Tattoo

As being fond of thrillers with a dark atmosphere, I was really looking forward to seeing "Tattoo". And indeed - I was not disappointed. Although the film contains some minor flaws, the unique idea of collecting tattoos as works of art is very appealing. August Diehl is brilliant as usual, Christian Redl as the depressive detective Minks is absolutely convincing. The plot leaves some things unanswered, which is quite irritating, but not to consider as an actual flaw. Some characters remind me of some of Lynch's disturbing, mysterious figures. Schwentke tries to give the film an extra layer via images, with which he mostly succeeds. The film quotes "Silence of the Lambs" and "Se7en" but this does not subtract from it's originality. An important genre film able to change the German market.

8 out of 10.

I've seen Tattoo in a sneak preview and i think its pretty bad. The story has too many flaws and the dialogue is awful. If you like seeing dead bodies and other disturbing pictures without a good story behind, then go into this movie. But please dont compare this one to David Finchers Seven.

Saw this flick at a funky theater in Pasadena, California known for showing art-type films.

I thought this film was very well made. OK, the ending was slightly ambiguous, but who cares. The story, character development, acting were great and the production value was high. It was beautifully shot, lit, directed, edited and the music was great. Was hoping to get to see it again but it left the theatre before I had a chance. I am a big fan of this genre and most are not of the level of quality of TATTOO.

Am I the only person who liked this movie this much? And I don't even have a tattoo.

Anybody know if this film can be rented or purchased?

roz tillman

It was too late!If there had not been "silence of the lambs", "seven",this German flick could have had its day.But it tries too hard to be like the American relatives and it cannot be compared with them.It seems that in Europa only Spanish Amenabar was able to transcend his models.

Not that "tattoo" is devoid of good scenes.The rain falling over Maya's body ,revealing her impressive tattoos ,is a great moment ,both erotic and unsettling;the lawyer and his awful collection provides the movie with another strong sequence.

But ,with its "open" ending,à la "silence of the lambs" (which goal is,obviously to make an eventual sequel,"Tattoo" tries too hard and it's finally its downfall.A curio.

If David Fincher's SE7EN was a mystery shot through the prism of 70s American crime films, then Robert Schwentke's TATTOO is a mystery shot through the prism of 70's European art films. The comparisons are inescapable, it shares SE7EN's dark look, dual detectives, mid-point chase and "something in a box" as well as its meticulous, exacting direction, but it is a very different film with very different thematic agendas. This German film about a secret market in skin and its thematic concerns of guilt, conformity, identity, violence and heritage suggest obvious connections to the Third Reich and the current crisis of east/west reintegration of culture. This rich thematic tapestry is held together by one of the most precise, stylish and icily dreamlike directorial debuts to be seen in decades. Shades of Antonioni and Cronenberg, as well as Tourneur and Hitchcock inform a style which is never imitative and truly hypnotic. Strong, understated performances ground the film, which stumbles only in a pre-climax exposition scene that feels shoe-horned in, for until that point, every piece of information is earned and visually realized. Schwentke is a director to watch; provocative, thoughtful and clearly in love with the art of cinema.