Events over the course of one traumatic night in Paris unfold in reverse-chronological order.Events over the course of one traumatic night in Paris unfold in reverse-chronological order.Events over the course of one traumatic night in Paris unfold in reverse-chronological order.
- Awards
- 3 wins & 13 nominations total
Monica Bellucci
- Alex
- (as Bellucci)
Vincent Cassel
- Marcus
- (as Cassel)
Albert Dupontel
- Pierre
- (as Dupontel)
Philippe Nahon
- L'homme
- (as Nahon)
Jo Prestia
- Le Tenia
- (as Prestia)
Stéphane Drouot
- Stéphane
- (as Drouot)
Jean-Louis Costes
- Fistman
- (as Costes)
Mick Gondouin
- Mick
- (as Gondouin)
Mourad Khima
- Mourad
- (as Khima)
Layde Hellal
- Layde
- (as Hellal)
Dominique Nato
- Commissaire
- (as Nato)
Michel Fesche
- Chauffeur Taxi
- (as Fesche)
Victoria Jaramillo
- Concha
- (as Jaramillo)
Jean-Yves Le Quellec
- Inspecteur
- (as Le Quellec)
Isabelle Giami
- Copine d'Alex enceinte
- (as Giami)
Fatima Adoum
- Fatima
- (as Adoum)
Janice Foulaux
- Janice
- (as Foulaux)
Stéphane Derdérian
- Client du Rectum
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Nauseating camera style
Irreversible is a well acted film with a couple of really confronting scenes. It deals with a taboo topic for its time in graphic detail. I had to stop watching at times and take a break given it's graphic content and nauseating movement of the camera.
A sad, depressing movie.
A lot has been said about this movie. Yes, there are a couple of brutal and violent scenes. It's even hard to watch at times, but Irreversible is much more than that.
I personally think that the acting is great. There's a natural chemistry between the 3 main characters. Monica Bellucci does a wonderful job as Alex. I give her a lot credit for being involved in such difficult role.
I really like the way the story was told. Some people say that it's a rip off of Memento, and that it doesn't work well in this movie, but I have to disagree. The movie "starts" in a dark way, with a lot of graphic images and violence. But at the end there's this kind of peace, a little dose of happiness..."the calm before the storm". It works really well, and that's what make this a really sad story.
I really recommend this film. But like I said before, it can be hard to watch. Just watch it with an open mind and give it a try.
I personally think that the acting is great. There's a natural chemistry between the 3 main characters. Monica Bellucci does a wonderful job as Alex. I give her a lot credit for being involved in such difficult role.
I really like the way the story was told. Some people say that it's a rip off of Memento, and that it doesn't work well in this movie, but I have to disagree. The movie "starts" in a dark way, with a lot of graphic images and violence. But at the end there's this kind of peace, a little dose of happiness..."the calm before the storm". It works really well, and that's what make this a really sad story.
I really recommend this film. But like I said before, it can be hard to watch. Just watch it with an open mind and give it a try.
Brutal Realism
For me, the importance of this film, is that it shows the sickening reality of violence. So many movies, especially American ones, have people being killed left and right, but the violence is very unrealistic, with little consequence to the characters. The violence here is gritty, brutal and sickening just like my experience of real, close-up and personal violence. There is no concern for the feelings or well-being of others just a savage, out of control bloodlust and desire for destruction. The seedy sexual situations, make the brutality all the more repulsive.
Overrated shock value, devoid of any real art, and not a particularly good film...
This film is ugly, brutal, depressing, visceral, and hopeless. The first time I saw it, I was devastated. I reeled for days afterwards. But seeing it a 2nd time, I didn't care for it as much, in fact, I feel I've been had. Its impact is really felt the first time you see it, because seeing it the 2nd time, you realise a lot of things about it that aren't particularly good. Most of the dialogue is poor (most of it was improvised, and not very well), the violence of the film is purposely over the top, and Noe the director seems to delight in showing nasty stuff without really bringing a sense of art to it. He enjoys rubbing your face in the sleazy, horrific violence, but has no purpose other than saying "life is brutal". I can't deny that the film did have a great impact upon first viewing, but too often when one's sense are assaulted (like they are here), you can mistake that for great, artistic film-making.
Technically, the film is astounding. It was shot mostly in long takes, but edited together with CGI effects (the smashing of the head in the gay bar at the beginning was done digitally, as part of the rape scene). It's definitely a curiosity, but realise what you're getting into. It's really not for the squeamish. The opening scene in the gay bar is dizzying and brutal, and the rape scene is beyond brutal. Noe films the rape scene in one take, which makes it even more difficult to watch. Is the film art? No, it isn't. Simply because the film polarized audiences doesn't make it art (a common assumption by people). Noe's films (he's only complete 2 features) aren't really deep or anything, just pessimistic and brutal.
A telling episode about Noe happened a year or so ago. The IFC Theater in NYC has a feature they do occasionally. They bring in a filmmaker to introduce a film they admire. Noe showed his first film, I Stand Alone, and Pasolini's Salo. After Noe's film concluded, he talked to the audience on why he wanted to show Salo. All he talked about was the coprophilia scenes (aka the s**t eating scenes). He didn't talk about anything else that Salo had to offer (in terms of its message on fascism, sexual perversion, the cinematography, the production design). Salo, or the 120 Days of Sodom is actually an excellent film. It's incredibly depressing and brutal, but has a real sense of art and is a genuinely controversial film, even to this day. Noe's films (he's made only 2) are not like this at all. Both I Stand Alone and Irreversible hit you in the face the first time you see them, but you shake it off, and Noe has nothing more to give you. This film has no resonance at all. It's just for shock value.
Technically, the film is astounding. It was shot mostly in long takes, but edited together with CGI effects (the smashing of the head in the gay bar at the beginning was done digitally, as part of the rape scene). It's definitely a curiosity, but realise what you're getting into. It's really not for the squeamish. The opening scene in the gay bar is dizzying and brutal, and the rape scene is beyond brutal. Noe films the rape scene in one take, which makes it even more difficult to watch. Is the film art? No, it isn't. Simply because the film polarized audiences doesn't make it art (a common assumption by people). Noe's films (he's only complete 2 features) aren't really deep or anything, just pessimistic and brutal.
A telling episode about Noe happened a year or so ago. The IFC Theater in NYC has a feature they do occasionally. They bring in a filmmaker to introduce a film they admire. Noe showed his first film, I Stand Alone, and Pasolini's Salo. After Noe's film concluded, he talked to the audience on why he wanted to show Salo. All he talked about was the coprophilia scenes (aka the s**t eating scenes). He didn't talk about anything else that Salo had to offer (in terms of its message on fascism, sexual perversion, the cinematography, the production design). Salo, or the 120 Days of Sodom is actually an excellent film. It's incredibly depressing and brutal, but has a real sense of art and is a genuinely controversial film, even to this day. Noe's films (he's made only 2) are not like this at all. Both I Stand Alone and Irreversible hit you in the face the first time you see them, but you shake it off, and Noe has nothing more to give you. This film has no resonance at all. It's just for shock value.
Provocative
While it might be tempting to criticize this film for its graphic content, the description of the film practically states what it's about. So the viewer knows what they're getting themselves into from the get go.
It was controversial for its time and to this day probably still is, given how much screen time is given to the "event" itself. As a result, this show won't be for everyone. Even the violence is quite high impact and hard to watch.
But despite the above and the nauseating camera work, the film did ultimately cause me to sympathize with the victim and tell a harrowing story. I recommend this film but it's not for everyone.
It was controversial for its time and to this day probably still is, given how much screen time is given to the "event" itself. As a result, this show won't be for everyone. Even the violence is quite high impact and hard to watch.
But despite the above and the nauseating camera work, the film did ultimately cause me to sympathize with the victim and tell a harrowing story. I recommend this film but it's not for everyone.
Did you know
- TriviaAfter the film's premiere in Cannes, the audience sat in almost complete silence until the next movie was scheduled to start.
- GoofsWhen Alex is in the bed with her boyfriend and they get up to dance, the whole film crew is mirrored on the glass of the window.
- Crazy creditsAs would be expected of a film that runs backwards, the "end credits" appear at the beginning of the film and scroll in reverse. There are no credits or studio logos at the end of the film, only the title card "Le temps détruit tout" ("Time destroys everything").
- Alternate versionsA new version, called "Irréversible - Inversion Intégrale" ("Irréversible - Straight Cut" in English), was screened in 2019 at the 76th annual Venice International Film Festival. It has been recut to put the narration in chronological order.
- ConnectionsFeatured in Zomergasten: Episode #18.6 (2005)
Details
- Release date
- Country of origin
- Languages
- Also known as
- Irréversible
- Filming locations
- Buttes Chaumont, Paris 19, Paris, France(subway station)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $803,491
- Opening weekend US & Canada
- $60,086
- Mar 9, 2003
- Gross worldwide
- $6,490,733
- Runtime
- 1h 37m(97 min)
- Color
- Sound mix
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