IMDb RATING
6.9/10
7.8K
YOUR RATING
Trio of stories about lesbian couples in three different decades.Trio of stories about lesbian couples in three different decades.Trio of stories about lesbian couples in three different decades.
- Won 1 Primetime Emmy
- 7 wins & 10 nominations total
C.J. Bates
- Nurse Murphy (segment "1961")
- (as C J Bates)
Featured reviews
I absolutely loved this movie. I probably wouldn't have written a review, except I read the review that says unequal, and I completely disagree. I believe this movie was pretty accurate in each decade. The one that depicts 2000 was very moving and a lot different from the first decade. I think they were very brilliant to focus on the pregnancy issue. Lesbians and gay men these days want children and realize this can be a reality. I don't believe that was an issue until recent years. There is always a big focus on discrimination and unequal rights. This decade focused on the people and not only the huge issue of discrimination. It gave everyone just a little insight that lesbians and gays are people too with normal desires and needs.
I think it was a super movie and I highly recommend it.
I think it was a super movie and I highly recommend it.
I saw this film on the recommendation of a friend. In fact her recommendation was so good, I got the film from Amazon before I'd even seen it and as usual she was so right! The first part is moving, brilliantly acted and very, very sad. You will need tissues for this one. It may also anger you, as it did me! The treatment the old lady receives from the nephew is just appalling.
The second part is less sad. I was still moved by it and sad at times but overall it's very good. The sex scenes throughout this movie are very tasteful in my opinion. Very watchable.
The third and final part is my favourite. Ellen is such a funny and amazing actress and Sharon Stone is excellent, also. The topic discussed here is very moving, but very well dealt with. The sex scenes are sexy and yet tasteful. They are in no way pornographic as I have heard people say. The story is one that many lesbians can relate to, or maybe will relate to in the future (my self included, hopefully) and the ending makes me cry every time! My only negative point is that it wasn't longer! A full movie about this topic with these characters would be a must-see in my opinion! Perhaps someone should write one?
I think the film would be enjoyable to anyone, not just lesbians and it is well worth a look. Enjoy Charlene
The second part is less sad. I was still moved by it and sad at times but overall it's very good. The sex scenes throughout this movie are very tasteful in my opinion. Very watchable.
The third and final part is my favourite. Ellen is such a funny and amazing actress and Sharon Stone is excellent, also. The topic discussed here is very moving, but very well dealt with. The sex scenes are sexy and yet tasteful. They are in no way pornographic as I have heard people say. The story is one that many lesbians can relate to, or maybe will relate to in the future (my self included, hopefully) and the ending makes me cry every time! My only negative point is that it wasn't longer! A full movie about this topic with these characters would be a must-see in my opinion! Perhaps someone should write one?
I think the film would be enjoyable to anyone, not just lesbians and it is well worth a look. Enjoy Charlene
I have to admit that I approached the viewing of this movie with some apprehension. But as it turned out, I enjoyed it very much.
The film consists of three separate stories dealing with lesbianism set at different times and featuring characters from three distinct age groups.
The first, set in 1961, and the best of the three, features an outstanding performance by the marvellous Vanessa Redgrave as a retired school teacher who suddenly loses her lifelong companion. She suddenly finds that all of the things she has taken for granted are suddenly gone, including the roof over her head. The vignette shows how lesbianism was never talked about in public in the 60s as evidenced in the hospital scenes where Redgrave attempts to find out what has happened to her "friend". Paul Giamatti plays the deceased's nephew who has to tell Redgrave that she no longer can remain in her home of 30 years. Elizabeth Perkins effectively plays his scavenging wife.
The second story, set in 1972, deals with the relationship between a college co-ed (Michelle Williams) and a girl who likes dress in macho male attire (Chloe Sevigny). I found myself actually hoping that they would live happily ever after.
The last story concerns the often humorous efforts of two mature companions (Ellen DeGeneres, Sharon Stone)to "have a baby".
Although not for everyone, I found that this movie was tastefully done and very well acted.
The film consists of three separate stories dealing with lesbianism set at different times and featuring characters from three distinct age groups.
The first, set in 1961, and the best of the three, features an outstanding performance by the marvellous Vanessa Redgrave as a retired school teacher who suddenly loses her lifelong companion. She suddenly finds that all of the things she has taken for granted are suddenly gone, including the roof over her head. The vignette shows how lesbianism was never talked about in public in the 60s as evidenced in the hospital scenes where Redgrave attempts to find out what has happened to her "friend". Paul Giamatti plays the deceased's nephew who has to tell Redgrave that she no longer can remain in her home of 30 years. Elizabeth Perkins effectively plays his scavenging wife.
The second story, set in 1972, deals with the relationship between a college co-ed (Michelle Williams) and a girl who likes dress in macho male attire (Chloe Sevigny). I found myself actually hoping that they would live happily ever after.
The last story concerns the often humorous efforts of two mature companions (Ellen DeGeneres, Sharon Stone)to "have a baby".
Although not for everyone, I found that this movie was tastefully done and very well acted.
Three tales of lesbian couples having different struggles across three different time periods. In the sixties a lifelong lesbian couple who have never come out find the difficulties that occur due to them having no legal connection to one another. In the seventies a university student who is a feminist faces her friends' disapproval when she falls for a stereotypical `butch john' lesbian. In the nineties an openly gay couple decide to try for child and start looking for sperm.
I first heard of this film because I always have time for anything that Nia Long does. This caught my eye on her CV and when it came on TV I watched it. I wasn't sure what to expect but most of it works quite well. As the stories are pretty distinct (the only connection being the house) so I'll deal with them so. The first is easily the best and is the most emotionally involving. It is a little too happy and unreal at the start but the tragic situation that Edith finds herself in because of her love is very moving. The second story is a little less real to me as it deals with a problem within the lesbian community (of which I have no experience to speak of). It is less moving and also a little more explicit and may satisfy those who are only interested in lesbians in terms of male arousal! I don't think it is very sexual or overly done but I didn't think there was too much need for it - regardless of the participants sexuality I didn't think it really added to the subject. However the story again is pretty good and is interesting as it is not an issue I was aware of.
The final story is the most optimistic but also the weakest. The `issue' is a lot less serious and the film treats it as such with the whole segment being very light-hearted and bright. It doesn't really add anything to the film and doesn't fit with the first two segments. The cast are pretty much all good. In the first part Redgrave is excellent and her plight is made very real by the strength of her performance. In the second film Sevingy steals the show easily with a good performance. In the third DeGeneres happily underplays and isn't `zany' or `wacky', she is funny but not in an annoying way. Stone is weak because her character simply doesn't fit with her body - far too youthful and carefree to suit Stone. The support add to the feel that this is full of `stars' with Perkins, Giamatti, Long, King and others all doing OK in support.
Overall this film starts strong but gets progressively weaker as it goes, with the final section being quite frivolous compared to the emotion of the opening. It is an interesting film but it doesn't quite work as well as it should have done.
I first heard of this film because I always have time for anything that Nia Long does. This caught my eye on her CV and when it came on TV I watched it. I wasn't sure what to expect but most of it works quite well. As the stories are pretty distinct (the only connection being the house) so I'll deal with them so. The first is easily the best and is the most emotionally involving. It is a little too happy and unreal at the start but the tragic situation that Edith finds herself in because of her love is very moving. The second story is a little less real to me as it deals with a problem within the lesbian community (of which I have no experience to speak of). It is less moving and also a little more explicit and may satisfy those who are only interested in lesbians in terms of male arousal! I don't think it is very sexual or overly done but I didn't think there was too much need for it - regardless of the participants sexuality I didn't think it really added to the subject. However the story again is pretty good and is interesting as it is not an issue I was aware of.
The final story is the most optimistic but also the weakest. The `issue' is a lot less serious and the film treats it as such with the whole segment being very light-hearted and bright. It doesn't really add anything to the film and doesn't fit with the first two segments. The cast are pretty much all good. In the first part Redgrave is excellent and her plight is made very real by the strength of her performance. In the second film Sevingy steals the show easily with a good performance. In the third DeGeneres happily underplays and isn't `zany' or `wacky', she is funny but not in an annoying way. Stone is weak because her character simply doesn't fit with her body - far too youthful and carefree to suit Stone. The support add to the feel that this is full of `stars' with Perkins, Giamatti, Long, King and others all doing OK in support.
Overall this film starts strong but gets progressively weaker as it goes, with the final section being quite frivolous compared to the emotion of the opening. It is an interesting film but it doesn't quite work as well as it should have done.
A trilogy wrapped into one movie that covers the difficulties of lesbianism over a space of three generations. It begins with an older couple in the 60's having to deal with loss and the pain of keeping a secret for too long. Then the story brings us to a group of lesbian feminists in the 70's who fight so hard for what they believe in that they forget the point of being themselves. Finally, we're led it a problem of the new millennium that can only be solved outside of nature.
I saw the film after someone recommended it. Now that I've seen it, I'll recommend it too. The movie was good based on the fact that homosexuality is often based on the idea of sex alone, and it's not true. It's who you love. And being homosexual does have its disadvantages that hetero-couples might have. This film portrayed this idea very well.
The most poignant of these was Edith, who (after her lover died) had no ownership over their house, had no lawful right to her late-lover's property, and was even treated as if she were a mere impersonal object of her late-lover's life.
The second was the hardest to get, especially since it's in the middle of the sexual-freedom revolution. Girl meets girl, girl is a feminist, other girl is butch, girl's friends make fun of the butch girl because she doesn't fit the form of their own personal society. It might be historically accurate, but it fits vaguely with what the world is today and how women treat each other as less of a battle of male vs. female attitude.
Three is definitely the most fun, showing a couple's struggle with trying to become pregnant. It's not sad in the least, but it's still an issue that has its prevalence in the world. Becoming a mom when you're a lesbian isn't easy.
Overall, this movie was entertaining, funny, and moving. Anyone who would rent this movie if they want to have a good time and kill an evening.
I saw the film after someone recommended it. Now that I've seen it, I'll recommend it too. The movie was good based on the fact that homosexuality is often based on the idea of sex alone, and it's not true. It's who you love. And being homosexual does have its disadvantages that hetero-couples might have. This film portrayed this idea very well.
The most poignant of these was Edith, who (after her lover died) had no ownership over their house, had no lawful right to her late-lover's property, and was even treated as if she were a mere impersonal object of her late-lover's life.
The second was the hardest to get, especially since it's in the middle of the sexual-freedom revolution. Girl meets girl, girl is a feminist, other girl is butch, girl's friends make fun of the butch girl because she doesn't fit the form of their own personal society. It might be historically accurate, but it fits vaguely with what the world is today and how women treat each other as less of a battle of male vs. female attitude.
Three is definitely the most fun, showing a couple's struggle with trying to become pregnant. It's not sad in the least, but it's still an issue that has its prevalence in the world. Becoming a mom when you're a lesbian isn't easy.
Overall, this movie was entertaining, funny, and moving. Anyone who would rent this movie if they want to have a good time and kill an evening.
Did you know
- TriviaWhen Jane Anderson saw Vanessa Redgrave's performance in the wordless scene where she's crying and the kid sees her, the director was so overwhelmed with the raw emotion Redgrave was displaying that after yelling cut she had to exit the set to get some air.
- Quotes
Edith Tree: [to Ted] If you knew your aunt at all. If you knew about all the marvelous things that she did, and how good she was, and funny. And tender. And brave. And smart. If you knew how hard she worked just to find a little peace in this life. If you knew her at all, then you'd know what she wanted. And this wasn't that. Oh my dear, it certainly wasn't that.
- ConnectionsFeatured in Saturday Night Live: Joshua Jackson/*NSYNC (2000)
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Top Gap
By what name was If These Walls Could Talk 2 (2000) officially released in Canada in English?
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