go on to make another 61 screen appearances, this low-budget programmer was the last in which William Boyd would appear as anyone other than Hopalong Cassidy. There's a good gag in which he tricks each of two friends into believing the other is deaf, but otherwise this is pretty dull stuff.

This film has one of the very very rare roles where William Boyd wasn't Hopalong Cassidy once he started in that role. Here Boyd plays a reporter who is told to get the scoop on a millionaire who's utility company is tanking, taking with it the fortunes of many small time investors. Arriving at the rich man's house he sees someone that looks like his man sneaking out a back door. Giving chase he follows him to the docks and on to a ship heading for Europe. Soon things become complicated as murders on board on on land occur.

This is a nifty fast moving thriller. Boyd wanders through the film as if he owns the place and its clear why he was a big star. its also clear that had he been able to do something other than Hopalong he might have been even bigger (would that have been possible?). The mystery itself is a bit convoluted and I'm not sure the film plays fair (I blindly guessed the killer before we had even met all of the suspects) but its no matter since whats of interest here is the interplay between Boyd and the rest of the cast and the ship board setting. If there is any weakness its the musical number that takes place as part of a shipboard entertainment, it's not that its bad, it just that its filler. Worth a look.

The story goes that Steve Haines (William "Hopalong Cassidy" Boyd), a reporter, is trying to get ahold of a business tycoon and chases him onto a ship, only to leave with the ship when it casts off. Inevitably intrigue and suspense start to cautiously tip-toe into the light before taking center stage, as Haines runs into a few people he knows, as well as making a few new friends.

For the first half of the movie, the filmmakers rely mostly on comedy to get the story rolling. All the elements of screwball comedy are at play here, with some clever dialogue. For instance: Steve wants to know the stateroom number of a pretty girl (Sheila Terry) but the steward (Louis Natheaux) can't tell him. Flashing a bill, Steve asks "Would it be against the ship's rules if you were to tell me your age?" "Well, I'm afraid I can't tell you my age," replies the steward, "but I could tell you that, on my grandmother, she'll be eighty-four." A token perpetual drunk (Jimmy Aubrey) appears shortly after the above exchange, and assumes the comic relief responsibilities for the remainder of the film. And like most token comic relief characters of the 1930's (and unlike most comic relief characters of today), this dizzy, amusing character does actually help the narrative along, rather than just appear for the occasional comedy set piece.

I enjoyed this film over all, even though it started to drag a little in a few places. The story was pretty tightly written and it all actually held together quite well, for a B-picture. The ship-board location provides an interesting backdrop, and it seems as though most of the interiors, as well as exteriors, were shot onboard a modest commercial cruise vessel. What exactly it was like to shoot a movie like this I'd like to know. The acting was pretty good, with an excellent scene towards the end, where all is revealed. That's another thing: the movie keeps you guessing, presenting you with several possible outcomes, motives and suspects. If you can find it, it's worth a look.

This is from back when movies were more about script and story line, when movies were movies. Classic romantic little guy against rich big guy and the girl in the middle. Haines is a reporter who believes that's powerful rich guy is not on the up and up, illegally profiting off others. Very cute movie and decent quality given its age.

Movie almost split in 3 it seems, the first almost is a comedy of manners, you know, those 1930's things with lots of characters, really no plot, and just sort of glides along. SO a whole whack of people get on a boat, a banker (or is it?) who has swindled a lot of money, an actress, her brother and other people are also on board too. Oops, and a reporter, who is trying to uncover the banker's saga. During the voyage, it is suggested that some of the passengers put on a show, which they do. This leads up to the 2nd part of the movie, where the musical takes place, and it's just nothing short of bizarre. It leads to a murder mystery play, where the banker is a last minute replacement for one of the actors. Anyways, the banker's character gets shot in the play - only of course SOMEONE has switched the guns and he's really dead! So then the third part comes up.. who did it? The captain and the reporter lead the inquest to find out the dirty secret! Honestly, I wasn't really absorbed in this movie at all, it wasn't really interesting, musical or suspenseful. The only weird thing that captivated me, was the very strange hair the reporter had, which looked like a sort of grayish blonde thing.