Directed by
Bobby Roth |
Writing Credits (WGA)
Barbara Taylor Bradford | ... | (novel) |
Carole Real | ... | (teleplay) |
Cast (in credits order) complete, awaiting verification
Produced by
Andrew Adelson | ... | executive producer |
Tracey Alexander | ... | executive producer |
Robert Bradford | ... | executive producer |
James Flynn | ... | producer |
Morgan O'Sullivan | ... | producer |
Music by
Stephen McKeon |
Cinematography by
Eric van Haren Noman | ... | (as Eric Van Haren Noman) |
Editing by
Armen Minasian |
Casting By
Molly Lopata | ||
Frank Moiselle | ||
Nuala Moiselle |
Production Design by
Alan Farquharson |
Art Direction by
Colman Corish |
Costume Design by
Grania Preston |
Makeup Department
Fiona Connon | ... | makeup artist |
Bernadette Dooley | ... | hair stylist |
Anne Dunne | ... | hair stylist |
Morna Ferguson | ... | makeup artist |
Joan Giacomin | ... | makeup artist |
Production Management
Enrico Ballarin | ... | production manager: Italy |
Guido Cerasuolo | ... | production supervisor |
Jim Duggan | ... | post-production supervisor: Ireland |
Maggie Mooney | ... | production manager |
Lisa Murphy | ... | post-production supervisor: Ireland |
Second Unit Director or Assistant Director
Jack Baran | ... | first assistant director |
Bernardo Galli | ... | assistant director |
Ingrid Goodwin | ... | stand-in/trainee assistant director |
Mary Gough | ... | second assistant director |
Ray Kenny | ... | trainee assistant director |
Brian 'Joker' Mulvey | ... | third assistant director |
Art Department
Colman Corish | ... | assistant art director |
Tom Dowling | ... | construction coordinator |
Gerard Lanigan | ... | chargehand dressing props |
Neasa Ní Chianáin | ... | assistant art director |
Noel Walsh | ... | property master |
Graeme Bird | ... | propmaker (uncredited) |
Lyndon Johnston | ... | stand-by props (uncredited) |
Sound Department
Mick Boggis | ... | re-recording mixer |
Jim Corcoran | ... | sound |
Nikki Moss | ... | supervising sound editor (as Nicky Moss) |
Annette Stone | ... | supervising sound editor |
Hugh Strain | ... | re-recording mixer |
Ken Galvin | ... | sound recordist (uncredited) |
Camera and Electrical Department
Werner Bacciu | ... | grip: Italy |
Hugh-Thomas Cavanagh | ... | daily electrician |
John Conroy | ... | focus puller |
Tony Devlin | ... | gaffer |
Robert Driskell | ... | lighting consultant (as Robert A. Driskell Jr.) |
Cristiano Giavedoni | ... | gaffer: Italy |
Martin Holland | ... | best boy |
Philip McKeon | ... | assistant camera |
Angelo Russo | ... | electrician |
Paul Tsan | ... | grip |
Eoin Keating | ... | camera trainee (uncredited) |
Editorial Department
Maya Ivanir | ... | post-production coordinator |
Paul Kieran | ... | assistant editor |
Glenn Kyte | ... | colorist |
Shayne Murphy | ... | on-line editor |
Location Management
Manus Hingerty | ... | location manager |
Georgina O'Connor | ... | key assistant location manager |
Music Department
Ian MacPherson | ... | conductor |
Script and Continuity Department
Mary Byrne | ... | script supervisor |
Additional Crew
Yvonne Burke | ... | assistant production coordinator |
Donata Calestini | ... | key production runner |
Gianni Carpentieri | ... | production accountant: Italy |
Fabio Di Biasi | ... | cashier |
Jennifer Griffin | ... | assistant accountant |
Auveen Lush | ... | production executive to morgan osullivan |
David Murphy | ... | production accountant |
Elaine Nicell | ... | assistant to director |
Jennifer Sadeghi Smith | ... | assistant to producers |
Rachel Smith | ... | production coordinator |