About a Boy

just finished watching this fine fine movie and am still trying to digest it. well...i must say this coming of age ( Hugh's character too )movie made me feel so content after i finished viewing it. i've forgotten how good Hugh grant is in melodramatic comedies and all in all i think the British are the best at these types of comedies. the movie has a decent rating of 7.1 and i would personally give it a 7.5. this is possibly one of Hugh's best efforts and he seemed to have a lot of fun doing it.

as an American i can't understand how our shallow idiotic unintelligent comedies fare so much better then a gem like this. i guess most audiences were like the ones in the school audience during the music talent show. Marcus did the song " killing me softly " because it was one of his mums favorites and even though the audience was banal and cruel he still had the gumption and heart to get up there an perform for his mom. life isn't about trying to fit in and be with the cool crowd, there's so much more important things in life then that and Marcus was mature enough to understand that, with help from Will of course.

well, i won't give anything else away about this movie, but if you're looking for a intelligent, heartwarming, tender, sad and funny movie, this is it. i would recommend this movie to just about anybody over the age of 10. this is one of those hidden little gems that has also a very strong positive message about what is right and what is wrong. there was not one dull moment in this movie and i think i must've chuckle or guffawed about 50 times during the duration of this movie and it's not a long movie.

if you like intelligent tender heartwarming comedic movies where all the actors and actresses were in top form...then you have to watch this movie. one of my favorite comedies all-time.

Sometimes a rut can feel like a hammock when we get stuck in one.

"About A Boy" is about a Londoner who was apparently born into one, imprisoned as it were by his father's legacy as author of one of the world's most popular and annoying Christmas songs. After years of feckless unemployed upper-middle-class living, Will views himself as an island, and sees his lack of long-term relationships as a plus. Even offered the simple honor of being an infant's godfather, Will begs off, saying he'd be "crap" at it and probably just "try and shag" the girl the moment she turned 18.

"I always thought you had hidden depths," the mother says.

"No, you've always had that wrong," Will cheerfully replies. "I really am this shallow."

But of course Will does have depths, and as played by Hugh Grant in a role that gives this smooth comedic actor a chance to showcase some previously-unguessed-at depths of his own, we find ourselves rooting for Will to find them as he finds himself attached unwillingly to a 12-year-old named Marcus, played with welcome non-cuteness by Nicholas Hoult. Marcus, an abuse magnet at school, is alternately worried for his unstable mother and searching for a pal. Will, a 12-year-old at heart, is a perfect if unknowing candidate.

Based on the great Nick Hornby novel, "About A Boy" walks a fine line, doling out easy laughs and real pathos with deceptive ease. Like Hornby's book, the movie depicts Will's perverse detachment from the world as both delightful and pathetic. Life is a full plate of pain for those who participate, but the benefits, as Marcus tries to tell Will, beat all else.

Of course, most of us don't have the luxury for "island living," and the potential of resenting Will, especially as played by that handsome devil Grant, might have been the film's biggest danger. But Grant defuses things with a subtle characterization that downshifts on the smugness and draws on the lost boy within.

For example, when Will tries to infiltrate a single-mothers' club as a way of bagging some commitment-free sex, we watch him tell the mothers about his own non-existent two-year-old boy Ned telling him "you hang in there, Dad," then reacting with uncertain fear when the mothers enthuse about how remarkable that is for such a young child.

But we also see the pain Will pretends isn't there, in brief flashes as he reflects on the hard-drinking failure his father became after his one-hit wonder, and especially in one great scene where Will finds himself with a woman he really cares about, unable to break out of his artifice at a critical moment. During that scene, and a later, angry one with Marcus, Grant's acting really demands consideration from those who dismiss him as a dandy glamor boy.

The directors, Chris and Paul Weitz of "American Pie"-fame, prove they can make a film that delivers intelligence as well as laughter, and with writer Peter Hedges, fashion a script that takes some clever and daring liberties with Hornby's solid story. I especially liked the one near the end of the movie, but if I revealed anything I'd probably get some Flack for it, so say no more.

The very last scene of the movie is a mistake, though, the kind of tidy resolution Hornby's novel and life itself rightly rejects. It's the one bum note in this film, but enough of one to dock it a point with me. Otherwise, I'd have to rate this above even the other cinematic Hornby adaptation, the classic "High Fidelity." But this is a very entertaining film, with great set design, a terrific "Rubber Soul"-style Britpop title song by Badly Drawn Boy, tight editing, and subtle, crafty camera work. Also some great supporting performances, especially Toni Collette as Marcus' mother, who has the film's toughest role (she must be funny and suicidal) and manages to not only pull it off but gives "About A Boy" a wonderfully unstable center. As "About A Boy" makes clear, instability is a good thing when it shakes us from our ruts.

Described by some as a man's version of Bridget Jones Diary the remarkable thing is that it lives up to the description. Hugh Grant, with an excellent script that could have been written especially for him, plays a young confirmed single yuppie socialite, dividing his day into units in which to pack his meaningless but carefree, philandering lifestyle and disposable income. After initially discovering unmarried mothers as a new supply of grateful sexual objects, he becomes drawn into a meaningful life after making friends with a young boy. Avoiding a cheesy ending is one of the film's many triumphs.

This movie really came as a surprise to me. I had read the book shortly before I saw it and when I heard Hugh Grant was going to star and the Weitz brothers were chosen to direct I didn't exactly have high hopes. I thought "American Pie" was funny and all but this kind of story demanded someone more mature, someone clever. This movie, however, turned out to be all that: mature, clever, witty, sensible, honest and, most of all, really funny in such a natural way. Hugh Grant has never been better in any role before or since and the soundtrack by Badly Drawn Boy is just perfect for the movie. The only thing they overdid a little was Toni Collette's character. I've never seen a person like that in real life. What I did like was the way they changed the ending for the movie. Usually that's not a good idea but it totally worked here. After all, I still liked "High Fidelity" a tiny bit better (the movie, not the book), but "About A Boy" comes very close. If you are just as much a fan of this book/movie as I am, get the DVD. There are wonderful deleted scenes on it, which are as funny as the rest of the movie.

The book is an excellent read, while more extensive in its story elements and structure, it is funny, moving and compelling. The movie is also very, very good. I personally would have liked the first half of the movie especially to have slowed down a tad, some of it felt rushed and skimmed through. And while it is not as extensive or quite as developed as the book, it is every bit, if not more so, as funny, moving and as compelling. The whole movie is beautifully filmed, the soundtrack is beguiling, the excellent is suitably adroit and the script is funny, sharp and witty. And the more poignant scenes were genuinely so. The whole cast give sterling performances, Hugh Grant is on excellent form, and Nicholas Hoult is very believable as the troubled boy. Sharon Small, Toni Collette and Rachel Weisz also are solid. All in all, a very good film. 8/10 Bethany Cox