The Perfect Storm

It was slow at first, but the second time I saw it, it meant more to me because I knew what was going to happen to the characters. My fiance and son went to see it with me, and they kept asking me if I was ok, because I was crying like a baby. You dont get much character background, but once the boys get out to sea, you feel as you get to know them better. You can tell Billy Tyne truly loved being on the sea. It was his home. George Clooney did a phenominal job portraying this character. The rest of the cast put some great emotions into their parts. Mark Wahlberg, formerly Marky-mark, has grown up into a wonderfully talented actor. You really get the feeling that this was a close knit fishing town, and you feel like you are a part of that town.

Give this movie a shot, you may find you like it, despite what the critics say. They dont usually know dick anyway.. =D

I was struck by the documentary quality of this film, and couldn't help but look back to an earlier Peterson film, Das Boot, where we got up close and intimate with all the crew of the submarine--where they slept, went to the washroom, their soaking wet clothes, the damp, the stink of unwashed clothes, the claustrophobia on board. I had absolutely no trouble believing that Mark Wahlberg and Clooney were fishermen, trying to earn a hardscrabble living against a tough and unforgiving sea. The movie even starts slowly, giving the viewers insights into their lives at home, why they fish, and why they make the decisions later on in the movie. Then the film starts to slowly build the tension as the storm builds in strength. The special effects were absolutely believable, and Peterson piles on the tension even while breaking it up by adding a parallel rescue at the same time as the Andrea Gail begins to run into trouble. An excellent summer thriller that is a real roller coaster ride--literally and figuratively--on water.

The Perfect Storm: Billy Tyne is a swordboat captain who's hit a patch of bad luck - while his colleagues have returned to port nearly bursting at the seams with fish, his hold is nearly empty. Convinced that it is his turn to score the big haul, Tyne convinces his crew to go on one last run before the end of the season and heads for the North Atlantic. He never figured Mother Nature into his plans.

I remember reading about the Andrea Gail soon after "The Storm of the Century" hit the eastern seaboard. It was only a matter of time before someone tried to bring this story to the big screen. Thankfully, it was Wolfgang Petersen who did so - here he does for fishing what he did for submarine warfare in "Das Boot" - puts the viewer in the midst of the action and scares the hell out of them.

I can say without exaggeration that I have never experienced a movie as stressful as this one (the friend I brought to the premiere was literally ill). The movie starts out slowly and deliberately, gradually setting the stage for what is about to come. Petersen utilizes several subplots to build the suspense: initially he focuses on the disappointment of the crew as they repeatedly fail to hit the motherlode. Masterfully intercut with this are scenes documenting an idyllic sailing trip that turns ugly, and the Coast Guard attempts to rescue them. Consequently, the tension, like the storm, continues to build to a crescendo, and never wanes. The movie also feels real.

I have been in twenty-foot seas once in my life, and that was more than enough for me (it was one of the few times I ever contemplated my own mortality). Watching this movie brought it all back: the waves looked so real that it is often difficult to differentiate between the CGI and the real thing. Also, I could feel the waves as they pounded relentlessly against the boat (the theatre I saw this in had a great sound system) and was deafened by the shrieking wind. The experience, is, for lack of a better word, ferocious - I kept everything to disintegrate in the onslaught. However, special effects alone do not adequately convey the appropriate sense of danger.

Many of the water scenes were actually shot in heavy seas - they managed to film in the tail end of a hurricane - adding to the realism (several members of the crew were regularly feeding the fish...). The actors faced additional dangers - Mark Wahlberg came perilously close to drowning, not once but twice, and was injured by one of the animatronic creatures. Anyone expecting Clooney or Wahlberg to be glamorous will be sorely disappointed - they are earthy, and scraggly. But more importantly, their performances ring true. Indeed, all of the main characters deliver subtle, believable performances.

I have never given a strong endorsement with an equally strong caveat - you must see this movie, but only if you can handle stress. And yes I am serious on both counts.

It is inescapable fact that it is very difficult to take real-life events and translate them into an interesting and thrilling movie. Ron Howard perfected the art with "Apollo 13" and now Wolfgang Petersen continues on with "The Perfect Storm".

This story of Gloucester, MA. fishermen who go out for one last try at a big payoff in a slumping season packs quite a wollup once they get caught up in an event that had never before been recorded: the perfect storm. From there, you have to suspend belief just a bit and drink in the events occurring aboard the Andrea Gail. It's not tough, as the cast delivers them perfectly.

George Clooney may have played his signature role as Capt. Billy Tyne, skipper of the ill-fated Andrea Gail on that fateful day in 1991. Clooney comes off as neither overly glamorous, or bigger than life, but as a simple common man just trying to break his fishing slump and bring home a big payday for his boss, his crew, and himself. When George relaxes and puts himself into a role, he is better off, and Capt. Tyne is the pinnacle of that for him.

Mark Wahlberg comes on board as Bobby Shatford, a rookie fisherman who is trying to make a better life for himself and his girlfriend Chris (nicely played by Diane Lane). Bobby is the only character given equal depth to Billy and comes off with the same impression: a good guy who was trying hard to make a better life. Very nicely done here as well.

Supporting cast is good, John C. Reilly as Dale "Murph" Murphy, William Fichtner as David "Sully" Sullivan, a late arrival to the Andrea Gail's crew, Michael Ironside as the profit first Bob Brown. All of these stellar characterizations and serve brilliantly to put you into Gloucester of 1991.

Wolfgang Petersen has created a gripping film, full of chillingly realistic special effects. He skillfully took Sebastian Junger's novel and tweaked it to fit the confines of the motion picture screen. Casting and acting by all involved was perfect and you never once feel like anything is overacted or overly dramatic, just that you are somehow involved with the fear that had to have been involved on that night.

4 1/2 out of 5

A great demonstration on how a great soundtrack can carry a mediocre film to astounding hights. Watched this when I was younger and was captured by the astounding VFX work.

Now years later, with gimicky tension devices and quite flat caracters that are well performed, it gets a 6. Without the soundtrack it probably would have been a 4 at best but my god, what a wonderful score this movie has. There pretty much is no plot to write home about but everything else is great.

A great weekday night flick to (re) watch with a nice cup of tea under a warm blanked, far away from the sea. An incredible true story.