The story of the romance between the King of Siam and widowed British schoolteacher, Anna Leonowens, during the 1860s.The story of the romance between the King of Siam and widowed British schoolteacher, Anna Leonowens, during the 1860s.The story of the romance between the King of Siam and widowed British schoolteacher, Anna Leonowens, during the 1860s.
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- Nominated for 2 Oscars
- 14 nominations total
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Let the magic of romance and the beauty of Siam sweep and take you away to a world where the king rules the land and a teacher rules the king's heart. There are only two other movies I would consider to be worthy of masterpiece status: "Saving Private Ryan" and "Titanic." Now a third can be added to this list: "Anna And The King." "Anna and The King" is a true masterpiece that is filled with heart & soul, a beautful setting and superb performances.
I was very impressed with the performance of Chow-Yun Fat because he made the transition from action star to dramatic actor flawlessly. Fat showed his versatility in playing a king. Fat pulled off this role with perfection. He made it so easy for me to enjoy this movie because of his screen presence and believability of the performance as well as the chemistry between Anna and the King.
This masterpiece can not be completed without the performance Jodie Foster turned in. Foster delivers the type of performance worthy of an oscar. She once again has established herself among the elite that have the special gift of natural talent.
Foster and Fat come together beautifully to bring the true story of the romance of Anna Leonowens and King Momokut. The chemistry can be felt from a distance and it works from the first minute they come together. I knew Foster and Fat were compatible; however, I failed to realize how much until I viewed the movie.
"Anna and The King" is visually stunning in so many ways with beautiful settings such as the palace. Also, the costumes are well-made and suited the movie perfectly. "Anna & The King" will take you on a journey that will touch, warm and fill your heart with spirit only a motion picture masterpiece can bring.
I was very impressed with the performance of Chow-Yun Fat because he made the transition from action star to dramatic actor flawlessly. Fat showed his versatility in playing a king. Fat pulled off this role with perfection. He made it so easy for me to enjoy this movie because of his screen presence and believability of the performance as well as the chemistry between Anna and the King.
This masterpiece can not be completed without the performance Jodie Foster turned in. Foster delivers the type of performance worthy of an oscar. She once again has established herself among the elite that have the special gift of natural talent.
Foster and Fat come together beautifully to bring the true story of the romance of Anna Leonowens and King Momokut. The chemistry can be felt from a distance and it works from the first minute they come together. I knew Foster and Fat were compatible; however, I failed to realize how much until I viewed the movie.
"Anna and The King" is visually stunning in so many ways with beautiful settings such as the palace. Also, the costumes are well-made and suited the movie perfectly. "Anna & The King" will take you on a journey that will touch, warm and fill your heart with spirit only a motion picture masterpiece can bring.
This is a good movie, and it's very much worth seeing. Visually it is stunning-- the fake palace they built, and the geography is well worth the price. There are some complications that make it less than great, however. These problems might be inherent in the material-- adapting an actual English lady's actual diary. Should one poke fun at the colonializing 19th century British? The various "local" political rivals who evidently were more than willing to accept British trade and other "help" in exchange for fulfillment of personal ambitions? Or does one go entirely modern and politically correct, and pretend that the entire planet was a Berkeley coffee house just waiting for a chance to express neo-Marxist thought?
This movie tried really hard to appear "p.c." and historical at the same time. There were some glaring inconsistencies, however-- e.g., the British woman was evidently "shocked" by the death penalty being applied for what amounted to treason against the king, and yet in her own country, just 15 years before, the death penalty was routinely applied to shoplifters, petty thieves, vagrants, and anyone else the English nobility found inconvenient, annoying, or simply yucky.
The domestic montages were at times awkward and fakey. E.g., when the camera tried to build a sense of "Hey, we're getting along now!" by roaming around the palace grounds, showing the king, his kids, his old ladies and Anna all noticing birds and smiling at each other; noticing ducks and smiling at each other; noticing cutesy-poo antics of the young ones and smiling at each other. That was very stilted and phony feeling.
But this movie was much better than the critics mostly said. For example, for me, the relationship between the king and the teacher was actually very realistic, quite believable, and powerful. So maybe it's just that many professional critics don't like to see what real humans might do in a love situation with complications-- after all, they do go apoplectic whenever a movie wants you to feel something deep and real. So ignore them, and enjoy it for what it is-- a valiant and earnest effort to tell a complicated and difficult story. I gave it an "8."
This movie tried really hard to appear "p.c." and historical at the same time. There were some glaring inconsistencies, however-- e.g., the British woman was evidently "shocked" by the death penalty being applied for what amounted to treason against the king, and yet in her own country, just 15 years before, the death penalty was routinely applied to shoplifters, petty thieves, vagrants, and anyone else the English nobility found inconvenient, annoying, or simply yucky.
The domestic montages were at times awkward and fakey. E.g., when the camera tried to build a sense of "Hey, we're getting along now!" by roaming around the palace grounds, showing the king, his kids, his old ladies and Anna all noticing birds and smiling at each other; noticing ducks and smiling at each other; noticing cutesy-poo antics of the young ones and smiling at each other. That was very stilted and phony feeling.
But this movie was much better than the critics mostly said. For example, for me, the relationship between the king and the teacher was actually very realistic, quite believable, and powerful. So maybe it's just that many professional critics don't like to see what real humans might do in a love situation with complications-- after all, they do go apoplectic whenever a movie wants you to feel something deep and real. So ignore them, and enjoy it for what it is-- a valiant and earnest effort to tell a complicated and difficult story. I gave it an "8."
First of all, this movie was banned here in Thailand. Both the filming location and to play here. I have to find DVD to watch. O.K. this was not the fact in our history. Just the movie that follow from the book that contain artificial name, rank and misunderstanding of culture. However, director of this film is done the good job to not insult our king. King Mongut in this film present the great charactor of the leader, the highest father of our country. His role in the movie that played by Chao Yun Fat is acceptable for me. Next, the buildings, equipments and scenes are great. It's look like the same as here in Thailand. That's the neat job. However, the Thai pronounce sometimes are not good. Just few actors can pronounced well. Many times that I can not understand what they said in Thai and have to see the English subtitle. The storyline is O.K., not bad, sometimes boring, sometime there is interesting speech. The rebel at the ending of the movie, I think it's to help movie more interested than just to be normal drama movie. For Thai people, I think this movie is good and not ruin our king image.
The story is well known and has been told many times. Topping the film adaptations competition is the 1956 musical 'The King and I', among my favourite film musicals.
'Anna and the King' is around the same level as 1946's 'Anna and the King of Siam' in terms of rating, and is much better than the limp 1999 animated version of 'The King and I', which saw the musical get the butcher's treatment, and the execrable obscure low-budget animated version from Burbank Animation Studios.
It does go on a little longer than needed, consequently some parts do drag a little, while the subplot with the rebel general is on the implausible side and doesn't give the amount of tension it had potential to do.
On the other hand, 'Anna and the King' is stunning to look at with colourful, sumptuous costumes and the exquisite art direction rightfully garnering Oscar nominations, aided by cinematography of a sweeping beauty. George Fenton's music score is rousing, understated and uplifting, and the theme song a nice fit.
Further good things are a story that has a great mix of epic, poignant drama, dignified and sometimes tense romance and intriguing, if inaccurate, history. The conflicts are somewhat complicated initially but dealt with compellingly without making the film unfocused. The script is thought-provoking, and Andy Tennant (fresh from the previous year's delightful 'Ever After: A Cinderella Story', still a personal favourite) directs assuredly.
Jodie Foster, apart from occasional tentative performance, gives a performance of great dignity and authoritative strength with an immaculate accent. Chow-Yun Fat's performance as the King is nothing short of superb, a portrayal of many nuances and sweet-natured subtlety. All the cast do well, including a pre-'Harry Potter' Tom Felton.
On the whole, a very strong film with a few faults. 8/10 Bethany Cox
'Anna and the King' is around the same level as 1946's 'Anna and the King of Siam' in terms of rating, and is much better than the limp 1999 animated version of 'The King and I', which saw the musical get the butcher's treatment, and the execrable obscure low-budget animated version from Burbank Animation Studios.
It does go on a little longer than needed, consequently some parts do drag a little, while the subplot with the rebel general is on the implausible side and doesn't give the amount of tension it had potential to do.
On the other hand, 'Anna and the King' is stunning to look at with colourful, sumptuous costumes and the exquisite art direction rightfully garnering Oscar nominations, aided by cinematography of a sweeping beauty. George Fenton's music score is rousing, understated and uplifting, and the theme song a nice fit.
Further good things are a story that has a great mix of epic, poignant drama, dignified and sometimes tense romance and intriguing, if inaccurate, history. The conflicts are somewhat complicated initially but dealt with compellingly without making the film unfocused. The script is thought-provoking, and Andy Tennant (fresh from the previous year's delightful 'Ever After: A Cinderella Story', still a personal favourite) directs assuredly.
Jodie Foster, apart from occasional tentative performance, gives a performance of great dignity and authoritative strength with an immaculate accent. Chow-Yun Fat's performance as the King is nothing short of superb, a portrayal of many nuances and sweet-natured subtlety. All the cast do well, including a pre-'Harry Potter' Tom Felton.
On the whole, a very strong film with a few faults. 8/10 Bethany Cox
Let the magic of romance and the beauty of Siam sweep and take you away to a world where the king rules the land and a teacher rules the king's heart. "Anna and The King" is a true masterpiece that is filled with heart & soul, a beautiful setting and superb performances.
I was very impressed with the performance of Chow-Yun Fat because he made the transition from action star to dramatic actor flawlessly. Fat showed his versatility in playing a king. Fat pulled off this role with perfection. He made it so easy for me to enjoy this movie because of his screen presence and believability of the performance as well as the chemistry between Anna and the King of Siam.
This masterpiece can not be complete without the performance Jodie Foster gave as Anna Leonowens. Foster delivered the type of performance worthy of an Oscar. She once again has established herself among the elite that have the special gift of natural talent.
Foster and Fat come together beautifully to bring the true story of the romance of Anna Leonowens and King Momokut. The chemistry can be felt from a distance and it works from the first minute they come together.
"Anna and The King" is visually stunning in so many ways with beautiful settings such as the palace. Also, the costumes are well-made and suited the movie perfectly. "Anna & The King" will take you on a journey that will touch, warm and fill your heart with spirit only a motion picture masterpiece can bring.
I was very impressed with the performance of Chow-Yun Fat because he made the transition from action star to dramatic actor flawlessly. Fat showed his versatility in playing a king. Fat pulled off this role with perfection. He made it so easy for me to enjoy this movie because of his screen presence and believability of the performance as well as the chemistry between Anna and the King of Siam.
This masterpiece can not be complete without the performance Jodie Foster gave as Anna Leonowens. Foster delivered the type of performance worthy of an Oscar. She once again has established herself among the elite that have the special gift of natural talent.
Foster and Fat come together beautifully to bring the true story of the romance of Anna Leonowens and King Momokut. The chemistry can be felt from a distance and it works from the first minute they come together.
"Anna and The King" is visually stunning in so many ways with beautiful settings such as the palace. Also, the costumes are well-made and suited the movie perfectly. "Anna & The King" will take you on a journey that will touch, warm and fill your heart with spirit only a motion picture masterpiece can bring.
Did you know
- TriviaThe real King Mongkut was paralyzed on one side of his face.This fact is completely omitted from the film.
- GoofsUpon introducing his queens and concubines to Anna, Mongkut states that his concubines are not as numerous as those of the Emperor of China.
Emperor Tongzhi was 5 years old at his ascension. Tongzhi married Empress Xiaozheyi and two official concubines in 1872 at the age of 16. He later married two more Official Concubines before his death from smallpox at age 18 in 1872, which is four Concubines. Tongzhi preferred the company of his wife, Empress Xiaozheyi, to that of any of his four Concubines.
- Quotes
[last lines]
King Chulalongkorn: It is always surprising how small a part of life is taken up by meaningful moments. Most often they are over before they start, although they cast a light on the future and make the person who originated them unforgettable. Anna had shined such a light on Siam.
- SoundtracksJade Cong
Written by Simon Rowland-Jones
Courtesy of Zomba/Firstcom/Chappell Music
Details
Box office
- Budget
- $92,000,000 (estimated)
- Gross US & Canada
- $39,263,420
- Opening weekend US & Canada
- $5,223,416
- Dec 19, 1999
- Gross worldwide
- $113,996,937
- Runtime2 hours 28 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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