Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s.Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s.Documentary about the gender-bending San Francisco performance group who became a pop culture phenomenon in the early 1970s.
- Awards
- 4 wins & 7 nominations total
Photos
Peggy Cass
- Self
- (archive footage)
The Cockettes
- Self
- (archive footage)
Pristine Condition
- Self
- (archive footage)
Jackie Curtis
- Self
- (archive footage)
Candy Darling
- Self
- (archive footage)
Ahmet Ertegun
- Self
- (archive footage)
Allen Ginsberg
- Self
- (archive footage)
Grateful Dead
- Themselves
- (archive footage)
- (as The Grateful Dead)
Featured reviews
I really enjoyed this film. It's odd that I would because I have almost no interest in hippies or drag queens. But, something about their DIY (do it yourself) aesthetic really resonated with me. They wanted to be "stars," so they dressed up in crazy outfits, dropped acid, and put on "shows" consisting of whatever interested them that week. If they wanted to make a film about Trisha Nixon's wedding, they grabbed a camera, dressed up, make makeshift sets, and shot one. This film was really inspiring to me as an artist.
Perhaps I was expecting more from the documentary. Don't get me wrong, it captures the era and the craziness of the time, but sometimes it goes flat. A little more gay wit should have helped here. The directors have captured the idea behind the Cockettes in their heyday in San Francisco.
Unfortunately, behind the happy facade of the parties, the theatre performances, we never get to really know most of the people who created the scene.
The main character, and the "mother" of the Cockettes, Hibiscus, is an enigma. He's obviously so high on LSD and other drugs of the period to make any sense at all. Hisbiscus did have a vision, but carrying it to the stage was another story. Most of the skits kind of fall flat. I guess that in order to have appreciated the group at the Palace Theatre in San Francisco in its prime would have required tons of acid to view what went onstage as probably Hibiscus conceived it.
The people that survived the Cockettes talk to the camara and tells us what it was like. It's great seeing the survivors as they look now and they looked then. Director John Waters is very effective in telling us his part of the story. The fabulous Devine, who only appears briefly in the film is a welcome distraction since she was the queen of all queens!
The Cockettes were way ahead of their time. When you see today's drag queens, they pale in comparison to that group which were probably the idea for most of the ones around today.
Go see it and enjoy a bygone time that will never be able to capture again.
Unfortunately, behind the happy facade of the parties, the theatre performances, we never get to really know most of the people who created the scene.
The main character, and the "mother" of the Cockettes, Hibiscus, is an enigma. He's obviously so high on LSD and other drugs of the period to make any sense at all. Hisbiscus did have a vision, but carrying it to the stage was another story. Most of the skits kind of fall flat. I guess that in order to have appreciated the group at the Palace Theatre in San Francisco in its prime would have required tons of acid to view what went onstage as probably Hibiscus conceived it.
The people that survived the Cockettes talk to the camara and tells us what it was like. It's great seeing the survivors as they look now and they looked then. Director John Waters is very effective in telling us his part of the story. The fabulous Devine, who only appears briefly in the film is a welcome distraction since she was the queen of all queens!
The Cockettes were way ahead of their time. When you see today's drag queens, they pale in comparison to that group which were probably the idea for most of the ones around today.
Go see it and enjoy a bygone time that will never be able to capture again.
Although I lived in San Francisco from 1961 to 1966 and saw a few great "Drag Shows" there was nothing to compare to the Cockettes. I'm not sure I would have gone to see this show at the Palace, although some friends might have talked me into it.. and saying that I would never have gone back to see them again. I rated this movie for the nostalgia. Living just off of the Height-Ashbury-Filmore district we often went down to Height St. To watch the beginning of the Flower-children movement and we were always entertained. Great small food places opened up and you could go Cajun , East Indies, Jamaican, Russian, Jewish, etc and the armosphere was great. The best Drag shows in town were at Finocchio's, the Black Cat, and the Gilded Cage. If I remember right Charles Pierce 'Torch Song Trilogy' ( who passed away in 1999, in a town named Toluca Lake Calif). He was the reighning 'Queen Of Drag', and he did a smash-up job of Betty Davis, Tahlulah Bankhead and many more , we all loved him, Bit** that she was. So, I know I have drifted, but had to inject the lagit shows in S.F.
As the New York critics said of the Cockettres, "anyone can drop acid and get up on stage and wiggle there as*, show their private parts, sing off tune and wear women's clothes, but a good Revue this does not make.
So 4 stars for reminding me of all the great times I had in good old San -Francisco-by-the-bay- don't call it Frisco, and you do not wear white after labor day. Herb Cain, Count DeMarco , the fog, trolley's , what a great time............ ciao yaaah69
As the New York critics said of the Cockettres, "anyone can drop acid and get up on stage and wiggle there as*, show their private parts, sing off tune and wear women's clothes, but a good Revue this does not make.
So 4 stars for reminding me of all the great times I had in good old San -Francisco-by-the-bay- don't call it Frisco, and you do not wear white after labor day. Herb Cain, Count DeMarco , the fog, trolley's , what a great time............ ciao yaaah69
10preppy-3
Documentary about a late 1960s-early 1970s San Francisco theatre group called the Cockettes. They all lived together in a commune and were quite a mix...gay, straight, bi, men, women. They all wore incredible, colorful costumes (most of the guys were in drag) and put on musicals that were very mean, vicious, explicitally sexual...and hilarious!
This is a truly incredible movie about an unjustly forgotten group. The movie includes some footage of the actual stage shows they put on along with interviews of the surviving cast members. It gives a view of the 1960s in San Francisco that I've never seen. Just absorbing from the word go. A must see!
Highlight--their parody of Tricia Nixon's wedding is hysterical.
See it!!!!!
This is a truly incredible movie about an unjustly forgotten group. The movie includes some footage of the actual stage shows they put on along with interviews of the surviving cast members. It gives a view of the 1960s in San Francisco that I've never seen. Just absorbing from the word go. A must see!
Highlight--their parody of Tricia Nixon's wedding is hysterical.
See it!!!!!
San Francisco crazies, unbridled idealism, articulate interviewees, and LOTS and LOTS of original footage combine to form a highly entertaining and endearing history of the dance troupe from the late 60s to the early 70s. Great storytelling of a fascinating story.
Did you know
- TriviaOn the Weekend of 22 December 2002, the movie grossed $75.00 (by contrast, The Lord of the Rings: The Two Towers (2002) took in $62,007,000).
- ConnectionsFeatured in The 2003 IFP Independent Spirit Awards (2003)
- SoundtracksEastern Jam
Written by Barry Melton, Bruce Barthol, David Cohen and Gary Hirsch
Performed by Country Joe and the Fish
Published by Joyful Wisdom Music Co. (BMI)
Courtesy of Vanguard Records
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- 50 Years of the Cockettes
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $300,000 (estimated)
- Gross US & Canada
- $220,165
- Opening weekend US & Canada
- $17,118
- May 12, 2002
- Gross worldwide
- $220,165
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