Satan's Slave

This little known cinema rarity from Indonesia offers up a real treat for western horror buffs. Claiming to be an Eastern take on Don Coscarelli's Phantasm, it transposes Christian-based horror themes to the Muslim culture. Although, it lacks a bit of luster when compared to Phantasm, those able to look past that will find a very solid and intriguing blend of zombie horror, haunted house tale, and psychological thriller.

Satan's Slave tells the story of a family who, upon the loss of the mother, alienate themselves from religion. Of course, this leaves an open door for evil to come into their lives. It first comes in the form of the mother's nightly spectral appearances (mostly centering around the two youngsters of the household). When a terrorized servant commits suicide, he too makes a return. Then, a newly appointed housekeeper seems to work black magic and have secret diabolical intentions toward the family. After suspecting witchcraft, the children persuade the father to hire a shaman. However, that makes the haunting even worse and the wrath of the evil woman increases ten fold. With more lives claimed in the name of Satan, the evil forces at work get more and more powerful. It is up to the family to band together and accept God into their lives if they want to survive.

Yes, at the heart, this film is like an Islamic morality tale. But, that does not keep it from being an all-around good horror picture. This unique venture is worth a look by any fan of horror from around the world.

I've been finding Indonesian horror movies to be pretty enjoyable. This one was no exception, although it doesn't come close to Witch with Flying Head, for example.

This one involves the interplay between good and evil. The movie begins with a Muslim burial, a body in a white shroud being put on its right side facing Mecca, covered with wooden planks at an angle, then covered with dirt. A voice recites Arabic, probably verses from the Quran.

A family has suffered the death of the mother. The father, son and daughter live together with a wheezing old caretaker. The son is visited at night by a corpse-like woman with bulging white eyes lacking irises. In some respects, he thereafter acts possessed. He visits a fortuneteller for help, who says his family is in danger and he can protect them with black magic. He begins reading up on horror and other topics.

The fortuneteller shows up at the house as the new live-in maid, saying nothing of her fortunetelling. The son continues to act odd and see the woman in white, who his sister glimpses as well. The caretaker urges them to pray. The daughter visits an outdoor disco and has a friend who urges her to try a shaman.

There are additional deaths, and a mysterious man whose attempts to speak to the father at his work and at home are rudely put off.

As the DVD box states, the movie "use(s) Islamic beliefs in dealing with the subject of the undead." This makes it somewhat novel, although really one could substitute in a Christian and nothing would have changed much.

The DVD box also calls this "an Indonesian version of the cult horror film PHANTASM." This is a bit hard to figure. They're both low-budget horror movies. However, the most characteristic properties of Phantasm were the tall man, the dwarfs, and the spheres. There's nothing like that here, or the portal or embalming fluid. Some broken glass flies around, there's a scene with a motorbike in a cemetery, and there is an old hearse with relatively short men (but not little people) carrying a casket. Beyond that, I can't figure out what connection was seen.

Regrettably, there are several points in the movie where the DVD was poorly made and the entire screen, including the letterboxing is covered with large colorful pixels (though the subtitles can still be seen).

Normally these IMDb reviews are all different, and the various reviewers criticize other reviews, etc. But not the case for Satan's Slave here. First of all, we all agree that the movie isn't much like Phantasm at all. Except for a scene or two of a teenager on a motorcycle and him visiting a fortune teller (neither of which affect the plot), there aren't many similarities. However, we all also agree that this is an enjoyable horror film. The house scenes at night were shot well and look pretty creepy. The evil maid was spooky. The story of finding God to help overcome the devil is not original, but it's done well in this film. All in all, it's worth renting or finding it for free on youtube.

SATAN'S SLAVE is a supernatural / occult film from Indonesia. After the family matriarch dies, a mysterious housekeeper (Ruth Pelupessi) moves in to put things in order. Horror, satanic shenanigans, and unexplained deaths ensue.

Utterly absurd from start to finish, this movie is a lot of fun to watch! It features: Ghosts, vampires, zombies, black magic, a flying, killer chandelier, and an ultimate showdown between good and eeevil. Some of the "terrifying" sequences and the not-so-special effects therein are genuine gutbusters!

Maximum praise must go to Ms. Pelupessi, whose skunk-eyed stare could curdle milk! She's the best part of this hilarious masterpiece...

The Munarto family has recently lost its matriarch, and the teenage son Tomi (Fachrul Rozy) is not dealing with it very well. He is seeing visions of his late mother (Diana Suarkom) on the property, and soon his older sister Rita (Siska Widowati) is likewise experiencing strange, supernatural things. It becomes clear that there are unkind spirits on the property, and the arrival of a new housekeeper, Darminah (Ruth Pelupessi), will not ease anybody's concerns since the viewer can tell that she does not have the best interests of this family at heart.

Overlooked by the mainstream audience in North America, this intense Indonesian horror film would make a good double feature with another picture from that country, "Mystics in Bali". This one lives up to the word "horror", with plenty of spooky, sinister atmosphere to spare. It does not take long for the bad stuff to start happening. Fortunately, this family is likeable enough (W. D. Mochtar, who's also in "Mystics in Bali", plays the father / widower) that one can easily root for them. Most importantly, in a country where peoples' faith is often quite strong, this isn't a particularly religious family, so outside forces urge them to find God in a hurry.

The cast is good (Pelupessi is a standout), the imagery is creepy, there is some effective gore on occasion, and the story steadily builds to a fantastic climax. There is even some amusing humor on occasion that never detracts from the overall seriousness of the tale.

If one is looking to discover Asian genre cinema, I would definitely recommend this one to interested parties.

Eight out of 10.