Gumnaam

The movie starts out simple enough. A man stands at a balcony and smokes a cigarette while watching a drunk man (coming out of a nightclub/bar) getting run over with a car. This is all intentional. The man on the balcony goes inside, pays someone for the death of the man on the street and then proceeds to call a whole bunch of people to let them know the man has died. In the middle of the phone call to the dead man's niece, a strange man in a trench coat, hat and gloves comes in and shoots the man.

After this we get the most famous scene of this movie : the dance scene that was shown in Ghost World. Its a crazy 60's rock n' roll dance number, complete with a girl dressed in a gold dress with frills, male dancers dressed in black suits with white frill shirts, female backup dancers in pink dresses with frills and a lounge singer dressed in a white suit with black tie. They are all wearing black masks. The song is quite catchy and makes you wanna get up and dance (or if you prefer, dance in your seat).

After the dance number (for the silver anniversary of the club), seven people are "randomly" chosen to go on an exclusive holiday abroad. On the way to the location, the plane has to land for repairs (it lands in the middle of a field somewhere). When the plane unexpectedly leaves, the seven "castaways" (8 if you count the Ray Romano looking steward) look around. They discover a mansion in the middle of nowhere, where a butler/cook awaits their arrival (and knows all theirs names except for the steward).

I would classify this movie as a Bollywood version of an Agatha Christie type suspense mystery. In typical Bollywood fashion this would include several dance and musical numbers. This is a very enjoyable twist on the whole mystery genre. It is true that the music and dancing does distract one from the mystery and reduces the tension. At the same time, I was enjoying the dance/musical numbers too much too care. By far my favorite dance/musical number (other than the opening one) would be the drunken singing scene between Miss Kitty and Nanda. I also loved the product placement of the movie. It is quite evident how much "Hollywood" items are used as items of social stature in other cultures. For example, the Cool cigarettes and the Long John whiskey. It is also quite comical to witness the amount of tobacco smoked in this movie (several black lung's worth). This is a very enjoyable movie and the 180 minutes rush by. I highly recommend this movie.

-Celluloid Rehab

Gumnaam (1965) : Brief Review -

Christie's novel "And Then There Were None" was brought to full screen in American cinema in 1945, and after 2 decades, Bollywood woke up with the idea of making it a commercial blockbuster. Yes, we did it. Raja Nawathe gathered an ensemble cast of Manoj Kumar, Nanda, Mehmood, Pran, Helen, Madan Puri, Tarun Bose, Dhumal, and Manmohan. The script remains mostly unchanged, with a few changes here and there. In the novel, the 10 people are invited together, while here they are brought there by a conspiracy. The murder spree is the same, but Gumnaam powers itself with a proper commercial angle and some great musical numbers. "Gumnaam Hai Koi" is an iconic song, and it runs for like throughout the film. "Hum Kaale Hai To" is an evergreen chartbuster, and what a freaking grand setup it has. We have Mehmood nailing his characters and steps, and we have Helen nailing her looks and dance moves in the same song. What a great art design and fantastic choreography! Helen adds her sex appeal to the film, especially in "Gham Chhodke Manaao Rang" and that drunk song, which I didn't like much. Nanda is as gorgeous as ever, and her chemistry with Manoj Kumar is indeed beautiful. How sexy she looks in that rain song! These are the things that Hollywood couldn't have. That's the only way Bollywood got ahead of Hollywood, and I'm glad that we did. However, Gumnaam isn't as pacy as the American adaptation of the novel. Still, we have some great moments here. Who would have imagined that an eerie murder mystery could have been transformed into an audience friendly box office hit? Raja Nawathe and team Gunmaan did it. Today's filmmakers need to learn from old Bollywood how to make Hollywood adaptations in Hindi cinema.

RATING - 7/10*

By - #samthebestest.

Basically an adaptation of Agatha Christie's "Ten Little Indians," this film is highlighted by one of the greatest, most euphoric rock 'n' roll dance sequences ever, which was featured in the opening credits of Terry Zwigoff's excellent "Ghost World."

Of course nothing can be taken seriously here, as the characters get murdered one by one, they still find the time to have a beach party and stage elaborate musical numbers. There are some terrific musical fantasy numbers, but of course the "Jan Pehechaan Ho" scene featured in "Ghost World" is by far the best.

About ten years ago, my brother and I were sick with the flu and surfing the endless satalite channels when we came across this movie and could not change the channel. We laughed all day and days to come: imitating the dance with the masked men and the lady in the obnoxious gold dress. And I was laughing again when I saw it again a few months ago in Ghost World. You think the abstract direction of the sixties was bazaare and silly- check out what was going on in India.

Gumnaam review :

Loosely inspired from Agatha Christie's novel 'And Then There Were None', Raja Nawathe's Gumnaam was a well executed suspense thriller with right blend of other bollywood elements like comedy and songs. A group of people are stranded on an island and discover a mansion there which has a comic butler (Mehmood) who is already aware about them. One by one, the guys are bumped off and they keep suspecting each other till only two remain...

Manoj Kumar played an air purser who gets stranded with this ill fated group. Nanda as his love interest is supposedly the film's heroine but the lady who stole the show was Helen looking drop dead gorgeous as Kitty who quite a few men take fancy to. Note her sizzling 'Kitty Kelly' song on the beach. Pran was great as her alcoholic suitor while Manmohan was his usual slimy self.

Gumnaam is more famous for Shankar Jaikishen's music particularly the 'Hum Kaale Hain Toh Kya Hua Dilwale Hain' picturised on the legendary Mehmood Saahab in his Hyderabadi avatar. Mehmood literally owned the character with his typical mannerisms and it became a rage so much than even Amitabh Bachchan emulated it in Manmohan Desai's Desh Premee (1982). No doubt, Mehmood hogged the limelight in every scene he appeared and there were rumors that lead actor Manoj Kumar was not too happy with it and even tried convincing Raja Nawathe to delete the "Hum Kaale hain.." song from the film..

Another super hit song by Shankar Jaikishen 'Jaan Pehchaan Ho Jeena Aasan Ho" is my personal favorite despite its Beatles hangover.

Interestingly, the films climax makes use of Russian roulette game a decade before Salim Javed immortalized it in Sholay (1975).

Gumnaam makes for a good one time watch with family. Incidentally, I saw it first with my parivaar in mid 80s on DD National. The film still retains its charm like before..

Regards, Sumeet Nadkarni