Lady, Stay Dead

It's a bit slow at first, but it gets going. What a camp film.

I noticed Roger Ward wearing what could only be a hair piece which looked like a doormat missing the welcome sign. When they put the woman in the fish tank to drown her, she didn't fight very hard and was rather unrealistic, but I guess that adds to its camp disposition! It's not the best film I have ever seen Roger Ward in - his performance in Mad Max will always be my favored. I would suggest you try and get a copy of LSD. It's one of those films you will have a soft spot for... in a peculiar kind of way. Typical of how 1970's films were shot in Australia

'Lady Stay Dead' is an early 80's Australian exploitation slasher flick with a simplistic plot that starts out with a sleazy rape/murder thriller with plenty of nudity before turning into a home invasion horror flick which is where the slasher elements kicks in and while combining these 2 genres was an interesting idea, neither of which were fully successful thanks to the dull pacing and the lack of any sort of suspense throughout its runtime.

The plot begins with singer/actress Marie Coleby (Deborah Coulls) who lives alone in a beach side mansion in Sydney whose unaware that her deranged handyman/gardener Gordon Mason (Chard Hayward) is obsessed with her, then one day she berates him and he ends up raping and murdering her. But Gordon is unaware that her sister Jenny (Louise Howitt) is coming to visit, will Gordon allow her to escape with her life?

There's a reason why some movies fall under the radar and fall into obscurity, because a lot of the time they just aren't that good and while there have been gems out there waiting to be rediscovered, this flick really falls more into the former category. Okay this movie isn't a total loss as it does have some charming elements to it such as the strong acting performances from the 3 main cast, especially Chard Hayward who delivers a delightful over the top performance as the maniac and for a low budget film the movie is shot well with some interesting camera movements and some nice production values. But other elements in this movie simply falls flat with not enough excitement and too many dull moments that can't quite sustain momentum and could have done with some tighter editing. The finale is also rather weak and ends on a rather limp note.

Overall 'Lady Stay Dead' is something only to seek out if you're a 80's slasher completist as it doesn't really have all that much to offer.

Lady, Stay Dead claws at its audience with exploitative energy, delivering a sleazy genre outing that's grimy but strangely watchable. The film's direction leans heavily on shock and sensation, never shy about pushing boundaries with its relentless nudity and flashes of violence. Performances? There's a pulpy earnestness despite the lurid context; Deborah Coulls brings vulnerability to her time onscreen, though the film's gaze is far from flattering. Graham Mason's handyman is all glowering menace, never letting you forget something foul is lurking nearby. Visually, there's a cheap, voyeuristic flavor to the camerawork, frequently lingering far too long for comfort, while the editing uses drawn-out suspense and abrupt brutality to keep viewers uneasy. The sound design is spare, leaning on tense silence more than haunting music, giving the film an unpolished, rough-around-the-edges tone that fits the seedy story. As far as pacing, it lurches between languid stretches and sudden shocks, never settling into comfort. This one caters to fans of grimy slashers; if you enjoy gritty exploitation with a mean streak, you'll find yourself morbidly curious. Just don't look for layered writing or subtle storytelling here: Lady, Stay Dead is all surface, and that surface is slick with grime.

The first 30 minutes are like "Oh God! This sucks" but after the sister gets to the house on the movie it gets pretty cool. Even though you know who the killer is & don't think he's scary, the music & direction make it seem like a slasher or gore movie. Its not real bloody or scary but I liked it.

This semi-obscure Aussie psycho thriller would probably be better known if it hadn't been overlooked by the Director of Public Prosecutions when compiling the UK Section 1 list of 'video nasties; it could easily have bumped the DPP39 up to a round 40, due to a harrowing scene in which the film's antagonist, gardener Gordon (Chard Hayward), rapes and kills pop star Marie (Deborah Coulls). No doubt Marie would have thought twice about upsetting Gordon if she had known how unbalanced he was: obsessed with his pretty boss, Gordon's hobbies include rolling around on his bed with a life size doll of the songstress. and spying on her at the beach whilst she exercises.

After doing away with Marie, Gordon proceeds to bump off her elderly neighbour Billy (who catches the gardener trying to dispose of the singer's body), and then terrorises Marie's sister Jenny (Louise Howitt), who had arranged to house-sit while Marie was on a location shoot. However, Jenny proves much tougher to kill, the woman fighting back a la Kevin McCallister.

Directed by Terry Bourke, the man responsible for kicking off the '70s Ozploitation craze with Night of Fear (1973), Lady Stay Dead is a tense, well acted slice of sleazy horror, with a suitably demented psycho (prior to killing, Gordon had been content with seducing and abusing local bored housewives), a likeable protagonist in Jenny (who is nothing like her obnoxious sibling), plenty of mean-spirited violence (a man is burnt alive and even a dog is killed), and a well-handled, action-packed finale, as brave security officer Clyde Collings (Roger Ward, who played Fifi in Mad Max) comes to Jenny's aid.

The final act does stretch plausibility just a tad, Collings stupidly (and fatally) turning his back on Gordon after a fight in a swimming pool, and the gardener being catapulted through a car wind-screen when hit by a motorcyclist, but on the whole this is a very effective chiller that might be held in higher regard by horror fans had it benefited from the same notoriety as numerous far less worthy titles.