Richard Hudson, an inveterate woman-chaser and gifted used car salesman, possesses a pimp's understanding of the ways in which women (and men) are most vulnerable - and justifies his seducti... Read allRichard Hudson, an inveterate woman-chaser and gifted used car salesman, possesses a pimp's understanding of the ways in which women (and men) are most vulnerable - and justifies his seductions with a highly perverse logic.Richard Hudson, an inveterate woman-chaser and gifted used car salesman, possesses a pimp's understanding of the ways in which women (and men) are most vulnerable - and justifies his seductions with a highly perverse logic.
- Director
- Writers
- Stars
- Awards
- 2 wins & 2 nominations total
Lora Witty
- Mrs. Shantz
- (as Laura Witty)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
10adam3000
Wildly and wonderfully original.
The only truly original film I've seen this year, The Woman Chaser takes its cue from its psycho-pulp origins and steeps itself in a brilliantly mordant mise-en-scene. Each shot bursts with ideas and mood, and Patrick Warburton is wonderful. The film is hilarious, and far enough off-center to truly appeal to those who get it. Those who like it will love it, and those who dislike it should probably look a little closer. Somehow simultaneously endearing, shocking and gritty, it's an insider's view of insanity, with all its delightfully f***ed-up characters painted affectionately by the director and his actors. Insightful and funny on the dregs of human behavior and in many ways a multi-layered riff on the nature of movies themselves - this is the one American film I would recommend over any other this year.
Pulpy Fiction
THE WOMAN CHASER (2000) *** Patrick Warburton gives a deadpan perfect turn as a scruple-less used car salesman in this
pitch perfect valentine to B movies and does so with great elan in
adapting pulp fiction author Charles Willeford's novel of noir to
fruition. Warburton's Richard Hudson is a sleaze with barely a
conscience yet defines his purpose in life of expressing himself by
directing a genre film he's written that ultimately mirrors his own
path of self-destruction. Blackly funny with incredible production
design and black & white cinematography that captures all-too-well the dank world of LA circa 1950s with its cocktail
lounge décor and sleek looking cars and costumes. Indie
filmmaker Robinson Devor makes an impressive debut with some
clever commentary on the duplicitous nature of Hollywood.
pitch perfect valentine to B movies and does so with great elan in
adapting pulp fiction author Charles Willeford's novel of noir to
fruition. Warburton's Richard Hudson is a sleaze with barely a
conscience yet defines his purpose in life of expressing himself by
directing a genre film he's written that ultimately mirrors his own
path of self-destruction. Blackly funny with incredible production
design and black & white cinematography that captures all-too-well the dank world of LA circa 1950s with its cocktail
lounge décor and sleek looking cars and costumes. Indie
filmmaker Robinson Devor makes an impressive debut with some
clever commentary on the duplicitous nature of Hollywood.
Used car salesman has an irresistible calling to produce a movie
This is an incredibly under-rated comedic gem of a movie. Although it has appeared on several Top 10 lists, it was carelessly ignored by the sell-out lemmings at the Independent Spirit Awards. Patrick Warburton's performance as Richard Hudson is a tour de force. He does great justice to Charles Willeford's original portrayal. See this movie!!!
Great film!
I first heard of Charles Willeford when Miami Blues came out. I read that book & found it fantastic. I thought the movie of Miami Blues was a minor masterpiece. I began to work backwards in Willeford's novels & got to this one which I found, like much of his earliest work, very bizarre. A used car salesman who dances a ballet with his mother. This film has captured that quality perfectly, treating it with utmost respect & love & lots of very well-tempered humor. Every detail of this film works perfectly, the acting, lighting, music, quality of sound, even, or especially, the perfect pitch of B-movie voices. Less lethal than Jim Thompson, less schematic than James M. Cain, more resourceful than David Goodis, Charles Willeford now has had two well-deserved minor film masterpieces made of his work.
"Putty" From Seinfeld in Hilarious Hollywood-Noir!
Patrick Warburton, famous for playing dim-witted mechanic David Putty on TV's "Seinfeld," expands his comedic and dramatic range in this witty, black-comedy satire of the movie biz. The high-contrast black & white cinematography accentuate the retro look and feel of this very funny film. Warburton plays a slick-talking, womanizing cad who talks his way first into the used car business and then into writing and directing a movie (the two industries apparently requiring similar levels of BS-artistry.)
With his burly body, Warburton is a welcome throw-back to the leading men of classic film noir Hollywood. He does a wonderful job of keeping a straight face while delivering some of the most original and hilarious dialogue I've seen in quite a while. While the film has some very dark undercurrents, they are so tongue-in-cheek and true to the main character that they make his Icarus-like fate all the more believable and satisfying.
Warburton is a gem; he effortlessly breaks the one-dimensional mold of his Seinfeld role. His razor-sharp delivery of the pitch for his movie-within-a-movie ("The Man Who Got Away") is destined to make this flick a staple of the cult-classic and employee-picks shelf at good movie stores for years.
The Woman Chaser flies off the tracks a bit towards the last reel, but this is only because it's been taking so many risks. Stick with it and you'll be rewarded with one of the most original and funny movies I've seen in several years.
With his burly body, Warburton is a welcome throw-back to the leading men of classic film noir Hollywood. He does a wonderful job of keeping a straight face while delivering some of the most original and hilarious dialogue I've seen in quite a while. While the film has some very dark undercurrents, they are so tongue-in-cheek and true to the main character that they make his Icarus-like fate all the more believable and satisfying.
Warburton is a gem; he effortlessly breaks the one-dimensional mold of his Seinfeld role. His razor-sharp delivery of the pitch for his movie-within-a-movie ("The Man Who Got Away") is destined to make this flick a staple of the cult-classic and employee-picks shelf at good movie stores for years.
The Woman Chaser flies off the tracks a bit towards the last reel, but this is only because it's been taking so many risks. Stick with it and you'll be rewarded with one of the most original and funny movies I've seen in several years.
Did you know
- TriviaAccording to the bedside clock, Richard's introductory lovemaking session with Becky lasted 2 minutes, despite his earlier claims to being a fantastic lover.
- Quotes
Becky: Don't you want to kiss me good night?
Richard Hudson: Thanks, I kiss too wetly.
- Alternate versionsOriginal version shown at the Sundance film festival was in black-and-white; later shown on cable in a slightly shorter color version.
- ConnectionsReferences The Big Lebowski (1998)
Greatest Character Actors of All Time
Greatest Character Actors of All Time
The talented actors totally transform for their roles. How many do you recognize?
Details
Box office
- Budget
- $1,200,000 (estimated)
- Runtime
- 1h 30m(90 min)
- Color
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