How to Deal

How to Deal (2003) Cynical seventeen-year-old Mandy Moore has seen love gone wrong too many times in her own family that she refuses to believe it exists in her when a boy (Trent Ford) takes interest. Unlike a high-school-movie-of-the-week, this is a surprisingly thoughtful, sometimes contrived film that takes concern to serious teen issues, but it tries to deal with too much at once. Moore turns in another unaffected, appealing performance, and Allison Janney is a winner as Moore's divorced mother. Based on the young adult novels Someone Like You and That Summer by Sarah Dessen. Running Time: 101 minutes and rated PG-13 for sexual content, drug material, language, and some thematic elements. ** ½

The bright primary colors in which the plot, dialog and characters of this movie are cast gives it away early on: this is a cross between a soap opera and a sitcom, made purely to entertain. As such, it's actually pretty good.

Mandy Moore is adorable. She seems to be learning how to act as she goes along, but isn't that how most of them did it? Give her a few more years and some better scripts to work with and she could be a major star.

The real problem is that for the movie's target audience of middle-class suburban white teenagers it's positively overflowing with groaners -- embarrassing "banter" between the kids, cartoonish characters (idiotic philandering husbands, evil boy-stealing girlfriends), and a preposterous storyline. My own teenage daughter and her friends thought How to Deal was, and I quote, "stupid." But for us middle-aged parents nostalgic for a time in their lives they've almost completely forgotten, it really isn't that bad. Give it a chance.

Halley Martin (Mandy Moore) is a high school student disillusioned with love. She rolls her eyes at her sister Ashley getting married. Her mother Lydia (Allison Janney) is unhappily divorced from her DJ father (Peter Gallagher) who is getting remarried. Her best friend Scarlett Smith (Alexandra Holden) is happily in love until her boyfriend Michael suddenly dies. She's reluctantly to love until Macon Forrester (Trent Ford) finally breaks down her defenses. Scarlett finds out that she's pregnant. Lydia starts dating Steve Beckwith (Dylan Baker).

This starts off as a pretty lame teen rom-com. When it takes an unexpected turn, the movie feels like it's ready to make a honest effort. It keeps trying but the lame teen rom-com continues to reappear. Trent Ford is not capable enough to be the lead. Mandy Moore needs a better partner who is deeper than some floppy hair. It's a struggle between a quirky indie and a more traditional teen movie. There is enough to make a passable movie. Allison Janney is a fun presence. The movie takes a few too many melodramatic turns. It doesn't all work but enough of it does.

How to Deal is not a good movie. It's a stab at a more adult and grown up teenage film and while it doesn't suffer from bad acting, it does suffer from a horribly written script and what is most likely apathetic directing.

Mandy Moore is a decent actress, not great, but decent, and aside from Peter Gallagher, she isn't put up against too many big names, so she holds her own. The problem is that all of these actors are trapped inside a poorly written movie. There are too many specific instances where this film just doesn't cut it. It boils down to this, Mandy's character has to deal with her parents divorce, her sister's wedding, her father's remarrying, her best friend getting pregnant with her deceased boyfriend's baby (it's not what it sounds like), and the fact that despite her misgivings about love, falling in love with the high school clown named Macon. Yes, his name is Macon. The point is there is way too much going on and the movie does not adequately set up any of these events. At one point Haley (Mandy Moore's character) blows up over her Mom not believing that she could remember the last time Haley's comet passed by. She claims no one believes her when she tells people how she feels. Unfortunately, we never see anyone not believing her in the film and it seems more like the director told Mandy to blow up and get angry in this scene without telling her why. Other problems include a random car crash into a tree head on that leaves a Honda Civic hatchback with nothing but a cracked windshield. It leads to laughter it what is supposed to become an emotional scene. There are a few funny moments, but not many. Allison Janney as Mandy Moore's mother is quirky but not funny although she has the only laughs in the movie.

There is just too much wrong with this movie for anything to be right. It has no real point or plot, the acting is mediocre, and you will laugh at parts that are supposed to be dramatic. I can't think of anything good to say at this point, so I probably should say nothing at all.

I almost considered passing up watching this one, but I'm glad I didn't. This movie has all the hallmarks of a bad afterschool special, actually four or five of them smashed together. But just when you think it's about to fall off a cliff of cliches, something unexpectedly intelligent happens. Just when it's about to turn into a tear-jerker, the director puts her camera, almost joyfully, above the rain to show everyone shielding themselves with the church program. Just when you think it's going to turn into a soppy love story, the characters flee from each other, scared out of their minds at the possibility. Just when you think it's going to be a soap opera, Mandy Moore acts her way out of the paper bag that people seem to pigeon-hole her into. You get the idea.

The actors all do well, especially Allison Janney, who puts a real edge to a role that could have easily been mush. I must admit, though, Peter Gallagher, usually a reliable guy, doesn't do much with his aging hipster role. The real joy here is Moore. She's got just enough stuff to hook you into the story, and she's just raw enough that she'll make you believe. And, yeah, the dialogue is corny here and there, but not outrageously so. I have to hand it to the director to keep everyone loose enough to pull off some of these lines, and to make the shots interesting enough for us to care what happens when they do.

The plot, which does have its convolutions and weird devices, is not nearly as interesting as Halley's growth as a character. It's basically a character piece wrapped in a teen romance. And Moore brings it all together.