Hum Saath-Saath Hain

'Hum Saath Saath Hai' is a simple family drama. It's one of the films I enjoy most when watching with family. It's a colourful feel good film and not one that will make you seriously pick your brains. The moral of the story is that family should stick together, that's when they're the strongest. Just sit down and enjoy it without expecting a serious drama. The family tradition is nicely portrayed. Yes, it's larger than life and some might call it 'too good to be true' but it's entertaining. The set designs are impressive and the locales are spectacular (particularly the Rampur scenes). The songs are very pleasant and nicely add to the screenplay. In addition to that the dances have been beautifully choreographed. All the actors suit their roles very well. Tabu and Sonali add grace and sincerity to their characters. Tabu's downplayed expression in the scene right after Alok Nath and Reema Lagoo's argument is stunning. Sonali as the shy Preeti is amazing. She adds a lot of class and her body language is a standout. The two actresses are more than a positive addition. Karishma and Saif add to the humour. Saif is wonderful as the hyperactive Vinod as are Salman as the quiet Prem and Mohnish as the responsible Vivek. Alok Nath, Reema Lagoo, Shakti Kapoor and the rest of the cast are mostly brilliant. Neelam stands out as the sister. The three friends who play Lagoo's friends seem like caricatures. The plot is predictable but there's more to the film. I'd say it's one film best watched with the family. The only other Barjatya films I watched are 'Vivah' and 'Hum Aapke Hain Kaun' (so it's quite clear that his films aren't to be taken too seriously) but for me 'Hum Saath Saath Hai' definitely tops those two. I'd recommend watching and enjoying it with family.

Even though I am Indo-Caribbean and do like watching films just to connect with motherland,I do feel that we shouldn't judge a book by it's cover.We will make films like K3G and Lagaan bigger hits overseas than good films like Chandni Bar.I waited two years to get this because I wasn't interested and because it grossed $2 million in USA and films that gross over $300,000 get pirated the fastest.

Mr Sooraj sure knows how to make the perfect formula.Put six attractive stars (and hide one) all over on trailors and posters and cd's and then only have Karishma Kapoor and Neelam (the hidden one) steal the show from the females Tabu and Sonali Bendre,which is disappointing because all four are talented,but Tabu only gets 12 lines and Sonali,probably 15.Then for our males...Salman Khan's name is first and he only gets 10 lines where Saif Ali Khan and Mohnish Behl steal the spotlight anyways.Even the supporting artiste get more lines and even the children get more scope,all Salman,Tabu and Sonali get to do is stand in the background and blush.

Well, only two good tracks are 'Mere Hiwda Mein' and 'Maiya Yashoda'.It has a really good repeat value because I have seen it three times and if you like it,then you must not like films with high meaning like Lajja,Chandni Bar,Dil Se or Astivta,and Tabu won best actress awards for Chandni Bar and Astivta.Glad she was the first actress to do crossover into art films because she is not going to waste herself any longer in silly commercial masala!

6/10

i have seen movie and bought video casette. we enjoyed the movie and felt this is a MUST see for every good family who believe in traditional values. It reminds of Ramayana. With modern values. It gives clear message about how to deal with family problems and how to control ego and how to develop let-go feelings within family members. We have preserved video just in case any dispute arise between family members, we will see the movie and get back normal unity. hats off for such a daring movie. it may be commercial failure. but these clean movies are welcome.

I like this film because it was a true family drama, and a dying genre, even in Hindi movies. The family relationships are well portrayed and often very touching even though they can run to the "too sugar sweet" area sometimes. But this is a very miner concern, because the bulk of the film has a great vibe and a great flow. The story advances with all the songs, instead of detracting from it.

I think what a lot of people have forgotten to focus on is the social message conveyed in this movie. This movie explores the dangers of letting people poison your mind, and how family relationships can be badly effected by one person's wrong decision. The Mother in the story is made to feel insecure after the incident where the daughter's brother in law steals the family business from under them. This incident propels her to look at her own family in a different light, and to heed the machinations of 3 very frivolous women, and a man who wants to see his daughter lead the good life at all costs. The fact that they show us how well the family gets on before this incident shows us that regardless of how well you get on, such things can still happen to tear you apart. But the touching thing about this story is how the brother's and sister's rally together to protect each other, and how the firm love and respect between them swings things back into place. I loved this film. ALL the actor's contributed to the film. The characters they play are different, thus adding to the story in their own ways. I also disagree with another comment on this page that if you like this film you would not like films like "Astitva" and "Chandani Bar". I beg to differ. I liked those films very much. You don't have to be stuck in one genre, and it's better to be able to appreciate many genre's insteas of just one.

Rajshri continued to produced wonderful and memorable flicks like Tapasya (1976 Dir. Anil Ganguly), Chit Chor (1976 Dir. Basu Chatterjee), Ankhiyon Ke Jharokhon Se (1978 Dir. Hiren Nag), Sunayana (1979 Dir. Hiren Nag), Humkadam(1980 Dir. Anil Ganguly), Naiyya (1980 Dir. Prashant Nanda), Saaransh(1984 Dir. Mahesh Bhatt) & Abodh (1984 Dir. Hiren Nag).

Most of these films presently now have more weaknesses then strengths. But at the time of their release, and when I viewed them during the 1980's, these films were very different in style and tone from the rest of conventional Hindi cinema. It is these films that help inspire forthcoming filmmakers, and innovate the bland Hindi cinema which is predictable and not satisfying.

While most of their production remains quite unknown to many audiences, since their films was mostly consistent of new cast and production crew (making them really experimental at times), their last three production has become the most popular films ever in the history of Indian cinema. The films Maine Pyar Kiya (1989), Hum Aapke Hain Koun (1994) & Hum Saath - Saath Hain (1999) had broken box-office records around the world. All three movies was directed by Rajshri in-house director Sooraj B. Barjatya.

The films each have a social message which looks at each stage of life....youth/love, love/marriage & family values. While I loved his first two movies, his present one was very disappointing as it falls behind by being too overly melodramatic, which at times become rather ambiguous to the whole setting and nature of the film.

The first half hour feels like a theater production when all the characters enter the stage with their own mannerisms and characteristics. While this part has been handled well, I fail to understand why the need for so many characters. I was totally lost when all the secondary characters just entered the house (without a doorbell?) and made themselves feel too much at home. This creates an unease in the overall flow of the film. Maybe its just me, but I do feel that too much escapism was wrong at the start as it becomes too demanding on our part to make believe.

Rather then break Hindi film conventions, which all Rajshri films have done in nearly all of their releases, Hum Saath - Saath Hain continues the trend set by Hum Aapke Hain Koun of an upper class family having functions, outings, businesses, and a big house. This in my view has been looked upon once too often, and seems rather tiring and predictable. This contrasted with what the director did for his first directorial debut Maine Pyar Kiya which, in 1989, resorted Hindi cinema back to the romantic genre for the 1990's. This helped the romantic genre become a profitable and popular format after one decade of violence and patriotism films.

Planning of shots, art direction and performances are well executed. This shows how the director is very structured in what he wants to be visually shown on screen. But while the visuals are pleasing the overall plot, which is reminiscent of a modern day Ramayan, seems to be rather outdated. It is nice to see togetherness in a family but his concept was way over premising. It kept most of Ramayan philosophy into the plot rather then to fuse/innovate it with modern day influx of westernization which has taken over India with the advent of satellite television and of commercialism of products. Thus the film is not as up to date with today's audience.

Another weakness detected in the film is the poor song score, which is also not in touch with audiences expectations. While the lyrics are very touching and heart warming (especially in the song 'Yeh To Such Hain' which is a dedication to parents), the music doesn't merit the soundtrack to be listened to on its own. Its decent enough while viewing the film, as both are suited as it twins well. However it lacks the soulful melodies heard in present films like Taal (1999). I presume due to the death of one of the music director it has impacted on the working technique once presented in the duo Raam - Lakshman. The background score is however very appropriate as it helps to interact with what the characters feel on screen.

Where there is a negative lies a positive and this film has many. Like I mentioned before all the pr-production work done really shows the creativity the director has for his characters. There are many characters in this film, and for the director to ensure what will each be made of mentally and physically shows very well on screen. He personifies them through their personality, para-language, body language and even hobbies. The excellent art direction by Bijon Das Gupta captured by the wide cinema scope frame of Rajan Kinagi shows all of this creation quite well, and adds marvel viewing.

Also the performance from all the cast, despite the weak plot, is very well handed due to the detail structure of the surround planning by the director. Karisma Kapoor, Aloknath, Tabu, Neelam and Saif Ali Khan displays wonderful moments of character acting, that surpasses most blockbuster stars currently in Indian cinema. Also Salman Khan performance is quite impressive despite having less screen time then most of the major characters. Here his shy charter is played to a tee and certainly contrast with his loud and crass characters in his past films like Pyaar Kiya To Darna Kiya (1998) and Hello Brother (1999).

Despite being harshly criticize by many film critics, and by some audiences, the film became the highest grossing Indian film of the year 1999. The film might be a favorite with family audiences, but for individuals who crave for something new won't find this film satisfying.