Jet Lag

Jet Lag is a romantic comedy. It follows all the usual routes, but offers great acting and good humour all the way.

Juliette Binoche is Rose, a thirtysomething who is finally taking control of her life and leaving her abusive boyfriend Sergio (Sergi Lopez).

Jean Reno is Felix. A frazzled businessman on his way to re-kindle his romance with an old flame.

However when a strike and fog halt all flights in Charles de Gaulle the two meet cute and end up spending the evening together. Of course we know they are made for each other, but thats not the point. Its not where they end up its how they get there.

Jet Lag opens with huge energy and a real sense of airport chaos. It then focuses in on the duo in on a hotel room as they spend time together trading insults and exchanging banter. The dialogue is sparkling and the performances spot on.

Then ineveitably their planes take off and they go their seperate ways... or do they?

Thompsons film is a breath of fresh air with Juliette Binoche a revelation in a totally "un-binoche" role. She is cheap and common with a heart of gold. Reno is very much her comic foil, and glerefully allows her the lime light.

Jet Lag is a refreshing take on an old format. It will not suffer on the small screen either so catch it on DVD!

Forget Meg Ryan, forget Julia Roberts...This is romantic comedy at its best! Juliette Binoche and Jean Reno are outstanding. The plot is more than original and, better, convincing. I fell in love with the story but even more with the characters and their lives. Nothing in them seems "plastic". Although one knows that the end will be a happy one, the plot is so convincing that the end does not come as if was predicted. Each scene is so natural and revealing that it keeps you asking for more. I seriously do not understand the poor reviews it has gotten here. Could it be a little bit of jealousy because it is a foreign film from a country with no tradition in this genre but that nonetheless achieves what most American romantic comedies don't? I cannot explain it otherwise.

Danièle Thompson, daughter of the famous producer Gérard Oury, wrote this comedy with her son Christopher. So making movies and writing scripts is apparently a family-mark. She was also director of this surprising comedy with a bit of a "Lubitsch"-touch and in the atmosphere of the movies of Claude Lelouch but with a high profiled own personality. Rose (Juliette Binoche) and Felix (Jean Reno) are characters that only could come out of the imagination of a woman. Their dialogues are well fit to their personality. Rose is a woman who is looking for real love and Felix is so busy that he has no time to even think of it. The circumstances at the airport will give them the time to know and appreciate each other. The movie shows how fate can put people together who normally never speak with each other.

I can see how this movie would be an easy target for criticism. It might appear fluffy and without depth, sort of easy and implausible.

But I think it's better than that. First of course, are the performances. Both actors are terrific and both have long been favorites of mine. A special call-out, though, has to go to Binoche, who just couldn't be any more delightful. An absolutely fantastic actress. She's so wonderful, the only problem in the movie is why doesn't he fall in love with her any faster?

Second is the basic intelligence of the dialog. The conversations are very engaging, occasionally wry, sometimes sweet, with some sharpness along the way.

Finally, there is a meditation in here on film in general, and romantic comedies in particular. The movie is able to move back a bit, consider itself, and resist the temptation to be cynical.

"Décalage Horaire" or "Jet Lag" premiered at the Toronto Film Festival in September 2002.

Danielle Thompson's "Decalage Horaire" is a simple, yet not necessarily simplistic, ode to love. The story concerns two opposites who meet at Charles de Gaulle Airport during a strike. They are constantly thrown together by fate ending up spending a night together (sex does not enter the equation) and during the course of their wait realising they have more in common than they thought.

Félix (Jean Reno) is a French man living in the US. He is chasing after a woman he belives he still loves. Rose (Juliette Binoche) is a Beautician who has a one-way ticket to Mexico, she is desperately running away from a man she no longer loves.

As Félix, Reno gives a sullen performance as a man on the edge, caught between the chronic boredom of his life and the disappointment of a failed romance. His chemistry with Binoche is magnetic, and surprising, it's so much stronger than the Binoche-Depp pairing of Chocolat.

The revelation of the film however is Juliette Binoche' terrific turn as Rose. The beautician who hides behind a mask of colouful makeup and only becomes truly beautiful the day she removes it.

Binoche in her first successful comic role (in Chocolat afterall she was a more tragic figure) succeeds in creating a wonderfully funny and charming young woman, with an endearingly vunerable side. Time after time Reno feeds her the lines and she returns with the best moments of the film. Two parts which stand out are when Felix assumes Rose is a prostitute and when she discusses her make-up routine with him. Binoche will probably be César nominated for her role, and because this is such a change in direction for her she may even win.

The best thing about "Décalage Horaire" is that it is not merely sentimental, it's ironic tone is winning and much more interesting. Thompson's assured directon shows signs of maturity since "La buche", while her writing is as astute as ever.

The ending in mexico to the strains of Macy Gray's redoubtable "I try" is a memorable ending, for it's immediacy and it's pure sheer pleasure.

Viva la Binoche!