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6.5/10
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The local yôkai (Japanese spirits) interfere to avenge a murder and thwart the plans of corrupt officials.The local yôkai (Japanese spirits) interfere to avenge a murder and thwart the plans of corrupt officials.The local yôkai (Japanese spirits) interfere to avenge a murder and thwart the plans of corrupt officials.
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- ConnectionsFeatured in Sans Soleil (1983)
Featured review
100 MONSTERS?! What a great film title, bringing to mind one hundred yokai (traditional Japanese monsters and spirits) wreaking havoc on an Edo-period village. The real film doesn't quite live up to that promise, but it's a fun entry into the '60s Japanese popcorn horror canon.
As is the case in many Japanese flicks from this time, the bad guys are powerful landowners who push around the good guys and take their land, their women and even their lives. But after the lords fail to complete a ritual after a "hyaku monogatari" (monster story-telling) event, they are haunted and hunted down by bloodthirsty monsters.
I love yokai to death, so any cinematic representation is fun for me. And what monster action we get here is fittingly awesome; we get a long-necked woman (rokurokubi), long-tongued umbrella monsters (kasa-obake) and faceless humans (noppera-bo), all of which look fantastic. The special effects are surprisingly good and hold up perfectly after 50+ years. Whenever the creatures are the focus of the camera, the film is fun as hell.
The problem is they are not the focus very often. Instead, we're treated to a pretty basic "samurai vs. landlords" plot that proceeds in a rather cliche fashion. It makes for passable watching, but it's not too exciting and not what anybody started watching a movie called 100 MONSTERS for. This is to be expected from a budget flick from the '60s, but it does affect the enjoyment factor of the film.
Overall, though, it's an easy, fun watch with wonderful creature design and delightfully odd moments. Recommended for yokai fans or monster movie lovers, even if it won't become one of your favorites.
As is the case in many Japanese flicks from this time, the bad guys are powerful landowners who push around the good guys and take their land, their women and even their lives. But after the lords fail to complete a ritual after a "hyaku monogatari" (monster story-telling) event, they are haunted and hunted down by bloodthirsty monsters.
I love yokai to death, so any cinematic representation is fun for me. And what monster action we get here is fittingly awesome; we get a long-necked woman (rokurokubi), long-tongued umbrella monsters (kasa-obake) and faceless humans (noppera-bo), all of which look fantastic. The special effects are surprisingly good and hold up perfectly after 50+ years. Whenever the creatures are the focus of the camera, the film is fun as hell.
The problem is they are not the focus very often. Instead, we're treated to a pretty basic "samurai vs. landlords" plot that proceeds in a rather cliche fashion. It makes for passable watching, but it's not too exciting and not what anybody started watching a movie called 100 MONSTERS for. This is to be expected from a budget flick from the '60s, but it does affect the enjoyment factor of the film.
Overall, though, it's an easy, fun watch with wonderful creature design and delightfully odd moments. Recommended for yokai fans or monster movie lovers, even if it won't become one of your favorites.
- yourmotheratemydog715
- Oct 24, 2019
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- Also known as
- The Hundred Ghost Stories
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- See more company credits at IMDbPro
- Runtime1 hour 19 minutes
- Aspect ratio
- 2.35 : 1
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By what name was Yokai Monsters: 100 Monsters (1968) officially released in India in English?
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