Terminator 3: Rise of the Machines

This movie doesn't deserve the hate it's getting. Now obviously it isn't as good as the first two Terminator movies. But this is also what's "wrong" with it. It's a great movie, but if you compare it to 1 and 2 then of course it won't be great, simply because the two first just are that great and legendary movies. But - as I wrote - it certainly doesn't deserve the hate. 80% - 8/10

I feel this movie gets a lot more hate than it deserves. Sure it may not be as good as the second one, and let's face it it's hard to top T2. But that doesn't make this a bad film. I actually like how John Connor is portrayed in this. Sure he's a bit whiny and a bit of a coward, but that's because he has not grown yet into the person he will be. He's unsure, and full of doubt. He has to grow.

And this movie has one of the best movie trailers I've ever seen!

In 2003 John Connor is living a life without record, with no fixed address, no bank account and no permanent job. He does this to avoid the terminators of the future being able to find him and kill him. In absence of him, Skynet sends back a T-X to kill secondary targets – Connor's future lieutenants, among them Kate Brewster, daughter of military scientist Robert Brewster. Luckily, in the future, Kate has sent back a captured Terminator to protect them. As the group escape Connor learns more of judgement day and sets out to try and stop it again.

T3 is different from T2 in that it isn't really in the same league (IMO) as T2 was when it came out. In my view T2 was the must see movie of it's time whereas now it has faded a little and is secondary to the matrix and other cutting edge blockbusters. In fact so second was it that I wasn't that bothered about seeing it or not. However I'm glad it did as T3 is nicely paced, doesn't expect too much of itself and does just what a blockbuster is meant to be – be entertaining.

The plot is mostly secondary to the action but, basically, the T-X has been sent back to take out a group of people before it then (accidentally) finds it's primary target of John Connor. Some of the plot is a little tenuous but it doesn't matter as it moves along at such a pace that you don't have time to really think too long about any one scene. However the climax is a hark back to the original Terminator with a down deep and depressing ending where fate manages to happen regardless of Connor's best intentions.

The action is great although it does look basic beside the effects of Matrix etc. I did feel that they worked better by not trying to be overly flashy or fancy. The morphing effects are actually more enjoyable because here they make up part of the action whereas in T2 they were key moments of cutting edge technology. The film's action takes the form of a simple chase and is very effective, the multiple car chase is my favourite scene – partly because it shows how very out classed the Terminator is by the new model!

The direction is good and Cameron isn't missed at all. Mostow does a great job with the action scenes and keeps everything just perfect. Because the film realises that the franchise is build on catch phrases and images that have entered into popular culture so much that they are overused, it wisely chooses to mock itself and has a real nice sense of humour to it. For example the original Terminator had the terminator entering a motor cycle bar and exiting dressed in biker leathers, here he enters a bar and finds a ladies night in full swing and has to get his clothes from a gay stripper. The deadpan way in which he rejects the sunglasses is really good. In a way this could have undermined the effect of the film but it is managed well and doesn't.

The cast is roundly good. The exit of Sarah Connor is handled well and her replacement (Danes) is good despite a few duff lines which don't convince. Stahl's performance could be seen as mocking Furlong's drug problems (I can't see any other reason for his junkie-like tics etc.) but he is still good and carries the film well. Schwarzenegger wisely agrees to mock his own character – the film takes the idea that time has passed the Terminator franchise by, by having the terminator itself being totally superseded. Loken is good as the T-X and is sexy enough but isn't given as much to do as anyone else. Whereas Patrick was pretty much the main focus of T2 (because of the effects) Loken has less of an impact.

Overall I had my doubts about this film but it did manage to do just what I needed it to do. The action is overblown and enjoyable without being the cutting edge in special effects at any time. The plot-driving scenes are good and the main story (behind the action) is involving and interesting, right up till the downbeat ending. I must say that, although it is hardly the most imaginative or inspiring film made this year, it certainly does what you need a blockbuster to do – no deep, pretentious plots, no joy-less acting, but rather a big noisy movie that doesn't take itself too serious (despite the serious plot) and is actually very enjoyable to watch. Nor a great film but I really wish that more blockbusters were like this.

While this film is clearly not as great as its predecessor, I think it has a lot of merits. The way I see it, It's the most underrated Terminator movie. I like how the story connects with the previous movies and the how it tries to expand the Terminator universe. The characters themselves are compelling and the action is bigger, thrilling and almost on par with the previous movies. The acting department is also excellent with Arnold swarzenneger stealing the show once again. The villain is improved and also chilling. Overall, this film starts out really promising, holding your attention, it did begin to begin muddled in the somewhere in the last act, but that doesn't take away from the action and good characters.

I didn't go to see this movie with very high expectations, because it has gotten such varied and sometimes disparaging reviews this forum. However, since I am an aspiring screenwriter and true cinema fan rather than simply a moviegoer, I decided to give this movie the benefit of the doubt. At the very least, I could end up writing a scathing attack on it.

Instead, I have found that I enjoyed the movie as I watched it, saw some flaws, but have discovered that the more I think about it, the more I want to give it a higher rating than I initially did (7). The film's two major dramatic flaws, in my opinion, are: (1) An over-the-top chase scene that comes way too early in the script without sufficient build-up in suspense leading up to it; (2) A little too much campy humor recycled from the first two Terminator movies.

The good outweighs the bad by a large margin. (1) The screenplay has some intriguing plot subtleties that grow on me after awhile, the most notable of which is the actual nature of the safe place. It could be the way it is for several possible reasons, some strategically favoring SkyNet, some the humans. Any of them could be spun into a major plot element for a sequel. The rest you'll just have to find yourself. (2) The character development of both John Connor and Kate Brewster is elegant, believable and moving, and also opens possibilities for future character development. (3) The plot is an interesting variation of the "Reluctant Hero" theme, which is a classic in literature and drama and always will be. John Connor is a hero who is almost an anti-hero. True, they could have sharpened his ambivalence a little (sacrificing some chase footage for it would have been an excellent trade, in my opinion). (4) The Terminatrix is a very good villain: She's young, she's sexy, and she's chillingly soulless. She is actually too smoothly sexy and physically perfect, but that makes sense when you consider that she has been created and programmed by other machines who, lacking the real-world experience of humans, can only base her appearance and humanoid behavior on their knowledge of human stereotypes.

That last leads me to some thoughts about Arnie's character. He is clearly getting a little too old for a reprise of his customary youthful, physically perfect role in any sequel. If he is brought back in a sequel - and I hope he is - a good, imaginative screenwriter could really work with his advancing age and loss of physical perfection. Since he is programmed by humans with real human experience, he could be brought back as a deceptively older and less physically powerful character, but more psychologically sophisticated (more like a true human with a soul), and his deceptive physical appearance combined with his greater psychological sophistication could be his aces in the hole when his strength and nonhuman cyborg qualities are insufficient. In other words, he could be shaped into an amazing supporting hero in any sequel. Maybe I could write his role!