The Prodigy

Interesting that the IMDb recommends the 1995 Bond film GoldenEye as a companion piece for admirers of The Prodigy. But the fact is that Prodigy likely has more inventiveness, directorial savvy, frightening villainy, editing prowess, and well-spent money in its cutting-floor leavings than GoldenEye, or dozens of other big actioners for that matter, have from beginning to end.

Genre films are often cranked out as hasty marketing gimmicks; perhaps they are watched and perhaps not, but in most cases either way, they're quickly forgotten. Here, we have a psychological/crime thriller that stays in the viewer's lens long after the credits have rolled. The acting is solid throughout--superb in spots, actually, especially from star Holt Boggs and costar and co-writer Matt Beckham--and the surprises are well-plotted and considered. Just as importantly, intricate, minutes-long gunbattle and action scenes, which would normally be confusing failures in most low-budget hands, are directed and edited with a precision that allows us to follow the jarring action with the same attention and involvement that we do when we see Prodigy's less-interesting big-budget brethren. Sometimes as many as ten characters are involved in these sequences, but we are never distracted, confused or annoyed by their number, as they are showcased only when needed, to maximum effect. (Added note, and kudo to director Kaufman: Thanks for not filming yet another Nine Inch Nails video and passing it off as an action film.)

I was surprised and impressed at a recent Texas screening of this film, and can only hope that some attentive distributor realizes that memorable, riveting action can be done for less than $10 million. If this one surfaces at a festival or theater near you, don't waste any time--see it.

Although I'm a little fatigued with the 'bullets and blood' shorts and features that are produced wholesale, I was genuinely stunned with the quality of this production. I have produced 10 shorts and 2 micro-budget features, so I feel the pain of being held back by monetary restrictions. Yet with this film I never once thought 'if only they had the funds and/or time to do that the right way'. If they would have announced the budget at 5 million, I would have said that it was money well spent. The cinematography was the best I have seen from a local production, the characters and acting were completely convincing, and the editing, pacing, and score were spot-on (if you notice any of these, then it becomes irritating) and did nothing to detract from the story…which I found refreshingly unique and richly layered. If I had a distribution company I would have signed them in the lobby after the screening.

Exciting and well-paced, 'The Prodigy' is a crime movie that plays like a horror movie. You have the haunted hero and his quirky pals going up against the seemingly unstoppable killer that will take them all to the edge of their sanity. Put guns in every hand, and you have an offbeat and very welcome thriller.

'The Prodigy' is a little come-out-of-nowhere masterpiece, the first feature of director William Kaufman, who co-wrote the script with stars Boggs, and Beckham. It's a taught, tight independent movie that looks as slick as any Hollywood lackluster. The ample, almost endless fight-scenes and shoot-outs are expertly choreographed and edited, and the entire movie looks crisp and beautiful. This is one of those films where you can see every penny present on the screen, shot no doubt while the leads were crashing on each others' floors and eating beans out of a can. If there is any fault to be had with the film, it's that the plot is a bit murky, with motivations difficult to figure out at times-in the beginning, I was convinced that Truman was an undercover cop, and his bust had gone bad; in reality it was a situation of rival gangs having a lively, bloody discussion. But if you sit back and let 'The Prodigy' take you where it wants to go, you'll never be bored and never be anything less than entertained and impressed. Standing out on a pyramid of outstanding actors is the film's true find, star Holt Boggs, who infuses the morally-ambiguous Truman with a depth and intelligence not usually found in low-budget crime thrillers (or big budget ones, for that matter). Actress and stuntwoman Inosanto is fun to watch as well. Truth be told, there isn't a false note struck by any character.

Mike Watt - FILMTHREAT

The Prodigy is straight out awesome. Flawless direction (William Kaufman), outstanding acting, amazing editing, and top notch sound. The film looks outstanding, the producer (David Rucker) and his production team made sure that every penny was put on the screen. This is a movie that keeps you guessing until the end and will stay on your mind way after it is over. The story is about Truman (Holt Boggs) a mobster who is looking for someone who killed some people at his bosses house and then kidnapped his bosses Nephew. What Truman doesn't know is this mysterious person is also looking for him. This movie is full of action, comedy, and suspense, but the mysterious killer being hunted is truly terrifying. He is as scary if not scarier than any villain from a horror movie. As far as the shoot out scenes go. I couldn't even compare it to an action movie, It's more like a war movie. You just have to see it to believe it. I loved this movie. I saw it at a premiere in Dallas. I think it will make its rounds at festivals before being released to the public, but if you get a chance to see it...do it.

From the first gun shot to the last gun shot, The Prodigy was unlike any other film. The writing(Kaufman), acting, and Producing(Rucker)were all first class. The story line was quite fascinating, every character is involved in the underground crime scene, still a good guy is able to emerge from this violent circle. Truman(the lead character), is a complex character with a dichotomy of emotions, that leads one to wonder how he ever got involved in this lifestyle. The movie explores and shows a different side of crime that most have not ever thought about. How the producers and everyone involved made this first class film without the backing of a major movie house is testament to the creativity and dedication by everyone associated with the film.