Bittersweet Motel

A fantastic objective look at the band and subculture surrounding their popularity. Previous non-fan and director Todd Phillips does a surprisingly good job at answering the questions Phish fans are interested in which is simply showing the band behind the scenes being themselves. The Phish fanbase, generally, knows more statics and facts than the band is probably even aware of; Phillips know this and avoids giving it any focus. Phish is not the Sexpistols, or any other band who has been documented that focuses on creating a spectacle; their focus is creating great music if this aspect sounds boring you probably will not enjoy the film. A final note. Although Phillips concentrates on lead guitarist and vocalist Trey Anastatio, his comment on this matter is "Trey talked the most and provided the most material to work with I couldn't have a movie with a bunch of musicians saying nothing." Highly entertaining and worth watching if you have only just heard of Phish. I also highly recommend Gordon's documentary of the band "Tracking" short but creative.

This documentary of the travelin' band Phish is above and beyond a lot of "rockumentaries" out there. It purports to lend audiences a behind-the-scenes look at the band on tour, and does so as promised. A lot of people have said that they're relieved the documentary didn't focus on the band's somewhat infamous, huge fan base that follows Phish on tour. I agree that the lack of "fan" interviews was a refreshing surprise, but was annoyed to find that the few phans they did talk to were complete and utter morons: there was harmonica boy, the horny frat-pack, tripping groupie harassing Trey Anastasio, and lamely objectified nitrous-huffing girl. Ugh. It would've been nice if they'd balanced them out with some thoughtful, intelligent phan commentary. I know these people exist; I myself followed Phish on tour for a short period a year or so before this multi-tour documentary was made.

That aside, though, I enjoyed the live concert footage (nice that the filmmakers chose to play most of the songs all the way through, instead of providing lots of mere snippets), the backstage banter (a lot of it gut-wrenchingly funny, at least to me) and the coverage of the group's much ballyhooed European tour. Especially liked that the band had fun with the fact that a documentary was being made of them--gotta love the staged "accidental" fellatio going on behind closed doors--despite the fact that they obviously weren't always thrilled to have a camera crew tailing their every move. One caveat: wish Trey hadn't been such a primary focus. I mean, he's entertaining, but so are the other guys.

The editing isn't fabulous, but it's good enough.

One more thing: Even if you're not a "phan," you'll probably enjoy this film. You may even develop an undiscovered appreciation for Phish's evident creative talent, sense of humor and impressive musical chops. My husband had no real love for Phish before seeing this, and still doesn't really, but was glad he saw it nonetheless. As for folks who dig the band, this documentary is a real gem you'll probably want to get on video when it's released.

This documentary is a disaster. Badly shot, sloppily edited, full of cliches, without any semblance of story development... everything that gives rock documentaries a bad name. Phish come across as a bunch of 40-ish nerds who could just as easily be writing code in some computer lab as playing music. We learn nothing about who they are, what drives them, or why we should give a **it. Nothing happens in this film except a bunch of shows, rehearsals and allegedly funny antics by obviously bored band members.

Bittersweet Motel is a well made documentary that follows the band on tour from their 1996 New Year's Eve show in New York City to their two day concert in August of 97, the Great Went which attracted 70,000 fans to Limestone, Maine.

The footage was shot at different venues on their American and European tour. It includes live performances and candid backstage action as well as home movie style fun off stage and personal interviews about their music. A lot of the film is lighthearted, not because the subject isn't taken seriously but because these guys are just fun people. There are plenty of parts which will make you laugh out loud.

Todd Phillips wisely keeps the focus on the band and their music and doesn't focus much attention on the horde of fans which follow the band from show to show. A lot of media coverage often centers around their fans, so it is refreshing to see more of an emphasis on the music and the guys that create it. There are many candid scenes of them discussing their music, whether it be criticizing or praising a set minutes after leaving the stage or analyzing a song. We are also given a peek at the band on a smaller backstage setup rehearsing songs right before going on stage to perform them.

The only complaint that I have about the film is that much of the coverage centers around Trey Anastasio, the lead singer and guitarist. While this was interesting and entertaining, I would've liked to have seen more of a balance of coverage of the other band members in interviews. To Todd Phillips credit, the lack of balance may be because of their shyness or disinterest in the making of the film. Trey was obviously a lot more out-going and enthusiastic about appearing on camera than the other band members.

As a fan, I believe this film discusses things that fans have always wondered about. This documentary is exactly what many fans have wanted to see for years. Whether this film will appeal to non-fans, I don't know. But I don't think they will watch it anyway.

Produced by Todd Phillips - whose next produced film was Old School followed by The Hangover. The movie is great. Fun. Funny. Great small venue concert footage. Nearly impossible to watch except 'illegally' on YouTube or via the DVD that I've owned forever.