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The Grey Zone

  • 2001
  • R
  • 1h 48m
IMDb RATING
7.0/10
12K
YOUR RATING
Kamelia Grigorova in The Grey Zone (2001)
Trailer
Play trailer2:28
1 Video
18 Photos
DramaHistoryWar

A Nazi doctor, along with the Sonderkommando, Jews who are forced to work in the crematoria of Auschwitz against their fellow Jews, find themselves in a moral gray zone.A Nazi doctor, along with the Sonderkommando, Jews who are forced to work in the crematoria of Auschwitz against their fellow Jews, find themselves in a moral gray zone.A Nazi doctor, along with the Sonderkommando, Jews who are forced to work in the crematoria of Auschwitz against their fellow Jews, find themselves in a moral gray zone.

  • Director
    • Tim Blake Nelson
  • Writers
    • Miklos Nyiszli
    • Tim Blake Nelson
  • Stars
    • David Arquette
    • Velizar Binev
    • David Chandler
  • See production info at IMDbPro
  • IMDb RATING
    7.0/10
    12K
    YOUR RATING
    • Director
      • Tim Blake Nelson
    • Writers
      • Miklos Nyiszli
      • Tim Blake Nelson
    • Stars
      • David Arquette
      • Velizar Binev
      • David Chandler
    • 114User reviews
    • 54Critic reviews
    • 58Metascore
  • See production info at IMDbPro
    • Awards
      • 1 win & 3 nominations total

    Videos1

    The Grey Zone
    Trailer 2:28
    The Grey Zone

    Photos17

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    Top cast36

    Edit
    David Arquette
    David Arquette
    • Hoffman
    Velizar Binev
    Velizar Binev
    • Moll
    David Chandler
    • Rosenthal
    Michael Stuhlbarg
    Michael Stuhlbarg
    • Cohen
    George Zlatarev
    • Lowy
    • (as Georgy Zlatarev)
    Dimitar Ivanov
    • Old Man
    Daniel Benzali
    Daniel Benzali
    • Schlermer
    Allan Corduner
    Allan Corduner
    • Nyiszli
    Steve Buscemi
    Steve Buscemi
    • Abramowics
    Harvey Keitel
    Harvey Keitel
    • Muhsfeldt
    Henry Stram
    • Mengele
    Kamelia Grigorova
    • Girl
    Lisa Benavides-Nelson
    • Anja
    • (as Lisa Benavides)
    Shirly Brener
    Shirly Brener
    • Inmate
    Mira Sorvino
    Mira Sorvino
    • Dina
    Natasha Lyonne
    Natasha Lyonne
    • Rosa
    Dafina Katzarraska
    • Woman Inmate
    • (as Dafina Katzarrska)
    Donka Avramova
    • Young Woman
    • Director
      • Tim Blake Nelson
    • Writers
      • Miklos Nyiszli
      • Tim Blake Nelson
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews114

    7.011.8K
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    Featured reviews

    fakemag

    A Very Good Film

    I was a little wary of this film because of the cast - but David Arquette was surprisingly good. I happen to like films that have a theatrical uality - so that was fine with me. At first I wondered why Harvey spoke with an accent, and no one else did - then midway through the film I got that the idea was that the Jews HEARD his German accent - and since the story was from THEIR perspective, they had no accents from their point of view. To convey this to an American audience, they spoke like Americans. I despise Shindler's List . That film turned a horror into a feel good event. Disgusting. THIS movie doesn't manipulate you with sappy speeches and ridiculous violin crescendos, nor does it get sweet and sentimental like Saving Private Ryan. This movie is about horror - and it ends horribly. It doesn't cheapen the death, it forces you to feel all of the terrible weight.
    10gejfay

    You will never be the same after watching this movie

    This is truly one of the most disturbing films I have ever seen. If the goal of a great movie is to make its viewer changed forever, "The Grey Zone" certainly has succeeded. Yes it is not "Schindlers List". It has no uplifting theme, other than that in the face of no hope, doomed individuals tried desperately, if for nothing else, to save one life among millions of doomed. In the end even that effort is futile.

    It's images are haunting.

    Do to its depressing topic and even more disturbing ending others have criticized this movie as not being "entertaining". In fact it is entertaining. It is a horror movie of the real kind. The horror of human evil based on prejudice and hatred.

    Everyone needs to see this movie, with the exception of those who lived through it, as they already know!
    sjmcollins-1

    Horrifying

    No punches pulled in this one. "The Grey Zone" is to "Schindler's List" what "Menace II Society" was to "Boyz N The Hood". Tim Blake Nelson gives an incredibly moving account of men and women who know they're dead, but are simply looking for clear consciences on the way out. The performances are excellent (with the possible exception of a miscast Keitel), and the lack of sentiment gives a much more realistic depiction of what these human beings actually had to go through. Be prepared: the last 10 minutes of this film are completely unsettling.
    9dispet

    Stunning

    This is the second film from writer/director/actor Tim Blake Nelson to disappear into film limbo. Known for his leading role in O Brother Where Art Thou, he also wrote and directed O, which was shelved after the Columbine massacre. It has taken 3 years for The Grey Zone to arrive on Australian shores, and it has now gone straight to video. This is a great shame as this is a stunning film worthy of far more attention. It is the true story of the Sonderkommando groups in Auschwitz, the most infamous of all Nazi concentration camps. The Sonderkommandos were Jewish prisoners who volunteered to work on the gas chambers and furnaces in exchange for better treatment and extended life. No team ever lasted more than 4 months, and would themselves be added to the groups herded into the gas chamber by the next sonderkommando group. This is the tale of the 12th group, who used their position to revolt against the Nazis and blow up the two primary gas chambers/furnaces. There are many flaws within the film; the dialogue feels too much like a play which makes the discussions somewhat static, everybody has an American accent except for Harvey Keitel who somehow manages to sound like Mel Brooks impersonating a German, and the details of how they select Sonderkommandos and their lifestyles are not very well dealt with. However, these faults do very little to diminish the power of this film. For above all else, this is a story that not only succeeds in answering the question of why Jews would volunteer for such a duty, but also allows the viewer a stunning and horrifying look into human psychology and the politics of oppression. While a film like Schindler's List allows us a broader view of the overall situation, it failed to truly give any insight into the individuals who allowed the machines of war to keep operating. How could people not rise up and at least to try fight knowing they were going to die anyway? The Grey Zone gives the viewer a very clear and very painful view of the weakness within humanity, of how humans allow themselves to be convinced that everything will be ok, no matter what evidence we have in front of us. In telling the story of the one uprising to occur within the most destructive of all concentration camps, we get to show the good in man, and the evil. And in this the film succeeds above many other films, and is worthy of praise far surpassing the melodramatic tripe that Hollywood usually tries to feed us in regards to the second world war. And, in our current political climate, it is more important than ever to understand how easily we fall back on our ability to turn a blind eye and believe the lies that even our next door neighbour will tell us.
    9ETO_Buff

    Important Story of the Sonderkommando

    This is an important film because it depicts an event and an aspect of life in the extermination camps that is little-known. It is not meant to be a tear-jerker, or a film on the level of Schindler's List, especially since it does not tell the same story. What it does tell is the brutal reality of the only armed revolt staged by the Jews in Birkenau (the extermination camp attached to Auschwitz). The Sonderkommando ("Special Detail") were the prisoners that were forced to assist in the annihilation of their own people by taking the bodies from the gas chambers to the crematoria. In order to keep their crimes against humanity a secret, the SS liquidated each Sonderkommando every six weeks. This is the story of a group that stashed away weapons and explosives and revolted just before they were scheduled to be liquidated.

    After having read Eyewitness Auschwitz, written by a member of the Sonderkommando, and "Auschwitz: A Doctor's Eyewitness Account" by the completely self-absorbed doctor (in reality, not the movie) upon which this film is based, I'm glad this project was undertaken. It is a well-made movie that tries to portray too many of the complicated issues that involved with the subject. It has received some harsh criticism, especially by some who claim to be interested in the subject, but obviously missed many points in the movie. Since I don't know of any other films about the revolt of the twelfth Sonderkommando of Birkenau, I think this one is very good.

    One final note: Some people seem to think that the title refers to some moral dilemma faced by the characters. While that certainly was an issue for some who were there, and while the movie title may convey a double meaning, the main reason Birkenau was referred to as the Grey Zone was due to the coating of ash from burned human corpses that covered everything, including those who lived and worked there. It was on the ground, on the buildings, and on their clothing. They literally ate and breathed it 24 hours a day.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Writer and Director Tim Blake Nelson made Dr. Miklos Nyiszli's memoirs "Auschwitz: A Doctor's Eyewitness Account" (1946) mandatory reading for the film's cast, along with Primo Levi's "The Drowned and the Saved" (1986) and Filip Müller's "Eyewitness Auschwitz" (1979).
    • Goofs
      After the men set the crematoria 4 on fire they tore down the fences and fled into the woods. They barricaded themselves in a barn where SS caught them. They were burned alive inside the barn.
    • Quotes

      Hoffman: I used to think so much of myself... What I'd make of my life. We can't know what we're capable of, any of us. How can you know what you'd do to stay alive, until you're really asked? I know this now. For most of us, the answer... is anything. It's so easy to forget who we were before... who we'll never be again. There was this old man, he pushed the carts, and on our first day, when we had to burn our own convoy, his wife was brought up on the elevator. Then his daughter... and then both his grandchildren. I knew him. We were neighbors. And in 20 minutes, his whole family, and all its future, was gone from this earth. Two weeks later, he took pills and was revived. We smothered him with his own pillow, and now I know why. You can kill yourself. That's the only choice. I want them to save you. I want them to save you more than I want anything. I pray to God we save you.

    • Connections
      Featured in WatchMojo: Top 10 Holocaust Films (2014)
    • Soundtracks
      Roses from the South Op. 388
      (1880)

      Composed by Johann Strauss (as Johann Strauss)

      Orchestrated and arranged by Jeff Danna and Andrew Lockington

      Performed and conducted by members of the Bulgarian Symphony Orchestra

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    FAQ24

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    Details

    Edit
    • Release date
      • November 30, 2001 (Spain)
    • Country of origin
      • United States
    • Official site
      • Lions Gate Entertainment
    • Languages
      • English
      • German
    • Also known as
      • Gri Bölge
    • Filming locations
      • Nu Boyana Film Studios, Sofia, Bulgaria
    • Production companies
      • Killer Films
      • Martien Holdings A.V.V.
      • Millennium Films
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $5,000,000 (estimated)
    • Gross US & Canada
      • $517,872
    • Opening weekend US & Canada
      • $24,526
      • Oct 20, 2002
    • Gross worldwide
      • $621,592
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 48m(108 min)
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.85 : 1

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