Cookers

I loved this movie. I loved it because it was disturbing and it cuts to the core of all our fears, touches on every insecurity. It was a wild ride that respects its audience. It forces us to think and analyze or interpret. No cliff-notes here-- it is up to you to decide for yourself what the film means, what is happening, how it affects you. The acting was superb. Each character clearly defined and sussed-out. Brad Hunt gave a strong performance, if at times, slightly exaggerated. Cyia Batten's performance was impressive, gut-wrenchingly touching and extraordinarily brave, particularly being the only female to have to stand against two, very powerful men. Patrick McGaw was unrecognizable and fantastic-- funny and tragic all at once. In my opinion, awards should be doled out here to each one of them for what they brought to the table but if I had to pick just one, I would have to pick Cyia Batten, who plays the heartbreaking Dorena. It is not easy to embody vulnerability and power at the same time and yet she appeared to do it with ease. The editing can be dizzying at times, fast paced and over-stimulating but it fit perfectly considering the nature of the demons these characters fought. It almost got you into their heads for a time. Overall, I was moved, scared, saddened, angered, overwhelmed by this movie. I couldnt get it out of my head for a long time. I hope this movie does well, because everybody should see the raw, brutal truth of drug addiction annd losing oneself to their own private demons.

This film is a surprisingly effective and creepy little masterpiece that is a cut above its peers. Most low-budget horror films shot on grainy film are substandard, but the raw look works in this case, creating an unsettling realistic feel. This is due in part to good actors who are able to really create three-dimensional characters, something generally not seen in low-budget horror film-making. This particular film almost felt as if it were made in the 1970s, as it conjured up memories of movies I saw as a child which I found quite scary. Once again it can be proved that the absence of gore in a horror film can actually make the movie MORE frightening and disturbing, and this one is an excellent example of that technique. I hope other horror filmmakers can take a cue from this director and bring back the REAL horror movie as we remember it.

The premise for Cookers is simple; three white-trash crystal-meth addicts on the run lock themselves up in a farmhouse in the middle of nowhere. Things quickly get strange for the trio as they begin to see terrifying and ghastly apparitions. Is it the massive amount of drugs their taking or is their hideout truly haunted?

After I saw this film I kept thinking about it for quite some time. The acting is great (Brad Hunt is amazing once again) as was the storytelling and the direction. Cookers is the type of film a studio would never make. Everything isn't spelled out for you and there's no Hollywood type BS ending. You actually have to think about what you've just watched and have to make decision about what actually happened during the film.

This is an intelligent Horror/Psychological Thriller that stays with you after the fact. The last move I saw like this that forced me to think was the brilliant Donnie Darko (even though that had themes of time-travel and sci-fi they somehow fit in the same genre).

Most low budget horror movies are pretty bad, hence the desire to watch a lot of them hoping to find the gem that publicity has overlooked. This is that gem.

The storyline deals with a crew of methampetamine cookers who hole up in an old house to make drugs. Since this is a horror movie, the house must be haunted, and of course it is. That the plot is predictable doesn't take away from the entertainment; you might know what's coming, but the way it's presented is the enjoyable part here.

The pacing, the story, the acting - all good. The way that tension was gradually ratcheted up throughout the film speaks well of the director. I especially enjoyed the brief hints that the people were not alone in the house, somewhat reminiscent of The Grudge, but not as blatant.

You'll know how it's going to end, of course, and that's OK. Again, knowing doesn't detract from the movie in any way. The humor is understated, the horror is creepy, and the cast is entirely believable.

I wasn't much of a horror/gore fan, but late one night, this movie converted me. Rescued from a $1.99 bin at a video store on Halloween, we fully expected this to be a standard, low-budget haunted house flick. It turned out to be so much more. Creepy and compelling, the film builds in tension with every frame and surrounds you with a constant feeling of dread. You just know something bad is going to happen, you just don't know when. Helped along by decent acting and some very clever audio design, there are a couple of scenes that should make your flesh crawl, a few that will surprise you, and some that will make you say "wait...was that reality or a hallucination?" Good movie for a late night fright or two.