Brigham City

First and foremost, Brigham City is a murder mystery. But it's also a story about how a murder can make victims of everyone who lives in a small town that is supposed to be safe.

While Brigham City is set in a predominantly Mormon town in Utah, but it could just have easily been any small town in America and the people could have been of any faith (or none at all). The people of the town feel safe and secure. No one locks they're doors. Everyone knows everyone else. Then their sense of security is shattered by a spree of vicious murders. Suddenly everyone is on his guard and quick to distrust those they have trusted for years.

The plot of Brigham City really has the feel of a traditional Hollywood thriller, the addition of Mormon culture give the film a higher level of depth. While the film is about Mormons and provides some brief glimpses into their beliefs and customs, it does not attempt to convert audience members to the LDS church.

In his second film, Richard Dutcher does an admirable job of bringing this story to the big screen. The film feels more professional and polished than his previous entry (God's Army), but at the same time doesn't feel like the typical Hollywood fare.

What works in this movie is Dutcher's attention to detail and the depth of the characters. I was pleased to see how the violence in the movie was implied rather than shown directly. I was also impressed by the casting of Wilford Brimley. There may have been a commercial reason for him being attached to the film, but his presence gave the film a feeling of familiarity.

Dutcher also makes great use of camera angles and music to cast each person as a suspect. This is also the film's low point, as it is used so much it begins to bog down the story. Non-Mormons may feel that certain points of the movie are a bit too preachy.

All in all, Brigham City is a decent movie. I don't recommend it for younger children, as some of the implied violence may be disturbing, but most people over 13 will probably be drawn into the story the same way you would a traditional Hollywood thriller.

You might ask why I (a non-Mormon) interested in seeing Brigham City. Since I manage the movie theater where the film is playing I wanted to be able to give an informed opinion about the movie. As a movie fan, I was interested to see how Brigham City stood up to other Hollywood and independent films. As a person, I was interested for the glimpse of Mormon culture the film provided.

The worst thing about going to a mystery movie, is to have the perpetrator revealed too quickly. Brigham City is able to keep its secrets well enough that while you are convinced you know who the guilty party is, you don't find out until the last few moments of the film.

The other engaging aspect of the movie is that it also wisely utilizes both the setting (a small Utah town) and the cultural and religious traditions of the mormon church. Mormons are a group that are often denigrated and little understood by most of American Society. Dutcher is able to successfully integrate Mormon traditions of worship and belief into the plot. While some may find this to be too blatant at times, I think he is able to successfully balance his desire to use this as a backdrop for his murder mystery.

As someone who lived in Utah for about two years, I thought Dutcher was very able to capture many aspects of contemporary Rural Utah/Mormon Culture that are quite unique....so if you would like to understand a little more about mormonism, without inviting the Mormon Missionaries into your home, I think this is a great way to do it, while being entertained at the same time, by a great WHODUNIT plot.

It would seem that Brigham City has been largely rejected by its target audience -- the Mormons. This surprised me, as I found myself turning its themes over in my mind for a full week after first seeing it.

Granted, it is nothing if not disturbing -- especially to the Mormon subculture which has been so different from mainstream America for so long that it has come to pride itself on its separateness. Yet I found myself deeply moved by the film. It examines with agonizing realism (and sensitivity) a core fear of those with deep religious beliefs: Will my hope survive when God says no to my prayers and allows the world to come flooding in? Am I only in this for the perks, the protection? Will my faith survive pain that seems completely devoid of meaning?

Yet Brigham City's scope is not confined just to the Mormons or just to the religious -- its broader question is whether it is possible to be truly wise while remaining idealistic and innocent. Because of this, the movie seems especially timely and poignant -- both to an increasingly cynical America haunted by its beautiful-but-elusive potential and to a Mormon culture peering warily out at the rapidly growing, international church with its attendant array of alien dangers and trials.

What effect does encroaching despair and disillusionment have on each individual American, Mormon, idealist of any stripe? How much of your innocence and optimism will you have to part with, even in a victory? It's troubling, and no concrete answers are offered, as this is a question that each believer must ultimately answer for himself. I love this movie's balance of honesty and sensitivity, and I hope that Richard Dutcher will not be discouraged by the less-than-warm reception the LDS audiences have given it. We need more movies like this -- and by "we," I mean everyone.

For a gentile like myself, Brigham City is both a good murder mystery about a serial killer and a nice insight into a community where the Mormon culture predominates. The film is the creation of Richard Dutcher who wrote, directed, and starred in it.

Dutcher wears two hats in this film and something you're not likely to see in a gentile setting. He's both the bishop and spiritual leader of the town and the sheriff. Being that must be a unique experience, in most small town the function of the local cops is mainly breaking up bar fights and writing speeding tickets. As one of the tenets of the LDS church is non-imbibing of liquor that is something he might not have to deal with. Still Dutcher and his deputy Matthew Brown do have an influx of other kinds of people in the town engaged in the construction trade. The place is booming.

And so when a serial killer strikes the folks in Brigham City find it inconceivable that the perpetrator could be one of them. Eventually they have to explore the possibility.

When a young girl goes missing, Dutcher deputizes a bunch of people and they do a house to house search which in another setting somebody might complain about a little thing like the Constitution. He does uncover a wrongdoer, but not in the same vein of what he was looking for.

I did like the scenes very much of the everyday life in a Mormon community it gives some great insights. For instance Brown talks about saving money for various things including the mission trip his infant son will eventually make. Not something you would hear in another film.

Dutcher is an imaginative film maker and he's turned out a good one here that can be appreciated outside the state of Utah.

Several days after seeing this movie, I'm still thinking about it. That's about the highest compliment I can pay to a film.

As in all great films, the power of _Brigham City_ lies beneath the surface. The whodunit plot is merely a prop for the exploration of issues that affect us all, especially those of us who claim some sort of religious faith. The age-old question of whether innocence and wisdom can coexist is asked, never answered, and in the end eclipsed by a more pertinent question: If redemption is available for those who have lost their innocence, is it also available for those who fail through lack of wisdom?