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Hollywood Ending

  • 2002
  • PG-13
  • 1h 52m
IMDb RATING
6.5/10
29K
YOUR RATING
Hollywood Ending (2002)
Home Video Trailer from Dreamworks Home Entertainment
Play trailer2:22
1 Video
99+ Photos
ComedyRomance

A director is forced to work with the ex-wife who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychoso... Read allA director is forced to work with the ex-wife who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.A director is forced to work with the ex-wife who left him for the boss of the studio bankrolling his new film. But the night before the first day of shooting, he develops a case of psychosomatic blindness.

  • Director
    • Woody Allen
  • Writer
    • Woody Allen
  • Stars
    • Woody Allen
    • Téa Leoni
    • Bob Dorian
  • See production info at IMDbPro
  • IMDb RATING
    6.5/10
    29K
    YOUR RATING
    • Director
      • Woody Allen
    • Writer
      • Woody Allen
    • Stars
      • Woody Allen
      • Téa Leoni
      • Bob Dorian
    • 166User reviews
    • 83Critic reviews
    • 46Metascore
  • See production info at IMDbPro
    • Awards
      • 1 nomination total

    Videos1

    Hollywood Ending
    Trailer 2:22
    Hollywood Ending

    Photos110

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    + 104
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    Top cast54

    Edit
    Woody Allen
    Woody Allen
    • Val
    Téa Leoni
    Téa Leoni
    • Ellie
    Bob Dorian
    Bob Dorian
    • Galaxie Executive
    Ivan Martin
    Ivan Martin
    • Galaxie Executive
    Gregg Edelman
    Gregg Edelman
    • Galaxie Executive
    George Hamilton
    George Hamilton
    • Ed
    Treat Williams
    Treat Williams
    • Hal
    Debra Messing
    Debra Messing
    • Lori
    Neal Huff
    Neal Huff
    • Commercial A.D.
    Mark Rydell
    Mark Rydell
    • Al
    Douglas McGrath
    Douglas McGrath
    • Barbeque Guest
    Stephanie Roth Haberle
    Stephanie Roth Haberle
    • Barbeque Guest
    Bill Gerber
    • Barbeque Guest
    Roxanne Perry
    • Barbeque Guest
    Barbara Carroll
    Barbara Carroll
    • Carlyle Pianist
    Howard Erskine
    • Carlyle Patron
    Yu Lu
    Yu Lu
    • Cameraman
    • (as Lu Yu)
    Barney Cheng
    Barney Cheng
    • Translator
    • Director
      • Woody Allen
    • Writer
      • Woody Allen
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews166

    6.528.7K
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    Featured reviews

    5phd_travel

    Not one of his better ones

    For Woody Allen fans - this is one of the last ones with him acting so it is worth a watch. Unfortunately it's one of his weaker pictures. There are some laugh out loud moments esp his scene with Tea Leoni in the bar. The hypochondria isn't that funny. The main premise is interesting psychosomatic blindness but wears thin after a while. The supporting cast is not well utilized. Everyone is made to talk in that Woody Allen way. Tiffany Thiessen has such a small part. George Hamilton just a few lines. The Chinese cameraman and interpreter are quite funny at first. But overall it still is worth a watch for the pleasant neat storyline and the laughs in between. Just isn't that funny after all.
    5Quinoa1984

    One liners steal the show

    Allen is a director, and here he plays one as well, who becomes psycho-psematically blind right before he starts shooting his latest picture for 60 million dollars. And so, his agent tags along to make sure he stays on the picture in one piece. The one liners here are classic Allen as there is not one scene that doesn't have them and while they don't all work, when they do it's laugh out loud. The film is also a good dish for movie buffs. The ending itself, by the way, is absolutely appropriate. Favorite lines- the black plague (he calls this as a disease in an early restaurant scene), call Dr. Kevorkian (after the first screening of the movie), and- you should put a full page ad in the DGA cause you'll never stop working (after Thiessen shows Allen her assets). A-
    Movie_Man 500

    Hilarious

    Some of the one liners here are so hysterical, you will think about them long after the movie ends and still roar. This is a very funny movie and plays right into the audience expectation Allen is mocking in his script. After the war in Iraq, Woody's comment about "Thank God the French exist" is even more amusing than when he first wrote it. Yes Thank God for the French, they've made some funny movies too. And Thank God for people like Woody Allen. The world needs him. I love how his running trademark showing him with younger women still continues to upset certain members of both the public and critical elite. I think at his age, Allen can pretty much do and write what he wants. Personally, I enjoy the fantasy; it's a sly little dig against the morals of American culture, especially in the Ashcroft/Bush JR era. Older men and younger women have been around forever, and Woody definitely isnt the only one experiencing this condition, so get over yourselves, uptighters, and learn to laugh at life. The dumbing down of society (referred to often in the screenplay) is highly evident after the negative reactions this has received. It's only a movie; it's not the end of the world. You either get it or you don't.
    Buddy-51

    time-marking comedy from a master filmmaker

    Did your mother ever tell you that it wasn't polite to make fun of blind people? Well, apparently, Woody Allen's mother didn't, since this is exactly what he does for a good hour or more in his latest film, `Hollywood Ending.' (Or, perhaps, he just doesn't WANT to be polite). Whatever the case, Allen himself stars as Val Waxman, a once brilliant film director who has fallen on hard times, partly due to his own temperamental nature and partly to his own tendency for obsessive/compulsive behavior and chronic hypochondria, all of which have made him anathema to Hollywood's major producers. Tea Leoni plays Val's ex-wife, Ellie, who convinces her current fiancé, studio boss Hal (played by Treat Williams), to take a chance on Val and turn a multimillion dollar film project over to the iconoclastic director. All is going well until, right on the eve of production, Val develops a case of psychosomatic blindness, a condition he and a few close allies try to keep a secret during the making of the film. The majority of `Hollywood Ending' revolves around Val's attempts to keep people from finding out the truth and delivering a creditable motion picture to the studio heads at the same time.

    In many ways, this pallid comedy combines the slapstick elements of Allen's early works (`Bananas' and `Sleeper') with the cynicism of his later, more mature explorations of modern urban romantic life (`Annie Hall,' `Manhattan'). Unfortunately, `Hollywood Ending' winds up as an uneasy hybrid of the two forms, mixing lowbrow comic mugging and pratfalls with the customary angst-ridden dithering that Allen has been indulging in (often quite effectively) for well nigh a quarter of a century now. Well, the bloom is definitely off the rose here. Part of the problem is that Allen's neurotic tics are amusing only when he has some serious points to make under all the humor. In this film, however, he is providing no insights to go along with the chatter so that he comes across as whiney and self-absorbed rather than witty and ironical. Val always seems to be blathering a mile a minute, so much so that we finally just want him to shut up and give us a moment's silence. To make matters worse, the scenes of broad physical comedy – Allen bumping into furniture, Allen breaking glasses, Allen falling off platforms – are not particularly well executed, lacking the kind of adept, split second timing essential to make such scenes comically effective. Thus, the film fails on two levels: both as a work of slapstick and as a verbal comedy of ideas. The film could, potentially, have scored as an acerbic satire on the ludicrous commercial values that define the American film industry, yet even most of these `inside' jokes seem strangely unoriginal and old hat, especially coming from a man as attuned to the industry as Woody Allen.

    Although Allen, in his old age, has degenerated into little more than a wan parody of himself, Tea Leoni sparkles as Ellie, creating a character who is simultaneously strong, sensible, insecure and vulnerable. Leoni's performance is, literally, the anchor that keeps this otherwise lighter-than-air trifle from floating away completely. Barney Cheng does a nice job playing a Chinese translator whom Val uses to help him carry off this impossible charade; Mark Rydell provides some memorable moments as Val's helpful agent; and Debra Messing glows as Val's beautiful but bubble headed `significant other,' who is far more concerned about losing her part in the movie than losing her role as bedmate to the neurotic director.

    It would be unfair, as well as untruthful, to say that `Hollywood Ending' did not afford a couple of pretty impressive laughs along the way. This IS a Woody Allen film, after all. And even Woody on a bad day is better than many of our Hollywood humorists on a good day. But with so many great films in his oeuvre, one naturally goes into this film with high expectations. When a final assessment is made of all of Allen's prodigious cinematic output, `Hollywood Ending' will wind up somewhere very near the bottom of the list.
    Jack the Ripper1888

    Fresh and original story...classic Woody Allen.

    This is by far one of the year's most original films. It will certainly not win anything special, but HOLLYWOOD ENDING is still quite an entertaining trip. There are no majorly huge laughs in this film, but Woody Allen is a master at creating ingenious stories and plots that have never been done before. He is not one to go for the 'crude' humor feel that most films do go for nowadays. Now, yes, I love crude humor movies, but where would we be without Woody Allen?

    This film is a far better improvement over his 'not-very-funny' PICKING UP THE PIECES and his even worse SMALL TIME CROOKS, which didn't really have much of a story to it. He is good and in a way daring, as it almost seems like he begins his screenplays without any idea as to how they will end. Usually, these types of films are not good ones, but Mr. Allen has the gift to be able to pull off an effective and original story for one of the better film's of his career. There is only one problem that I can spot-- and that is that I feel that Woody Allen doesn't have a great knack for being able to write effective dramatic moments. His moments of the film that try to be touching, are not really all that good, and they aren't all that believable as far as drama goes. Still, his humorous moments are pretty good, but you must have the proper sense of humor in order to understand Woody's creative comedy style.

    While I wouldn't call the film 'unforgettable', it is still quite an enduring experience and you probably will not forget it any time soon. I recommend that you see the two other films that I mentioned, and his animated debut ANTZ, which is still one of the best animated films ever. Still yet, you should see this movie. It isn't going to be anything big, but still, HOLLYWOOD ENDING is a movie you should see.

    HOLLYWOOD ENDING: 4/5.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The relationship between the Chinese cinematographer, his translator, and Woody Allen's character is loosely based on the relationship between Allen and cinematographer Zhao Fei, who worked together on Sweet and Lowdown (1999), Small Time Crooks (2000), and The Curse of the Jade Scorpion (2001). Allen exaggerated the comic aspect of the relationship.
    • Goofs
      In the scene where they pitch the film to Val (about 16:30 into the film) the boom is visible in the mirror.
    • Quotes

      Ellie: We didn't communicate.

      Val: We had sex!

      Ellie: Yes, we had sex. But we never talked.

      Val: Sex is better than talk. Ask anybody in this bar. Talk is what you suffer through so you can get to sex.

    • Connections
      Featured in Woody Allen: A Life in Film (2002)
    • Soundtracks
      Going Hollywood
      Written by Arthur Freed & Nacio Herb Brown

      Performed by Bing Crosby

      Courtesy of Jasmine Records

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    Details

    Edit
    • Release date
      • May 3, 2002 (United States)
    • Country of origin
      • United States
    • Languages
      • English
      • Mandarin
    • Also known as
      • Chuyện Hollywood có hậu
    • Filming locations
      • Central Park, Manhattan, New York City, New York, USA
    • Production companies
      • DreamWorks Pictures
      • Gravier Productions
      • Perdido Productions
    • See more company credits at IMDbPro

    Box office

    Edit
    • Budget
      • $16,000,000 (estimated)
    • Gross US & Canada
      • $4,850,753
    • Opening weekend US & Canada
      • $2,017,981
      • May 5, 2002
    • Gross worldwide
      • $14,569,744
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 52m(112 min)
    • Color
      • Color
    • Aspect ratio
      • 1.85 : 1

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