A ventriloquist is murdered, leaving a show to be done. So, a midget goes undercover as the dummy. But, he always needs to find the criminal!A ventriloquist is murdered, leaving a show to be done. So, a midget goes undercover as the dummy. But, he always needs to find the criminal!A ventriloquist is murdered, leaving a show to be done. So, a midget goes undercover as the dummy. But, he always needs to find the criminal!
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Ivy Benson
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A blackmailing ventriloquist (Russell Warren) is murdered backstage at a theatre putting on a variety show. An inept police detective (Claude Hulbert) investigates along with a counterfeit investigator (Piers Harriman) while the show goes on.
A rather poor backstage thriller comedy with it's main redeeming features being the first screen performance from then radio star Jack Warner and the performances of some long forgotten variety artistes. Among them is impersonater comedienne Beryl Orde, a Chinese acrobatic group, the Lai Foons, the Skating Avalons and the jaw dropping and gravity defying acrobatics of Sylvester & Nephew. The normally funny Hulbert, younger brother of the more famous Jack Hulbert stretches his schtick out a little too much and was at his best as a foil in the couple of Will Hay films he appeared in.
A rather poor backstage thriller comedy with it's main redeeming features being the first screen performance from then radio star Jack Warner and the performances of some long forgotten variety artistes. Among them is impersonater comedienne Beryl Orde, a Chinese acrobatic group, the Lai Foons, the Skating Avalons and the jaw dropping and gravity defying acrobatics of Sylvester & Nephew. The normally funny Hulbert, younger brother of the more famous Jack Hulbert stretches his schtick out a little too much and was at his best as a foil in the couple of Will Hay films he appeared in.
An escapist wartime revue film masquerading as a murder mystery historically notable as the big screen debut of Jack ('Blue Pencil') Warner when he was famous as a radio comedian.
Enlivened as usual by it's bit players, most of them uncredited, such as a statuesque young Hy Hazel when she answered to the name of Derna, and Ian Wilson and Olive Sloane, both of whom appeared memorably for the Boulting Brothers after the war in 'Seven Days to Noon'.
Enlivened as usual by it's bit players, most of them uncredited, such as a statuesque young Hy Hazel when she answered to the name of Derna, and Ian Wilson and Olive Sloane, both of whom appeared memorably for the Boulting Brothers after the war in 'Seven Days to Noon'.
If you're looking for a hodge-podge of a backstage murder and a series of variety acts that might make up a British music hall revue, then this movie might be up your alley. Claude Hulbert (brother of the better-known Jack) silly-asses his way through a plot involving forged bank notes and finding out who murdered Manning Whiley. He also pines for and pursues Derna Hazel. This is a movie that tries to strike a balance between comedy and thrills. It does not, alas, come off very well, particularly compared to the trans-Atlantic LADY OF BURLESQUE from the same year.
Part of the problem is that for a variety show, the revue lacks variety. There are lots of acrobats and novelty skating acts, and one or two musical numbers, but they are an oddly assorted lot. Beryl Orde, a well-known comic impressionist of the era does some of her impressions, but they are obscure. Of more interest is Jack Warner. If you're more used to thinking of him as the world's oldest police constable from a couple of decades as Dixon of Green Docks, you'll find him very odd here as a man who reads silly letters from his brother and sings nonsense songs. He's an amusing, solid, believable presence and his later success seems quite likely given this fine screen debut.
Part of the problem is that for a variety show, the revue lacks variety. There are lots of acrobats and novelty skating acts, and one or two musical numbers, but they are an oddly assorted lot. Beryl Orde, a well-known comic impressionist of the era does some of her impressions, but they are obscure. Of more interest is Jack Warner. If you're more used to thinking of him as the world's oldest police constable from a couple of decades as Dixon of Green Docks, you'll find him very odd here as a man who reads silly letters from his brother and sings nonsense songs. He's an amusing, solid, believable presence and his later success seems quite likely given this fine screen debut.
The film is more of a vehicle featuring British Music Hall talent then it is murder mystery. I'm shocked that someone hasn't done the same for America's got Talent: AGT, A Talent for Murder.
The Dummy Talks may make you consider if the title refers to the "little person" AKA the substitute ventriloquist dummy or Victor Harbord (Claude Hulbert, the ersatz detective. I am going for the later.
Watching the popular stage acts of the time is the best part of this film which makes it a bit of a documentary. Watching the Five Lai Founs spin plates on a stick took me back to my youth in the 1950s when the spinning plate toy was all the rage, second to the Hula Hoop. There are some great popular acts of the period featured including some very watchable acrobats, both serious and comedic.
The plot is pretty standard, ventriloquist star and overall cad Manning Whiley is murdered, and there are a plethora of suspects. After some entertainment from the acts and the bumbling Claude Hulbert, the major suspects are assembled to hear the evidence and most important-to hear the dummy J'Accuse.
Think of this film as more of a Music Hall/Vaudeville piece of history and you will be pleased.
The Dummy Talks may make you consider if the title refers to the "little person" AKA the substitute ventriloquist dummy or Victor Harbord (Claude Hulbert, the ersatz detective. I am going for the later.
Watching the popular stage acts of the time is the best part of this film which makes it a bit of a documentary. Watching the Five Lai Founs spin plates on a stick took me back to my youth in the 1950s when the spinning plate toy was all the rage, second to the Hula Hoop. There are some great popular acts of the period featured including some very watchable acrobats, both serious and comedic.
The plot is pretty standard, ventriloquist star and overall cad Manning Whiley is murdered, and there are a plethora of suspects. After some entertainment from the acts and the bumbling Claude Hulbert, the major suspects are assembled to hear the evidence and most important-to hear the dummy J'Accuse.
Think of this film as more of a Music Hall/Vaudeville piece of history and you will be pleased.
Had "The Dummy Talks" been exactly like the summary on IMDB, I surely would have loved it. However, there is VERY little about any ventriloquist's dummy in this film and it's mostly just a stodgy music hall film with a bit of drama. In fact, no one is killed until very late in the film. Instead, you are treated to a variety of stage acts and you have to sit through them instead of focusing on plot. A few are good (such as the fighting couple) but most are dull and trite. Overall, a dull little film that could have been crazy and fun.Stodgy and dull...and the summary is not exactly incorrect and makes it sound far more interesting than it really is.
Did you know
- TriviaFilm debut of Jack Warner.
- SoundtracksThe World Belongs To Me
Written by Alf Ritter, Lawrence Wright (as Horatio Nicholls) and Jimmy Mesene (as J. Lester-Smith)
Details
- Runtime1 hour 25 minutes
- Color
- Aspect ratio
- 1.37 : 1
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