Twisted

To hear Director Philip Kaufman tell it, "Twisted" was supposed to be the best film noire picture since the classics of the 40s. Not so. It has most of the elements of film noire..the dark lighting, the darkened streets and a murder mystery. But it doesn't quite work.

Officer Jessica Shepard (Ashley Judd) is a kick ass police officer who has just been promoted to Homicide Inspector. Now it seems that the comely young officer also has a penchant for violent behavior and one night stands. Her mentor is none other than Police Commissioner John Mills (Samuel L. Jackson) who has raised her and nurtured her career following the tragic deaths of her parents some years earlier.

Shepard's new partner turns out to be Mike Delmarco (Andy Garcia) whom she had unknowingly met the previous evening during a party at a bar in her honor. Suddenly, Jessica's one night lovers begin turning up dead, brutally beaten. At the same time, she has been experiencing blackouts immediately before the murders. She then begins to suspect that she may be responsible.

Sounds good huh? I though so too but on watching it I guessed who the murderer was almost right away. This took away any suspense the director was trying to build by placing suspicion on other characters. We do get some nice shots of San Francisco though.

The petite Ashley Judd is just not convincing as a tough love 'em and leave 'em cop. She does her best work in the psychological scenes where she comes unraveled at the thought that she may be murdering these men. Jackson does the best he can with limited material. He is off screen more than he is on. I thought that his character could have been fleshed out a little more. Garcia, playing an Italian again, does what he can with his role. TV's Camryn Manheim puts in a appearance as the forensic examiner Lisa.

Not nearly as good as Director Philip Kaufman would have you believe.

Just saw TWISTED and I really thought it was great. Though I've spent time there, San Francisco looks so mysterious in the film that it seems like a different city, a fog-bound city of lovers and their killers. Ashley Judd is terrific as the cop who thinks she might be the killer. It is a truly twisted ride to the end. Sam Jackson gives a bravura performance at the end. I read somewhere that he really pursued the film and I can see why. Andy Garcia is great as her strange partner.

TWISTED is a film noir. Someone just sent me an excellent definition: "...a film noir is a crime story in which the characters in the grip of urgent appetites (sex, money and revenge are the most popular) are driven to perform extremely dangerous, complicated and often morally dubious acts, and in which the prevailing mood--a mixture of fear, desire and desperation-- is intensified by both a single-minded economy of narrative and an almost oppressive formality of graphic design.." TWISTED is not a typical Hollywood film, nor is it an Ashley Judd "woman in jeopardy" film. This is a bold role for a great actress.

I've read some extremely stupid and unfair things written here about the film. There is such a thing as a "black out" syndrome (just ask any psychologist) and everything seemed very accurate to me (I have friends who work in law enforcement who also enjoyed the film even though a cop is the killer). I think it's sort of like a political debate where everyone is trying to agree with each other instead of seeing the film for what it is. I hope people can see it and enjoy what the filmmakers clearly intended: a sexy, twisted film noir.

Seeing one popular site with a verdict of 101 bad reviews to just 2 good ones, I almost didn't go, but my S.O. likes some pretty so-so movies if they are exciting or suspenseful, so I took her. I did not find the plot so obvious. I actually enjoyed it a lot--a bit raunchy of course, but "normal" for this kind of flick. I actually recommend it as a thriller. Reviewers are really a bunch of whole assets, arent they? They probably are not too good at acting, screenwriting, directing or producing (though they might do okay as continuity persons!). Jackson, Garcia, Judd and several lesser players are just fine. Reviewers write to keep themselves working for a living, and that requires them to diss a goodly percentage of the movies they review.

* ½ out of ****

I've mentioned it before and I'll say it again; I'm a sucker for mystery thrillers, especially when they involve methodical serial killers. So despite the fact that Twisted was clearly one of the worst reviewed films of the year, I still rented it based on both my preference for the genre and for the film's cast, as I am huge fans of Samuel L. Jackson and Ashley Judd. Andy Garcia, Russell Wong, and Leland Orser are in the film, too, and that's definitely not a shabby supporting cast.

The film stars Judd as San Francisco patrol officer Tess Shepard. After busting a murderer, she's promoted to inspector by the commissioner (Samuel L. Jackson), who also happens to be her legal guardian thanks to a rather sordid past. Tess' new partner is Del Marco (Andy Garcia), and they're quickly assigned to their first case when a corpse is discovered by the shore. The crime is murder but there's a catch; Tess recognizes the dead man, a mere stranger she picked up at a bar a month ago. Another murder occurs, and it's yet another man Tess slept with. And considering she keeps blacking out the night each of the men is killed, she begins to suspect if she's the very own killer they're looking for.

For all that's very wrong with this film, Twisted isn't nearly as bad as I though it'd be. Don't take that as high praise, because the movie's still bad, just not horrible enough that I'd put it on any personal bottom 10 lists.

Because I saw this film just a day after Taking Lives, there was the occasional bit of déjà vu. Remember how I mentioned that film introduced us to the heroine by showing how clever and resourceful she was? Pretty much the same case here, except we also see that Judd's Tess Shepard can kick ass. Her cleverness is displayed through her ability to perfectly describe people and objects she's seen after a brief glance; a fine ability, no doubt, but not something that really impresses in terms of plot and characterization.

The movie's various attempts at building a sense of mystery are suspense are quite pathetic. Examples? Judd keeps hearing a metallic clinking outside her apartment every night before the murders, and she keeps drinking alcohol on those same nights and consequently blacks out. This is a repeated process, so you'd think it take her more than the majority of the film's running time to figure out her drink might be tainted with a drug or that whoever's making that noise might somehow be associated with her blackouts.

Figuring out the identity of the killer is almost too easy. Just follow Roger Ebert's little movie rule about how the culprit is almost always the person who has no other reason to be in the picture and you'll be able to narrow it down real fast.

Twisted is blessed with a surprisingly high-profile cast, and while most everyone is nothing less than decent, it's a bit of a surprise actors of such high-caliber would choose a script that plays out more like 'TV movie of the week' material. I can maybe see the appeal to Ashley Judd in playing a tortured but tough heroine, but Samuel L. Jackson has arguably the film's most thankless role, and he's barely in the picture for more than fifteen minutes. Competent acting is always a great plus in the genre, but it also takes plot and suspense to actually make a thriller with thrills and this movie has absolutely zilch in that department.

Policewoman Jessica Shepard (Ashley Judd) has anger issues and alcohol problems. She's also dealing with a serial killer who is targeting all the guys she ever had sex with. Samuel L. Jackson plays one of her best friends and Andy Garcia is her partner. They try to help but the killings continue and she gets more depressed, confused and angry...

This had the makings of a good film. It starts off with a interesting premise but slowly looses its way. The story is way too long (even at 90 minutes) and there are pointless side trips--WHY does Judd visit the killer from the beginning at his cell? He has nothing to do with anything in the film! The film thinks it's more deep and important than it really is. Also Judd and Garcia (both good actors) are TERRIBLE here. And the final resolution was pretty silly and--if you think of it--unlikely.

There are a few good things here--Jackson is very good (even though he's hardly in the film); it's pretty well-directed; Camryn Manheim is amusing in a small role and drop dead handsome Joe Duer has a fairly explicit sex scene with Judd. But--that's not enough to make this film worth seeing. This came and went VERY quickly--it's easy to see why. Plays like an R rated made for TV movie. I give it a 5.